Название | I Confess |
---|---|
Автор произведения | Alex Barclay |
Жанр | Ужасы и Мистика |
Серия | |
Издательство | Ужасы и Мистика |
Год выпуска | 0 |
isbn | 9780008273026 |
‘Seriously – how are we supposed to get out?’ said Edie.
Behind them, Jessie stood up, swaying, holding her drink high, trying not to spill it.
Laura was pointing to the hole where the doorknob should have been. ‘Can you not just turn the thing inside it?’
‘You can’t,’ said Murph. ‘You have to slide something in between the door and the frame to knock the latch back.’
Edie was sobbing.
‘Shut up,’ said Laura. ‘It’s not like we’re not going to get out.’
‘And I don’t think that sheet worked,’ said Jessie.
The others turned around, and saw the flames crawling along it.
‘Jessie! Get up, for God’s sake!’ said Clare.
‘Get over here!’ said Laura.
‘Will I throw some cider on it?’ said Jessie.
‘No!’ said Laura. ‘Get the fuck away from it!’
‘Don’t throw anything on it except water,’ said Clare.
‘Lads – what’s in those bottles under the counter?’ said Laura. ‘Could any of them be water? Those ones look like camping bottles.’
Jessie bent, put down her can, and picked up a bottle.
‘No, no, no!’ said Clare. ‘Don’t let her near anything! Don’t!’
Jessie started unscrewing the lid. ‘I’m only smelling it.’ She put it too close to her mouth, and tipped some on to her lips. ‘Oh, God no,’ she said, recoiling. ‘That’s kerosene.’ She swung the bottle wide, and everyone watched, horrified, as it sent an arc of fuel across the room.
‘Nooo!’ said Edie, hammering on the door, screaming for help.
‘Get her, Murph!’ shouted Helen, pointing at Jessie.
Flames were starting to rise. Murph reached a hand towards Jessie. ‘Get the fuck over here now.’
‘I’m coming, I’m coming,’ said Jessie. ‘Relax.’ But she took a step sideways, leaned too far, and then staggered back to the other counter.
‘OK – don’t move,’ said Murph. ‘You’re OK, there’s no fire there, but as soon as I get this fucking door open, head for Laura – her jacket’s nice and white, grab the back of it, and go.’
Edie and Laura were slamming their hands against the door, screaming for help. Murph pushed in behind them and hammered at the door with the side of his fist.
They heard a shout from outside, ‘Hello? Hello?’ It was a boy’s voice.
They all screamed. ‘In here! In here! We’re trapped!’ They banged on the door again.
‘Hold on!’ he said. ‘I have a key. Hold on! Stop banging!’
‘It won’t work!’ shouted Murph. ‘The lock’s fucked. Who’s that? Is that Patrick?’
‘Yes!’
‘Help!’ Edie started screaming. ‘It’s Edie! Help!’
‘Thanks be to fuck, Patrick!’ said Murph. ‘Thanks be to fuck!’
‘OK – wait! Wait!’ he said. ‘I’ll get something.’
‘Hurry up!’ said Edie.
‘Hurry the fuck up!’ said Laura.
They could hear him rattling around outside. ‘OK, OK. Stand back a bit.’
‘Jesus, I don’t know if we want to do that,’ said Murph.
‘You’ve not much choice,’ Patrick said. They could hear the sound of metal in between the door and the door frame. ‘Get back!’
They all held hands, and took a small step back. They heard the bang of a hammer against the metal, and the ping as it slid off.
‘Come on t’fuck!’ said Murph. ‘Jesus Christ! Hurry the fuck up!’
‘Shhh!’ said Helen, elbowing him. ‘You’re doing a great job, Patrick!’ she shouted. ‘Keep going. Keep going! Keep your eyes on it, your hand out of the way, and go.’
Patrick tried again and the door burst open. They all ran. When they were clear, Murph stood, bent over, his hands on his knees. ‘Jesus, sorry, lads. I’m so sorry. Fair play to you, Patrick. Fuck’s sake.’ He looked at the others. ‘Lads, – we need to get the fuck out of—’
‘Where’s Jessie?’ said Clare.
Everyone looked around.
‘What?’ said Patrick. ‘Was Jessie here?’
‘Yes!’ screamed Helen. ‘Yes! Oh my God!’
Patrick turned and ran back.
‘Edie – go!’ said Helen. ‘You’re the fastest. Go!’
Edie ran, quickly catching up with Patrick.
Murph looked at Laura. ‘Was she not hanging out of the back of you – Jessie?’
‘What are you on about?’ said Laura.
‘I told her hang on to your jacket,’ said Murph, ‘because it was white and she’d see it!’
‘I didn’t hear you!’ said Laura. ‘I didn’t hear anything about a jacket. I just thought she was coming out behind me!’
Edie and Patrick skidded to a stop at the side door to the dormitory as the wind tore a swathe from the black smoke billowing towards them. They froze. In the clearing, they saw Jessie standing, staring ahead, arms by her side. She was motionless, two steps from the exit, flames encroaching, high and loud and crackling. They screamed her name. She didn’t blink. They screamed again. Jessie closed her eyes, and they watched as she let the flames engulf her.
Edie grabbed for Patrick’s arm, clawing at it with desperate hands, her fingers digging into his flesh. They turned to each other, wild-eyed, mouths open, chests heaving. In the fractional moment their eyes met, they made an unspoken pact: they would never mention what they had seen to another soul.
Or maybe it was a shared granting of permission – to lose the memory to a confusion of smoke or shock.
Edie parked at the bottom of the steps to the inn. She glanced down at the folder on the passenger seat – research she had gathered on the history of Pilgrim Point. She wanted to be able to talk to the guests about it, or include interesting details on the website or in printed cards she would leave in the bedrooms. When she bumped into Murph the previous summer, she told him her plans, and the following day, when he was meeting Johnny in town, he transferred four boxes of his late father’s research into the boot of Johnny’s car.
Edie opened the folder and saw two pages, titled In a Manor of Silence. In all she had read about Pilgrim Point, the words of Henry Rathbrook were the ones that resonated the most – even when she learned that they were not an extract from the handwritten manuscript of a published book, but were among the scattered remains of patient files discovered in an abandoned asylum.
Edie pulled up the hood of her rain coat, tucked her hair inside, and made the short dash up the steps. She pushed through the front door, and let it close gently behind her. Look where my rich imagination got me, she thought. The hall was exactly how she had pictured it on the day of the viewing. But how it looked and how it felt were on two different frequencies. Did it matter that each beautiful choice she had made could light up the eyes of their