High-Stakes Playboy. Cindy Dees

chair-flown filming this sequence in her head a hundred times, but seeing it in the flesh was still different. And once the tracers and fake missiles started firing, all bets were off. It would be up to her to see and adapt to capture the best possible shot on film. The footage she shot today would likely determine whether or not she continued to work on this project.

      Adrian Turnow’s voice came over her headset. “I’m turning over control of the shoot to Steve Prescott, head stunt coordinator. Whenever you’re ready, Steve.”

      She listened as Prescott got thumbs-ups over the radio from a dozen stuntmen and explosives operators. He was the ex–Marine officer who’d set up this combat scene to be as realistic as possible. And then he started checking off the cameras. Finally, he announced, “Heli-cam?”

      “Ready,” she replied as snappily as her knocking knees and trembling hands would allow.

      “On my mark, everyone,” Prescott ordered. “Three. Two. One. Go for explosion one.” His orders came hard and fast as wave after wave of gunfire, tanks rolling, soldiers charging on foot, fake missiles, tracer rounds and who knew what else was put into motion. Hundreds of actors, extras and stunt coordinators launched into the complicated ballet that was a big action scene. A dozen cameras rolled, catching the action from every conceivable angle.

      Prescott’s voice came on again. “Archer, start your run on my mark. Three. Two. One. Go.”

      Beside her, Archer slammed the throttles forward and shoved Minerva’s nose down. The helicopter swooped down into the valley in a stomach-dropping dive that threw the bird at the treetops with dizzying speed.

      She felt Archer tense beside her, but her concentration was riveted on her viewfinder. Wow. All hell had broken loose before her. So much was going on she wouldn’t have known where to point her camera had they not gone over it carefully in the simulations. She chanted the sequence in her head. Pan left slowly, zoom fast to the line of soldiers charging. Tank explosion. Hard bank right by the helicopter...

      “You’re supposed to bank right,” she mumbled to Archer.

      “I’m trying,” he ground out.

      A tracer whizzed by wicked close, and although she jerked in surprise, she doggedly held her camera steady. The projectile streaked by dramatically, leaving a trail of sparks and smoke that the helicopter blasted through. That was going to look awesome on film. Good call by Archer to delay the turn.

      They were on top of the action now, and deafening explosions rocked the helicopter. Hard to believe these were fake charges. She couldn’t imagine what the real deal must be like. Hell on earth if she had to guess. Her camera mount had inertial stabilizers built into it, so her shot remained steady in spite of the concussions slamming into Minerva.

      “Time to turn, Archer,” she called out loudly enough to be heard over the war zone outside.

      Columns of smoke rose around them and Archer dropped the bird even lower, skimming across the ground barely above the grass. They buzzed a line of extras dressed as soldiers low enough that some of them hit the dirt in fear of getting brained by the helicopter’s skids. The grunt’s-eye view from her camera was unplanned, but amazing. She went with it, panning across the field of fire and zooming toward the enemy line as Archer raced toward it.

      Something exploded directly in front of them, rocking the helicopter violently. They weren’t supposed to get that close to any pyrotechnics! She lifted her face from her viewfinder to glance over at Archer. “You need to pull up higher and turn the helicopter,” she said distinctly. “All I’m going to be shooting in a minute is dirt.”

      He didn’t in any way acknowledge her. His concentration was one hundred percent on flying. He looked to be fighting hard with the helicopter controls. Was that normal? She knew pilots tended to be fit, muscular guys. Was this why? His jaw was clenched and his knuckles were white on the controls. As well they should be. Minerva was tearing along only feet above the ground.

      “Archer?”

       No response.

      She glanced outside, and the end of the valley was coming up. Fast. Damned fast. A sheer granite cliff rose in front of them.

      “Archer!”

       Nada.

      “Hey! What’s going on?” She slapped him on the upper arm to get his attention. But it was as if he was on another planet. He ignored her completely. She let go of her camera controls and tried to turn in her seat, but the tight harness stopped her. She ripped at the belt buckle frantically, but to no avail. She was strapped in tight. The mountain loomed directly ahead, and it was getting bigger by the second. She could make out individual trees racing toward them. They were going to slam into the cliff in a few seconds!

      “Help me pull,” he grunted.

      Shocked, she grabbed the stick between her knees and pulled back on it. It moved a bit as Archer pulled on it, too.

      “Harder, Marley. We’re going to die.”

      Panic slammed into her as full realization of how much trouble they were in finally registered. Something was wrong with the helicopter, and if they couldn’t turn it in the next few seconds, they were going to crash head-on into that cliff.

      She stood on the rudder pedals and pulled for all she was worth on the stick, straining every bit as hard as Archer. It wasn’t working. Frantic, she started shaking the stick side to side in a desperate effort to break it loose.

      The stick gave way all of a sudden, slamming her back into her seat so hard she hit her head on the cockpit wall. Archer flung Minerva into a violent turn that slammed Marley against her door next.

      The bird banked up onto its side, and all she saw in her windscreen was granite and more granite. They were so close to the cliff that she saw individual clumps of grass clinging to its face. Frankly, she was amazed the skids didn’t scrape the rocks as it turned. The helicopter shuddered as Archer hauled it around, creaking under the strain. He gave a tug back on the throttle, and it moved easily, slowing the bird’s breakneck speed.

      As quickly as the crisis had come, it passed. The helicopter flew forward sedately as if nothing had ever happened.

      She became aware of somebody shouting in her ears. Steve Prescott. “What the hell was that, Archer? Report to me when you land.” She winced. Archer’s boss sounded pissed.

      “Copy,” Archer replied tersely.

      Silence, broken only by the steady thwacking of the rotor blades, filled the cockpit. Archer was as pale as snow in the seat beside her in stark contrast to his black leather jacket.

      “Are we okay?” she asked in a small voice.

      “You tell me,” came the grim reply. He flew low and slow back up the valley toward the airport.

      She took stock of the current situation. They were alive. The bird seemed to be responding to normal control inputs. Archer’s knuckles were no longer white. That was all good, right? “What happened back there?”

      “Did you get your film?”

      “I got a few of the planned shots. Then you went off course.”

      His jaw rippled as if he was clenching it, and damned if it wasn’t one of the sexiest things she’d ever seen.

       Stay on point, Marley. You want to know what just happened and why you nearly died just now. You’re not drooling over the pretty pilot.

      “Can you review your footage right now?” he asked. “Those digital cameras have instant playback, right?”

      Confused, she jammed her face to the viewfinder and watched the raw footage she’d captured in their wild ride down the valley at weed height. The images looked about like she’d expected for the first part. The boys in postproduction would need to push the light a little in editing, but that was no biggie. And then the footage got interesting.