The Royals Collection. Rebecca Winters

Slipped into it—that was all. Not fallen through it, not become lost for ever in it, spellbound by the dark magic of an unknown man’s touch.

       She had work to do, she reminded herself. Proper work—not stepping in to do Rick’s work for him. Her real purpose in being here in Milan had nothing to do with models, or fashion, or anything that belonged to the world that had been her father’s. She had her own world and her own place in it. Her world. Her safe, protected and protective world—and that world would never admit into it a man who could bewilder her senses to the point where he might take them prisoner.

      Marco nodded to his PA, handing over to him the documents he had just signed, his mind on the rather trying and over-emotional phone call he’d just had from his sister. She was hoping, he knew, that he would take her son Pietro onto his personal staff once he had completed his university education, with a view to Pietro eventually being appointed to the board of the family business, which comprised a vast empire of various interests built up by successive generations of Lombardy nobles and merchants.

       Marco’s own contribution to those assets had been the acquisition of a merchant bank which had turned him into a billionaire by the time he was thirty.

       Now, at thirty-three, he had turned his attention and his razor-sharp intellect away from the future to focus it instead on the past, and in particular on the artistic legacy originally created by members of his own family and those like it in financing and sponsoring artists as their protégés.

       Marco had never been able to understand quite where his older sister got her emotional intensity from. Their now dead parents had after all been rather distant figures to them, aristocratic and stiffly formal in the way they’d lived their lives. The upbringing of their two children had been left in the hands of nannies and then good schools. Their mother hadn’t been the type to fuss over her children in any way, but especially not physically. She had been the opposite of the normal conception of Italian mothers—proud of them both, Marco knew, but never one to hug or kiss them. Not that Marco looked back on his childhood with any sense of deprivation. His personal space, his personal distance from other people, was important to him.

       However, he could and did understand the concern his sister had about Pietro—even if his keenly logical brain was not able to accept her defence of her son’s reasons for accepting money in return for a so-called ‘modelling’ assignment. Her poor son needed a more generous allowance, she had told him, adding that it was Marco’s fault that Pietro had felt the need to take such a risk, because Marco insisted on Pietro managing on a ridiculously small amount of money. Of course his sister has been quick to assure him that she was grateful to Marco for intervening and going to see the wicked person who had approached her precious son. After all, they both knew what could happen to young innocents who found themselves caught up in the sordid side of modelling.

       Marco’s gaze fell on the silver-framed photograph on his desk. Olivia, the girl in it, looked very young. The photograph had been taken just after her sixteenth birthday. Her pretty face was wreathed in a shy smile, her dark hair curling down onto her shoulders. She looked innocent and malleable, incapable of deceiving or betraying anyone. Her beauty was the beauty of a still unopened rose—there to be seen, but not yet fully mature. Olivia had never reached that maturity. Anger burned inside him—an anger that grew in intensity as out of nowhere he felt an unwanted echo of the electrical jolt of sexual awareness that had shocked through him earlier in the day, for a woman who should have been the last kind of woman on earth who could affect him like that. It had been a momentary failing, that was all, he assured himself. A consequence, no doubt, of the fact that his bed had been empty for the best part of a year, following his refusal to give in to his mistress’s pleas for commitment.

       He stood up and walked over to the window. He didn’t particularly care for city living—or Milan. But for business reasons it made sense to keep an apartment and an office here. It was only one of several properties in his portfolio—some bought by him and some family properties inherited by him.

       If he ever had to choose only one property from that portfolio it would be a magnificent castle built for one of his ancestors who himself had been a collector of the finest works of art.

       Marco had been wary at first when he had been approached by Britain’s Historical Preservation Trust, with a view to his helping with an exhibition being mounted in an Italian inspired English stately home that would chart the history of the British love of Italian paintings, sculpture and architecture via various loaned artefacts, including plans, drawings and artworks. But the assurances he had received from them about the way in which the whole project would be set up and handled had persuaded him to become involved. Indeed he had become involved with it to such an extent that he had volunteered to escort the archivist the trust were sending to Italy on a preliminary tour of the Italian properties it had been decided would best fit with what the exhibition wanted to achieve.

       Dr Wrightington, who had been appointed by the Historical Preservation Trust, would be touring a selection of properties selected by Marco and the trust, and Marco would be accompanying her. Her tour was to begin with a reception in Milan, after which they would visit the first properties on Marco’s list—several villas on the banks of Lake Como to the North of Milan. He knew very little about Dr Wrightington other than the fact that the thesis for her doctorate had been based on the long-running historical connection between the world of Italian art and its artists, and the British patrons who had travelled to the great art studios of Rome and Florence to buy their work, returning home not just with what they had bought but also with a desire to recreate Italian architecture and design in their own homes. The tour would end at one of his own homes, the Castello di Lucchesi in Lombardy.

       Marco looked at his watch, plain and without any discernible logo to proclaim its origins. Its elegance was all that was needed to declare its design status—for those rich enough to recognise it.

       He had an hour before he needed to welcome Dr Wrightington to Milan at the reception he had organised for her in a castle that had originally been the home of the Sforza family—the Dukes of Milan—and what was now a public building, housing a series of art galleries. His own family had been allies of the Sforzas in earlier centuries—a relationship which had benefited both families.

       CHAPTER TWO

      LILY looked round her small anonymous hotel bedroom. Her bag was packed and she was ready to leave, even though it would be half an hour before the taxi would arrive.

       The label on her laptop case caught her eye: Dr Lillian Wrightington. She had changed her surname just after her eighteenth birthday, to avoid association with her famous parents, taking on her maternal grandmother’s maiden name.

       Even now, over a year after she had been awarded her PhD, it still gave her a small thrill to see that title in front of her name.

       Rick couldn’t understand why she had chosen the life she had—but then how could he? His memories of their father were so different from hers.

       She had had the dream again last night, for the first time in ages, knowing that she was dreaming but powerless to wake herself up from it. It always followed the same course. Her father called her into the studio, telling her that she must stand in for a model who had not turned up. The thought of being photographed brought on her familiar fear. She looked for her own camera, wanting to hold it and hide behind it. Then the door to the studio opened and a man came in. His features were obscured, but Lily still knew him—and feared him. As he came towards her she tried to escape from him, calling out to her father as she did so, but he was too busy to pay her any attention. The man reached for her…

       That part of the dream had been completely familiar to her. She had dreamed it a thousand times and more, after all. But then something odd had happened—something new and unfamiliar. As the horror and revulsion had risen up inside her, accompanied by anguish that her father couldn’t see she needed help, the door to the studio had opened again, admitting someone else, and when she’d seen the newcomer she had been filled with relief, running to him, welcoming the feel of his fingers on her arms, knowing that despite the