The Golden Hour. Beatriz Williams

I understand, I really do. But now I need you to understand me, Mr. B—.”

      He turns his face toward me and lifts his eyebrows. At last, his voice goes a little cold, the way a man speaks to another man, his equal. “Oh? Understand what, Mrs. Thorpe? Let us be perfectly clear with each other.”

      “All right, Mr. B—. Listen carefully. In the course of my service in Nassau, in my capacity as a journalist, as an intimate associate of the governor and his wife, I became privy to certain information. Do you catch my drift?”

      There is this silence. I think, Well, he knows this already, doesn’t he? I wrote as much in my note. At the time, I thought I conveyed my meaning in circumspect sentences, that my note was a clever, sophisticated little epistle, but now it seems to me that my note was probably a masterpiece of amateurism, that Mr. B— probably laughed when he read it. Probably he’s suppressing his laughter right now. His silence is the silence of a man controlling his amusement.

      He examines the end of his cigarette. “What kind of information?”

      “You know. The kind of information that might prove embarrassing— embarrassing to say the least—were it to be made known to the general public.”

      He drops his cigarette to the gravel and crushes it with his shoe. “Embarrassing to whom?”

      “To the British government. To the king and queen.”

      Mr. B— reaches into his jacket pocket and removes another cigarette from the case. He lights it with the same care as before, the same series of noises, the scratch and the flare, the covering of the flame. “Mrs. Thorpe,” he says softly, “I’m afraid I have a little confession to make.”

      “Oh?”

      “I may have stretched the truth just a bit, when I told you I was astonished by the contents of your letter.”

      We still sit side by side, except we’ve turned a few degrees inward to address each other. Mr. B—’s elbow rests on the top slat of the bench. Because he’s looking at my face now, almost tenderly, I make a tremendous effort to keep my expression as still as possible. My fingers, however, have developed some kind of tremor. Imagine that.

      “How so?” I ask.

      “I received a memorandum a day or two ago. From a certain member of the Cabinet, in response to a cable sent him from Government House in Nassau. So we had some warning, you see, of your imminent arrival. We had some notion of what to expect.”

      “I see.”

      “Still, your note was—well, it was marvelous. I don’t wish to take anything away from that. My own men couldn’t have done better.”

      “I’m flattered.”

      He leans forward, so I can smell his cigarette breath, the faint echo of whatever it was he ate for lunch. “Mrs. Thorpe, I simply can’t allow that information to go any further. Do you understand?”

      “Of course I understand. That’s why I’m offering to—”

      He drops the cigarette in the gravel and crushes it with his heel. “No, my dear. I don’t think you really do understand.”

      And I’m ashamed to say it’s only now I realize what an idiot I’ve been. Not until this instant does it occur to me to ask why, if Mr. B— received my note in the morning—my note hinting delicately of treason at the highest level, treason within the royal family itself—he waited until the fall of night to meet me, to draw me outside, to walk with me into a darkened square before a thousand windows closed for the blackout.

      Why, indeed.

      I rise from the bench. “Very well. If you’re not going to cooperate, I have no choice—”

      With remarkable swiftness, he rises too, draws a small pistol from his pocket, and lodges the end of it in the middle of my coat, just above the knotted belt.

      “Mrs. Thorpe. I’m afraid I must insist you give me whatever evidence you’ve obtained in this matter.”

      “I don’t have it. Not right here.”

      “Where, then?”

      “In my hotel room.”

      He considers. The pistol remains at my stomach, moving slightly at each beat of my heart. Though my gaze remains on his, I gather the details at the edge of my vision: the trees, bare of leaves; the shrubs, the plantings, all of them shadows against the night, against the murky buildings surrounding us. I observe the distant noise of another omnibus, a faint, drunken cheer from a pub nearby. Possibly, if I screamed, someone might hear me. But I would be dead by the time this noise reached a pair of human ears.

      “It’s well hidden,” I continue. “I could save you a lot of trouble.”

      Mr. B— nudges the pistol against my stomach. “Very well. Move slowly, please.”

      As I begin my turn, I jerk my knee upward, bang smack into the center of his groin. A shot cracks out. I grab the pistol, burning my hand, and slam it into his head, right behind his left ear. He slumps to the ground, and let me tell you, I take off running, hoping to God I don’t have a bullet in me somewhere, hoping to God I knocked him out as well as down.

      As I dart across the street, there’s a shout. I don’t stop to discover where it came from, or whom. The sidewalk’s empty, the street’s dark. The sky’s begun to drizzle. I pass a red postbox, the house with the grand piano in the window I noticed this morning, except you can’t see that piano right now, I can’t see anything, the whole world is dark and wet, each stoop concealing its own shadows. I cross another street, another, not stopping to check for traffic—there isn’t any, not with wartime restrictions on brave, threadbare London—until the familiar white signboard resolves out of the mist, BASIL HOTEL in quaint letters.

      I pull back, undecided, but my momentum carries me forward into another human chest, female chest.

      Oomph! she says, and snatches me by the arms. I lift my hands to push away. I spy a coat, a neck, a fringe of blond hair gathered into a bun.

      The woman in the foyer.

      “Miss Thorpe?” I gasp.

      Her eyes are paler than her brother’s, but I recognize the shape, and the straight, thick eyebrows, though his are a darker gold. The same milky skin, the same freckles. She has pointed cheekbones, a wide, red mouth, a slim jaw. I’m able to drink in all these details because the world seems to have gone still, the clock seems to have stopped, and even the molecules of air, the motes of dust, have stuck in place. Only my blood moves, against the scorched skin of my right hand.

      “You must be Leonora,” she says.

      “Yes.”

      She snatches my elbow and pulls me down the sidewalk. “Come along, quick. My flat’s just around the corner.”

      And it occurs to me, as I career along in her wake, that this is just how her brother appeared in my life. Out of the blue in some foreign land, like a genie from a lamp, just when you needed a wish granted.

       LULU

       JUNE 1941

       (The Bahamas)

      ON THE MAGAZINE COVER, the woman sits on a rattan sofa and the man sits on the floor at her feet, gazing not at the camera but upward, adoringly, at her. She smiles back in approval. She has a book in her lap, open to the frontispiece or maybe the table of contents—she doesn’t look as if she actually means to read it—and in her hair, a ribbon topped with a bow. (A bow, I tell you.) A pair of plump Union Jack sofa pillows flanks either side of her. A real domestic