The Woman in the Painting. Kerry Postle

dress; she brushed his hand away. He caught her hand in his; she withdrew it, a delicate hand from a coarse, ill-fitting glove.

      ‘I am the great Sebastiano!’ he said, smoothing his own dark hair back with disappointed fingers. His widow’s peak and pointed beard made his face look, in that moment, like a heart. Vulnerable, he cast his eye around the studio. Had we witnessed his humiliation as the girl rejected him? Overheard the girl’s insolence as she refused his help? Our studied concentration on the jobs in front of us, and our louder-than-usual discussions regarding work-related matters, reassured him. ‘The great Sebastiano!’ he repeated, as he returned to the task in hand: the painting of the girl.

      ‘Your hand needs to be pointing towards your heart,’ he said. Afraid to touch her now, he modelled the pose for this lowborn girl himself.

      I stole a glance at Giulio. His eyes twinkled with tears of mirth. To see the power this model wielded over the maestro entertained him.

      ‘Now turn to the left and look at me. Look at me. Yes, that’s right.’

      I too was amused.

      Yet something niggled at the back of my mind. Who was this worthless girl to treat the ‘great Sebastiano’ so? And how could he let her?

      There was no money in it. And, from appearances today, no profit of the sort Sebastiano was interested in either. Whatever he was hoping to get from her it was apparent that he wasn’t getting it. Nor ever would. I did not know whether to applaud or curse her but one thing was clear – she was not the girl we’d all assumed she was.

      ‘When can you come again?’ The sitting had come to an end and the maestro’s voice was little, beseeching.

      ‘I don’t want to sit for you again. You’ve finished.’

      ‘I haven’t. The hand, pointing to your heart. It’s not quite right.’

      ‘You are the great Sebastiano,’ she said, her voice mocking, ‘you don’t need me to finish your painting.’

      ‘You can’t stop coming. I forbid—’

      The girl raised her hand. She looked around the workshop. It was silent. Conspicuously so.

      ‘Sebastiano!’ Her voice rang out like a warning bell. If she’d intended to bring the maestro to his senses, she hadn’t succeeded.

      Lust and pride, a heady concoction, had got the better of Sebastiano the great. And it made for the most unedifying of sights.

      ‘You WILL come back … Powerful Romans pay a lot for a portrait by Sebastiano Luciani …’ Bitterness twisted itself around his words. ‘I have noble families queuing up for the privilege … yes, it’s a privilege … I paint you and receive nothing in return. Girls like you …’

      She threw her head back and lifted her shoulders. She’d heard enough. ‘Remember, I did not ask to be painted.’ She was strong, proud.

      ‘I have an agreement with your father. I have paid him …’

      ‘To PAINT me,’ she said, giving way momentarily to exasperation. ‘And now you have. But as for—’ She broke off, aware that she had an audience. ‘As for all the rest, believe me when I say that I will not be bought.’

      We silent apprentices listened on. Excitement crackled in the air.

      ‘Besides, my father needs me. There’s a grain shortage going on. It might not affect you, but times are hard for ordinary working Romans.’ She paused. ‘And you made a promise you’d be finished by now. A promise.’

      ‘Margarita. I can gi—’

      ‘Ssh!’ she hissed, trying to silence him. ‘It’s not about the money. All right, I will stay, for a little while longer, if you need to paint my hand. But trust me when I say I am deaf to all other entreaties.’ We waited.

      But as maestro painted model, they said nothing more to each other. Pockets of chat and the sounds of work built up again. The show was over. For the moment.

       Chapter 3

      Giulio was the first to retake the floor. He had finished with the quills and was now back on the lapis lazuli. His eyes twinkled with mischief. ‘They found another body in the Tiber this morning, wearing nothing but a pendant of St Stefano.’ He waited for the gasp. Instead, just when Giulio thought it was over, the disagreement between Sebastiano and his feisty model bubbled up again. Apprentices’ eyes shot to the warring pair but Giulio drew them back again. He would not be outdone. He’d found the maestro’s humiliation as amusing as the rest of us, but what was a lovers’ tiff compared to the gruesome tale he had to tell? Lovers’ tiff? It wasn’t even that. No, Giulio had had his fill of listening to the desperate bleating of a lovesick fool chasing some girl the like of which he could pick up easily in one of Rome’s many brothels.

      He clicked his fingers, gave a dismissive shrug of his shoulders to show his disappointment at the master’s performance, and carried on with his own story. He beckoned us closer. ‘Man. Young,’ he clarified. ‘Found with the remains of his hose wrapped around an ankle, a coin in his throat with a huge stone wedged in his mouth to keep it there, and a pendant of St Stefano wound one time too many around his neck.’

      For a second Giulio looked straight at me, a knowing look on his face. I told myself I was imagining it.

      ‘He was a pretty boy, if you get my meaning,’ he added. I knew then I was not. My stomach lurched. My skin prickled. I felt threatened. But the other apprentices noticed nothing of the tacit communication that had passed between Giulio and myself. All they wanted was for him to go on with his grisly story and they strained their ears to listen some more.

      ‘Nose cut off.’ No longer interested in me, he threw himself into the performance, slicing the air with the side of his hand. While his audience made noises of pity for the pain of losing one body part, he hit them with another. He thrust his hips forward and slapped his two hands between his legs. ‘Cock too.’ This time he grinned like a fool. Smothered titters and horrified howls rippled around him. ‘I even heard that they cut off his …’

      ‘LAMP BLACK!’ Sebastiano’s roar, followed by the sound of something clattering to the floor, put an end to the morning news as told by Giulio. The maestro’s disagreement with his model was over, again, and the one with us was about to start.

      My heart was still thumping against the prison of my ribcage, my mind imagining the dead body. But Giulio had been silenced. For now. And I was glad of it.

      I looked over to discover what had brought about this change. A messenger from the Vatican had finished talking with a disgruntled Sebastiano. The messenger made apologetic gestures; Sebastiano exuded disappointment. The workshop had not secured the large commission after all. I watched him as he returned to his model. He whispered what I deduced from the look on her face was a question. It caused her to pick up the miniature of the artist Raphael that had been thrown down on the table earlier on while the maestro himself moved his head round the workshop like a lit torch in the dark. We looked down at our work.

      ‘You shouldn’t ask a question when you have no desire to know the answer,’ his model’s even voice replied. ‘I am no flatterer, nor will I ever be.’ What could Sebastiano have asked? My mind worked hard to fill in the gaps; all I could come up with were the vain enquiries of a self-deluding madman.

      Sebastiano puffed up his chest. This could only end one way.

      The girl gave her answer. Sebastiano let out a roar.

      We worked hard, harder than ever. Lamp black, lamp black, lamp black, I told myself. The pressure was palpable. The maestro’s roar told us his model’s answer had not been the sweet consolation he was seeking after the papal disappointment. He was going to be taking his frustration out on us for the rest of the day. As I struggled to keep up with the demand for lamp black, the girl who was responsible for Sebastiano’s