God Of Thunder. Alex Archer

protective wall.

      She knew she hadn’t left her pursuers, but she didn’t want them to lose her now. The idea of the four men searching through the theater crowd left her chilled. They needed to know where she was.

      “Hey, lady!” someone yelled. “Down in front! Some of us are here to see the movie!”

      The four men came around the protective wall, briefly backlit by the closing door. Agent Smith pointed his gun and fired. The shot rang out in the enclosed space, but it was quickly drowned out by the dragon’s roar on the film. On-screen, the warriors screamed and ran for their lives. Anyone watching would have thought the film was interactive, because the moviegoers did the same.

      Annja turned and ran toward the lighted emergency exit as a line of bullets chopped into the wall behind her. Evidently the emergency factor compelling the men to seize the package was escalating. She couldn’t keep up the chase or an innocent bystander was going to get hurt.

       3

      Plunging through the emergency door, Annja ran out into the alley behind the theater. Potholes lined the street. Battered Dumpsters filled to overflowing stood resolute as old soldiers against the wall. She spotted some fire escape stairs to her right and headed for them.

      Under the retractable ladder leading up to the fire escape, she leaped up and caught the chain, pulling the ladder down. The ladder clanked through the gears, then halted with a clang that echoed through the alley.

      The noise drew the attention of the four men exiting the theater. As they turned toward her, Annja dropped the package she’d been carrying and climbed the ladder. She crunched her body from side to side, taking the rungs three and four at a time, one side pulling and pushing while the other reached for new hand-and footholds. Her backpack thumped against her back.

      Agent Smith fired at her, and his aim had improved. One of the bullets hit the rung in front of Annja’s face. The round ricocheted with a shrill screech. Two more bullets jackhammered brick splinters that pelted her face and coat.

      Annja didn’t look down. She looked up, focusing on where she wanted to go. Looking back or anywhere else would have divided her attention and slowed her.

      Reaching the rooftop, Annja heaved herself over as a new salvo of shots chopped into the side of the building. She dropped to a squatting position, keeping her head below the edge of the roof.

      The gunfire stopped.

      Annja forced herself to wait. She reached into the otherwhere for her sword and felt the familiar hilt against her palm. All she had to do was pull and it would be there with her.

      But she didn’t do that. The sword was only an option when she was out of all other options. Even Joan of Arc, who had first carried the sword into battle, hadn’t relied on the sword as anything more than a last resort. Joan’s words and actions had brought countries, kings and churches to heel at different times in her young life. Now that the sword belonged to Annja, she knew it carried with it a heavy responsibility.

      Not hearing any sounds on the fire escape, Annja relaxed her hand and the sword faded away. Duckwalking farther down the roof, she cautiously peered over the edge into the alley.

      Agent Smith had the package. He used a small knife to slit it open. Reaching inside, he brought out a Star Wars collector plate that featured Yoda.

      “Yoda?” Agent Smith held up his captured prize in surprise.

      Nikolai had once coerced Annja into accompanying him to a local sci-fi event. As it turned out, Annja had discovered she had a fan base among the convention goers. She was surprised that Nikolai had shoved his prized plate into the package.

      One of the other men spoke rapidly in a guttural language that Annja thought was German. She spoke the five Romance languages fluently, a little Russian and even less German, but she could make her wants known in those languages. The man below spoke too quickly and quietly for her to understand what was said, but she gathered that he wasn’t a happy guy.

      Agent Smith argued with the man, evidently protective of the plate. That made Annja wonder if they even knew what they had been sent after.

      Abruptly, a cell phone chirped for attention. Annja realized it was her phone in the side pocket of the backpack. She pulled her head back just as the men looked up and one of them pointed his weapon at her. The bullet cut through the air where her head had been.

      She fished out the phone, hoping it was Bart returning her earlier call. But she didn’t recognize the phone number on Caller ID. The string of digits logged there were too long to be domestic, and she knew it was an international number.

      The country prefix was 371. She didn’t recognize that, either. Curious, not hearing anyone running up the fire escape and thinking that the call might be from Mario Fellini, Annja answered the phone.

      “Hello.”

      “Ms. Creed?” a woman’s voice asked in a professional manner. There was an accent, too, but Annja couldn’t place it.

      “Speaking.” Annja crept across the rooftop and took up another position. A siren screamed in the distance. She hoped that Nikolai had gotten hold of the police.

      “You don’t know me, Ms. Creed,” the woman said, “and I’m sorry to trouble you. Am I calling at a bad time?”

      “If you’re trying to sell me something, yes.” Annja peered over the roof. The four men, satisfied with their ill-gotten gain or not, had elected to leave.

      They know who I am, Annja realized. It’s not like they’re going to have trouble finding me again if they want to.

      That wasn’t exactly a happy thought. In fact, it made her angry to think she couldn’t go back to her loft. Her work was there. Her life.

      I am not going to be afraid of going home, she told herself as she watched the men flag a cab. She took her small digital camera from her backpack, focused on the men and snapped off captures in rapid succession.

      “I’m not trying to sell you anything, Ms. Creed,” the woman said. “I’m looking for Mario Fellini.”

      “You didn’t say who you were.”

      “I’m Erene Skujans.”

      Annja tried to place the surname as she watched two of the men climb into the cab. One of the other two crossed the street and flagged down another cab headed in the opposite direction.

      A feint at misdirection? Annja wondered. Are they going to separate places, or are they going to meet up somewhere?

      She memorized the cab companies and identification numbers on both cabs. Both were medallion cabs fully licensed by the state of New York.

      “I’m afraid I haven’t seen Mario,” Annja said.

      “It’s important that I speak to him, Ms. Creed.”

      Annja felt irritated. The woman acted as if Annja was being deliberately evasive about Mario Fellini.

      “You did hear the part about me not seeing him, right?” Annja abandoned her post and jogged across the rooftop to the fire escape.

      She started down, taking the steps quickly.

      “I’m afraid Mario may be in trouble,” Erene Skujans said.

      Me, too, Annja thought. Especially since a package he sent me has got guys shooting at me.

      “What kind of trouble?” Annja asked.

      “I don’t know the extent of it.”

      Lie or truth? Annja wondered. She had no way of knowing.

      In the alley, Annja sprinted for the street. She ran toward a line of cabs in front of the theater. Evidently the cab companies had heard about the shooting and had massed in an effort to pick up extra fares desperate to get out of the area.

      “Again,” Annja said, running down