Rich, Rugged Ranchers. Kathie DeNosky

certain reputation? J.R. had had the intense displeasure of working on two Levinson movies—Colors That Run and The Cherry Trees—and both had been sheer torture tests. On his good days, Levinson had been demeaning and derogatory. On his worst days, he had inspired J.R. to envision creative ways to off the man. He couldn’t imagine Levinson had mellowed with age. His kind never did. They just got more and more caustic, leaving nothing but scorched earth behind them.

      And, in Levinson’s case, a growing list of Oscar winners. He was an ass, all right, but because he delivered the box office returns and the shiny little gold men, everyone in Hollywood gave him a free pass. Except J.R., who wasn’t in Hollywood anymore.

      And this Thalia—who looked soft and could pull off innocent—worked directly for him. In so many ways, she was not trustworthy.

      “Are you famous?” Hoss asked.

      J.R. shot Hoss a dirty look, which earned him a grin that bordered on predatory. Did Hoss think he had a shot? Hell, no.

      Thalia’s laugh was small but polite. “Only to my mother. Every time one of my movies comes to Norman, Oklahoma, she rounds up a bunch of friends.” Hints of color graced her cheeks, but she showed no other sign of being embarrassed by this. “They sit through the credits and when my name rolls by, they all stand and cheer. And I’m famous for a whole three minutes.”

      “So you’re not originally from California?” Minnie’s eyes were bright and her smile was huge. She was having fun, J.R. realized. That made him feel better. Not much, but a little.

      “No, I’ve only been there for about ten years.”

      “What does an associate producer do?” Hoss was nailing nice and polite right out of the gate, which only made J.R. look worse. When Hoss was rewarded with a nice smile, J.R. had to fight the urge to kick him under the table. Hoss was not her type. True, J.R. didn’t know exactly what her type was, but Hoss was a decent, honest, hardworking fellow, even if he was a bit of a joker. In other words, he was the kind of man that women like Thalia Thorne probably ate for breakfast.

      “A little bit of everything. I scout locations, arrange funding and hire talent.” She managed to say that entire line without looking at J.R. The amount of effort she put into not looking at him broadcast that she knew he was here, loud and clear.

      “I was in a movie once.” J.R. fought the urge to roll his eyes. “Me and Minnie, we were extra Native Americans in Hell for Leather.” Hoss shook his head in mock sadness. “First, I got killed, then they cut my part. That’s why I gave up Hollywood and stuck to ranching, you know.”

      What a load of crap. Mostly true crap—everything except that last line, which J.R. took as a personal attack. He was about to punch Hoss in the arm when Thalia giggled. “Is that so? Fame can be fickle like that.”

      “Sure can.” Hoss shot him a look that said one thing, and one thing only—I’m winning. “Were you always a producer?”

      “Not originally. I wanted to be an actress.” Thalia’s voice got that soft quality again. “I came close—I had a three-episode arc on Alias—that girl-next-door-superspy show.” Then her eyes brightened and she gave Hoss a grin that said she was in on the joke. “I got killed, too. It’s murder on one’s career to be dying all the time.”

      A former actress? Another strike against her—or it should have been. The way she’d said it felt like she’d plucked a single string somewhere inside J.R. and that string hummed in recognition.

      So what? Hollywood was the land of broken dreams. He would not be swayed by a calculated play on his sympathies. “Do you know that Jennifer Garner?” When Thalia nodded, Minnie’s eyes lit up. “I always wondered if she was a nice person or if she’d kill you.”

      “She’s normal—but the baby showers! You should have seen the gifts!” As Thalia revealed all sorts of firsthand details and Minnie ate it up, J.R. noticed that everything she said was warm and friendly. Nothing malicious passed her lips.

      Not that he was thinking about her lips. That wasn’t it at all.

      No, he was thinking Minnie’s sixth sense might be right—Thalia Thorne didn’t act like someone who’d come digging for dirt. But she’d come for something. What was the question. He knew it was only a matter of time before she got around to it.

      She didn’t seem in a hurry, though. Instead, she ate and talked like they were all the oldest of friends while Minnie passed around the pot roast and the potatoes. They were J.R.’s favorite kind, smashed red potatoes with rosemary and garlic, but tonight, nothing tasted good. To him, anyway. Thalia sat there oohing and aahing over everything, and Minnie looked like she’d hit the jackpot. Lord, it was irritating. It was almost as if he wasn’t even sitting at the table.

      “So, what brings you out our way?” Minnie kept her tone light and friendly, but there was no mistaking that this was the question on everyone’s mind. Including J.R.’s.

      Her gaze cast down, Thalia wiped her mouth with her napkin. For a second, J.R. almost felt sorry for her. So far, she hadn’t done a single thing he’d expected of her, and he got the sense that she knew exactly how far she’d overreached.

      Then she squared her shoulders. “I’m working on a movie tentatively titled Blood for Roses. It’s slated to be released next December.”

      Just in time to be considered for Levinson’s required slew of Oscars, no doubt. “What’s it about?” Hoss was now leaning forward, eyes on Thalia as if every word that fell from her mouth was a ruby.

      “It’s a Western set in Kansas after the Civil War. A family of freed slaves tries to start a new life, but some of the locals aren’t too keen on the idea.” She cleared her throat. This was the pitch, no doubt, but she came off as hesitant to make it. Like she knew that J.R. was going to throw her out, and she didn’t want to go yet. “Eastwood is attached to direct, Freeman has signed on and we’re in talks with Denzel.”

      It was an impressive roster. No doubt Levinson was hoping to break nomination records.

      “Oh, I love Denzel, especially when he’s playing the bad guy.” Thalia had Minnie already, that much was clear. “Have you met him? Is he as sexy in real life as he is in the movies?”

      “It’s not quite the same,” Thalia admitted, “although he is quite good-looking.” She shrugged. “When you’re around famous people long enough, you stop worrying so much about who’s the most famous or who’s the hottest. Sooner or later, it has to come down to whether or not they’re someone you can work with.” This blanket statement that could only be described as reasonable hung out there before she added, “Having said that, Denzel is someone that almost everyone enjoys working with, and his wife is lovely.”

      Then she looked at him. Not the kind of look that asked if he’d bought what she was selling, but the kind of look that seemed to be asking for understanding.

      What the hell was this?

      “So what part did you have in mind for him?” Hoss jerked his chin toward J.R. with all the subtlety of a dead skunk in the middle of the road.

      She favored J.R. with another look that was lost in the no-man’s-land of apologetic and sympathetic. It made her look vulnerable, honest even—which was completely disarming. He didn’t like that look or how it plucked at those strings inside him, not one bit. “I thought James Robert Bradley would be perfect for the role of Sean Bridger, the grizzled Confederate Civil War vet who unexpectedly finds himself helping defend the freedmen’s land.” Her face was almost unreadable, but he could see the pulse at the base of her neck pounding. “I wanted to see if you’d be interested in the part, J.R.”

      Getting him signed on was her idea, not Levinson’s? Wait. There was something more to what she’d said. He scrambled to replay it while keeping his own face blank. She’d thought James Robert was perfect—but she’d asked him, J.R., if he was interested.