Fighter Boys. Patrick Bishop

endurance filled the papers. Men were the most avid readers of these stories, young men and boys. Almost every pilot who fought in Fighter Command in 1940 fell for flying early. Their interest flared with the intensity of a great romance. For some, the first magical taste came with a ten-minute flip in the rear cockpit of one of the rickety machines of the flying circuses that hopped around the country, setting up on racecourses or dropping in at resort towns. The most famous was led by Alan Cobham, a breezy entrepreneur who was knighted for pioneering flights across Asia. Billy Drake was sixteen years old, on holiday from his boarding school in Switzerland, when the circus arrived to put on a display close by his father’s golf club near Stroud. It was half a crown to go up. Drake was already intoxicated with aviation, but his parents tried to dissuade him, partly because flying seemed a dead end for a middle-class boy, but also because they feared for his safety. The brief hop over the Gloucestershire fields was enough to set the course of his early life. ‘When I got down,’ he remembered many years later, ‘I knew that this was it.’¹

      Pete Brothers watched aeroplanes in the skies around his home in Lancashire, where his family owned a firm supplying chemicals to the food and pharmaceutical industries. In his spare time he made model aeroplanes. His family were wary of his enthusiasm. In 1936, on his sixteenth birthday, he was given flying lessons at the Lancashire Aero Club in the hope that the draughty, dangerous reality of flying would cool his ardour. ‘My father said, “You’ll get bored with it, settle down and come into the family business.” But I didn’t. I went off and joined the air force.’ He took his father flying and he, too, became ‘flat-out keen’.²

      Sometimes, unwittingly, parents planted the germ themselves. Dennis David was seven years old and on holiday in Margate when, ‘as a special treat, my mother and I went up in an Avro 504 of the Cornwall Aviation Company. Though I was surprised by the din, this…sowed a seed inside me.’³

      Just the sight of an aeroplane could be enough to ignite the passion. James Sanders got up at five one morning, in July 1933, at the villa in Genoa where his wealthy archaeologist father had moved the family, to watch a formation of twenty-four Savoia Marchetti seaplanes, led by Italo Balbo, the head of the Italian air force, heading west on a propaganda visit to the United States, and felt two certainties. ‘There was going to be a war, there was no question about it, and I was going to be in the air force.’⁴

      Throughout the inter-war years, all around the country, many a flat, boring pasture was transformed into an airfield and became an enchanted domain for the surrounding schoolboys. On summer evenings Roland Beamont would cycle from his prep school in Chichester to the RAF station at Tangmere, climb on to his bicycle to see over the hedge and watch 11 Squadron and 43 Squadron taking off and landing in their Hawker Furies. From the age of seven, when he had been taken up by a barnstorming pilot, he had been entranced with flying. Watching the silver-painted biplanes, the sleekest and fastest in the air force, he decided he ‘wanted more than anything else to be on fighters’.⁵ Twelve years later he was in the middle of the Battle of Britain, flying Hurricanes from the same aerodrome.

      First encounters with aeroplanes and airmen sometimes had the quality of a dream. Bob Doe, a shy schoolboy, was walking home after classes to his parents’ cottage in rural Surrey when ‘an RAF biplane fighter…force-landed in a field close to the road. I was able to walk around it, touch it and feel what was to me [the] beginning of the mystery of aviation.’⁶ Thousands of miles away on the other side of the world, near the town of Westport in the Southern Alps of New Zealand, a small, restless boy called Alan Deere had experienced the same revelation. While playing near his father’s farm he heard the note of an engine in the sky, looked up and saw a tiny silver machine. He had heard of aeroplanes but never seen one. ‘The fact that one was now overhead seemed unbelievable. Where did it come from? Who was the pilot? Where was it going to land?’ After the aircraft put down on a beach, he and his friends stood ‘for long hours…and gazed in silent wonder at the aeroplane until eventually our persistence was rewarded by an invitation to look into the cockpit. There within easy reach was the “joystick”…the very sound of the word conjuring up dreams of looping and rolling in the blue heavens.’ As he studied the instruments ‘there gradually grew within me a resolve that one day I would fly a machine like this and perhaps land on this very beach to the envy and delight of my boyhood friends.’⁷

