Lawless. Diana Palmer

mind giving you that authority?” he asked, puzzled.

      She smiled curiously. “Why would he? I’m good at what I do, better than he is, and he knows it. Besides, I don’t have a clue about marketing. That’s his department. Oh, and he pays bills.” She grimaced. “I don’t mind keeping bank statements reconciled and doing projection figures, but I draw the line at writing checks.”

      “I don’t like that, myself,” he had to admit. He chuckled. “I had you pictured as a nice little kid who went to school and let Judd do all the hard work.”

      “Fat chance,” she scoffed. “No man’s supporting me while I sit back and read magazines and paint my fingernails. I’m a hands-on partner.”

      “Judd never seemed like the sort of man who’d tolerate a female partner,” he murmured dryly.

      “You don’t know him well, do you?” she asked, smiling. “He fought really hard to get women into the Jacobsville police force, and he won’t put up with men who denigrate the worth of women in business or law enforcement. Besides, he can cook and clean house better than I can. If he ever gets married for real and has kids, his wife will be lucky. He loves kids,” she added absently, hating the thought that he was determined to get an annulment the second she turned twenty-one, next month, and just about the time that Tippy Moore would be on hand.

      “You look worried.”

      She shrugged. “Tippy Moore is world-famous and beautiful,” she said without thinking. “Judd really perked up when they mentioned she was starring in this movie. He’s never been around women like that. He’s a minister’s son and rather unworldly and conventional in some ways.”

      “You think she’ll captivate him.”

      She met his gaze evenly. “I’m no beauty,” she said flatly. “I’m backwoodsy and I know computers and cattle, but I can’t compete with an internationally famous model who knows how to act seductive. She’ll draw men like flies, you watch.”

      “Not me,” he said easily. “I’m immune.”

      “Judd won’t be,” she said worriedly.

      “Judd’s a grown man. He can take care of himself.” He was remembering, and not wanting to disillusion her by admitting, that Judd had very little trouble attracting beautiful women in the old days. The man was no Romeo, but he was handsome and confident and aggressively seductive with women he wanted. He was also successful. He didn’t mention that to Crissy. It would have crushed her. He wondered if she knew how much her feelings for Judd showed when she talked about him.

      “I suppose he can,” she murmured. She picked up her cup and sipped her hot coffee. “I wish we didn’t have to have film people climbing all over the ranch,” she added impatiently. “But they’re offering us a small fortune to use it for location shooting, and we need the money so badly that we can’t refuse.” She sighed. “That old saying’s right, isn’t it, that everybody has a price. I didn’t think I did, but I do want to replace that Salers bull.” She smiled doggedly. “We don’t insure against cattle losses, but at least he’ll be a tax deduction as a business loss.” She shook her head. “I paid five thousand dollars for that bull. If Clark did poison him, and I can find a way to prove it, I’m going to take him all the way to the Supreme Court. I might not get my five thousand back, but I’ll take it out in trade.”

      He chuckled. “I like your style, Crissy Gaines.”

      She smiled at him over her coffee cup. “If I can get proof, will you arrest him for me?”

      “Of course.” He sobered. “But don’t go looking for trouble alone.”

      “Not me. I’m the cautious type.”

      He doubted that, but he wasn’t going to argue about it. “Are you game to get back on the dance floor?”

      “You bet!”

      He grinned and took her hand, leading her back out. The band leader, noticing them, immediately stopped the slow country tune they were playing and broke out with a cha-cha. Everybody laughed, including the couple of the evening out on the dance floor.

      * * *

      Saturday morning, bright and early, the director, the assistant director, the cameraman, the cinematographer, the sound man, two technicians and the stars of the movie came tooling up the dirt driveway to the ranch in a huge Ford Expedition.

      Judd had just driven up in the yard a minute ahead of them. Christabel and Maude came out on the porch to meet them. Maude was in an old housedress, with her hair every which way. Christabel was wearing jeans and a cotton shirt, her hair in a neat braid. But when she saw the redheaded woman getting out of the big vehicle, her heart fell to her boots.

      It didn’t help that Judd went straight toward the woman, without a single glance back at Christabel, to help her down out of the high back seat with his hands around her tiny waist.

      She laughed, and it was the sound of silver bells. She had a perfect smile—white teeth and a red bow mouth. Her figure was perfect, too. She was wearing a long swirly green dress that clung to the long, elegant lines of her body. Judd was looking at her with intent appreciation, a way he’d never looked at plain little Christabel. Worse, the model looked back at him with abject fascination, flirting for all she was worth.

      “She’s an actress,” Maude said with a comforting hand on her arm. “She’d never fit in here, or want to, so stop looking like death on a marble slab.”

      Christabel laughed self-consciously. “You’re a treasure,” she whispered.

      “And I’m cute, too,” Maude said with a wide grin. “I’ll go make a pot of coffee and slice some pound cake. They can come in and get it when they’re ready.”

      “Christabel!” Judd called sharply.

      She glanced ruefully at Maude and hopped down the steps with her usual uninhibited stride and stopped beside Judd as he made introductions.

      “This is Christabel Gaines. She’s part owner of the ranch. Christabel, I’m sure you remember Joel Harper, the director,” he said, introducing the short man in glasses and a baseball cap, who smiled and nodded. “This is Rance Wayne, the leading man.” He nodded toward a handsome tall man with blond hair and a mustache.

      “This is Guy Mays, the assistant director,” he continued, introducing a younger man who was openly leering at the model. “And this is Tippy Moore,” he added in a different tone, his eyes riveted to the green-eyed redhead, who gave Christabel a fleeting glance that dismissed her as no competition, and then proceeded to smile brilliantly up at Judd.

      “I’m very glad to meet you,” Christabel said politely.

      “Likewise. We’re ready to start shooting Monday,” Harper told Judd. “We just need to discuss a few technical details...”

      “If you want to know anything about the livestock,” Christabel began.

      “We’ll ask Judd,” the model said in a haughty, husky voice. “He’d surely know more than you would,” she added with deliberate rudeness.

      Christabel’s dark eyes flashed. “I grew up here...” she began belligerently.

      “Judd, I’d love to see that big bull you told us about,” the model cooed, taking Judd’s arm in her slender hands and tugging him along.

      Christabel was left standing while Judd walked obediently toward the big barn with Tippy and Joel Harper and his entourage. She wanted to chew nails. She was, after all, a full partner in the ranch. But apparently they considered her too young to make big decisions, and Judd was too fixated on the redhead to care that she’d been dismissed as a nobody on her own place.

      She glared after them until the sound of a horse approaching caught her attention. Nick Bates, their livestock foreman and ranch manager, came riding up, his tall, lithe figure slumped in the saddle.

      “What’s