      Almost all of these recorded episodes feel like encounters with fate. Brian Kingcome was making his languid progress through another term at yet another boarding school when, one sunny afternoon, ‘there came the drone of an aero-engine overhead – not a common sound in the mid 1930s – and a small aircraft circled the school a couple of times at roof-top height. The whole school rushed out to watch spellbound as the tiny machine throttled back and, in that lovely, burbling, swooshing silence that follows the throttling back of an old fashioned aero-engine, glided in to land in the park in front of the house.’ The pilot who emerged, nonchalant and romantic in flying helmet and silk scarf, was a young man, four years Kingcome’s senior, whom he had known at one of the several previous schools his mother’s whims had directed him to.

      ‘Is there a Brian Kingcome here?’ he asked. ‘Have I come to the right place?’

      He had, and there was. My stock soared…Basking in the gaze of many envious eyes, I climbed aboard and a moment later found myself for the first time in a world I had never dreamed could exist – a world free from the drag of earth’s umbilical cord, free to climb, swoop and dive, free of boundaries, free of gravity, free of ties, free to do anything except stand still.⁸

      Whatever their differences of background, all these boys were children of their time. Their enthusiasms were stoked by what they read in the illustrated papers, aimed at the youth market, that sold in millions. These, just as others would do a generation later, leant heavily on the preceding war for their material, and particularly on the doings of the heroes who had emerged from the RFC. The anonymous editors of the comics of the era, with their almost infallible comprehension of the young male psyche, recognized at once the charge that old-fashioned swashbuckling married to modern technology would carry. The example of the first fighter aces fixed itself in the imaginations of a generation being born just as they had met their deaths. Even at nineteen the thoughts of Geoffrey Page as he left his public school to go up to study engineering at London University ‘were boyishly clear and simple. All I wanted was to be a fighter pilot like my hero, Captain Albert Ball. I knew practically all there was to know about Albert Ball; how he flew, how he fought, how he won his Victoria Cross, how he died. I also thought I knew about war in the air. I imagined it to be Arthurian – about chivalry…death and injury had no part in it.’⁹

      Yet the most popular chronicles of the air war were remarkably frank about what was entailed. The deterrent effect appears to have been minimal. Perhaps Fighter Command’s single most effective recruiting sergeant was Captain James Bigglesworth, created by W. E. Johns, who had flown with the RFC in the First World War and whose stories began to appear in Popular Flying magazine in 1932. The first novel, The Camels Are Coming, was published the same year. Biggles seems unattractive now; cold, driven by suppressed anger, a spoilsport and a bit of a bully. He was a devastatingly romantic figure to the twelve- and thirteen-year-olds who went on to emulate him a few years later. Johns introduced them to a

      slight fair-haired, good-looking lad still in his teens but [already] an acting flight commander…his deep-set eyes were never still and held a glint of yellow fire that somehow seemed out of place in a pale face upon which the strain of war, and sight of sudden death, had already graven little lines…He had killed six men during the past month – or was it a year? – he had forgotten. Time had become curiously telescoped lately. What did it matter, anyway? He knew he had to die some time and had long ago ceased to worry about it.

      Many of the stories were based on real events, some relating to Mannock, who appears disguised as ‘Mahoney’. Johns made no attempt to hide the grisliness of the business, emphasizing the man-to-man nature of primitive air fighting. In one story he repeats with approval von Richthofen’s maxim that ‘when attacking two-seaters, kill the gunner first’, and goes on to describe his hero doing just that. ‘Pieces flew off the green fuselage, and as he twisted upwards into a half roll Biggles noticed that the enemy gunner