The Time Ships. Stephen Baxter

time that winter had been banished from the world of A.D. 802,701 – whether by natural evolution, geogonic planning or the re-engineering of the sun himself I could not say – and so I should have no need of winter greatcoats and scarves in futurity. I donned a hat, to keep the future sun from my pale English brow, and dug out my stoutest pair of walking boots.

      I grabbed a small knapsack and proceeded to throw myself about the house, ransacking cupboards and drawers for the equipment I thought I would need for my second journey – much to the alarm of poor, patient Mrs Watchets, who, I am sure, had long since resigned my sanity to the mists of mythology! As is my way, I was in a fever to be off, and yet I was determined not to be quite so impetuous as the first time, when I had travelled across eight thousand centuries with no more protection than a pair of house-shoes and a single box of matches.

      I crammed my knapsack with all the matches I could find in the house – in fact, I dispatched Hillyer to the tobacconist’s to purchase more boxes. I packed in camphor, and candles, and, on an impulse, a length of sturdy twine, in case, stranded, I should need to make new candles of my own. (I had little conception of how one goes about such manufacture, incidentally, but in the bright light of that optimistic morning I did not doubt my ability to improvise.)

      I took white spirit, salves, some quinine tabloids and a roll of bandage. I had no gun – I doubt if I should have taken it, even if I had possessed one, for what use is a gun when its ammunition is exhausted? – but I slipped my clasp-knife into my pocket. I packed up a roll of tools – a screwdriver, several sizes of spanner, a small hacksaw with spare blades – as well as a range of screws and lengths of nickel, brass and quartz bars. I was determined that no trivial accident befalling the Time Machine should strand me in any disjointed future, for want of a bit of brass: despite my transient plan to build a new Time Machine when my original was stolen by the Morlocks in 802,701, I’d seen no evidence in the decayed Upper-world that I should be able to find the materials to repair so much as a sheared screw. Of course, the Morlocks had retained some mechanical aptitude, but I did not relish the prospect of being forced to negotiate with those bleached worms for the sake of a couple of bolts.

      I found my Kodak, and dug out my flash trough. The camera was new-loaded with a roll of a hundred negative frames on a paper-stripping roll. I remembered how damned expensive the thing had seemed when I had bought it – no less than twenty-five dollars, purchased on a trip to New York – but, if I should return with pictures of futurity, each of those two-inch frames would be more valuable than the finest paintings.

      Now, I wondered, was I ready? I demanded advice of poor Mrs Watchets, though I would not tell her, of course, where I was intending to travel. That good woman – stolid, square, remarkably plain, and yet with a faithful and imperturbable heart – took a look inside my knapsack, crammed as it was, and she raised one formidable eyebrow. Then she made for my room and returned with spare socks and underwear, and – here I could have kissed her! – my pipe, a set of cleaners, and the jar of tobacco from my mantel.

      Thus, with my usual mixture of feverish impatience and superficial intelligence – and with an unending reliance on the good will and common sense of others – I made ready to return into time.

      Bearing my knapsack under one arm and my Kodak under the other, I made towards my laboratory, where the Time Machine waited. When I reached the smoking-room, I was startled to find that I had a visitor: one of my guests of the previous evening, and perhaps my closest friend – it was the Writer of whom I have spoken. He stood at the centre of the room in an ill-fitting suit, with his tie knotted about as rough as you could imagine, and with his hands dangling awkward by his side. I recalled again how, of the circle of friends and acquaintances whom I had gathered to serve as the first witnesses to my exploits, it was this earnest young man who had listened with the most intensity, his silence vibrant with sympathy and fascination.

      I felt uncommon glad to see him, and grateful that he had come – that he had not shunned me as eccentric, as some might, after my performance of the evening before. I laughed, and, burdened as I was with sack and camera, I held out an elbow; he grasped the joint and shook it solemnly. ‘I’m frightfully busy,’ I said, ‘with that thing in there.’

      He studied me; I thought there was a sort of desperation to believe in his pale blue eyes. ‘But is it not some hoax? Do you really travel through time?’

      ‘Really and truly, I do,’ I said, holding his gaze as long as I could, for I wanted him to be convinced.

      He was a short, squat man, with a jutting lower lip, a broad forehead, wispy sideboards and rather ugly ears. He was young – about twenty-five, I believe; two decades younger than myself – yet his lank hair was already receding. His walk had a sort of bounce and he had a certain energy about him – nervous, like a plump bird’s – but he always looked sickly: I know he suffered haemorrhages, from time to time, from a soccer-game kicking to the kidneys he had received when working as a teacher in some Godforsaken private school in Wales. And today, his blue eyes, though tired, were filled, as ever, with intelligence and a concern for me.

      My friend worked as a teacher – at that time, of pupils by correspondence – but he was a dreamer. At our enjoyable Thursday-night dinner parties in Richmond, he would pour out his speculations on the future and the past, and share with us his latest thoughts on the meaning of Darwin’s bleak, Godless analysis, and what-not. He dreamed of the perfectibility of the human race – he was just the type, I knew, who would wish with all his heart that my tales of time travel were true!

      I call him ‘Writer’ out of an old kindness, I suppose, for as far as I knew, he had only had published various awkward speculations in college journals and the like; but I had no doubt that his lively brain would carve him out a niche in the world of letters of some sort – and, more to the point, he had no doubt of it either.

      Though I was eager to be off, I paused a moment. Perhaps the Writer could serve as my witness on this new voyage – in fact, I wondered now, it could be that he was already planning to write up my earlier adventures in some gaudy form for publication.

      Well, he would have my blessing!

      ‘I only want half an hour,’ I said, calculating that I could return to this precise time and place with a mere touch of the levers of my machine, no matter how long I chose to spend in the future or past. ‘I know why you came, and it’s awfully good of you. There’s some magazines here. If you’ll stop to lunch, I’ll prove you this time travelling up to the hilt, specimens and all. If you’ll forgive my leaving you now?’

      He consented. I nodded to him and, without further ado, I set off down the corridor to my laboratory.

      So I took my leave of the world of 1891. I have never been a man of deep attachments, and I am not one for flowery farewells; but had I known I should never see the Writer again – at least, not in the flesh – I fancy I would have made something more of a ceremony of it!

      I entered my laboratory. It was laid out something like a milling-shop. There was a steam lathe attached to the ceiling, which powered various metal-turning machines by means of leather bands; and fixed to benches around the floor were smaller lathes, a sheet-metal stamp, presses, acetylene welding sets, vices and the like. Metal parts and drawings lay about on the bench, and abandoned fruits of my labours lay in the dust of the floor, for I am not by nature a tidy man; lying at my feet now, for example, I found the nickel bar which had held me up before my first sojourn into time – that bar which had proved to be exactly one inch short, so that I had had to get it remade.

      I had spent much of two decades of my life in this room, I reflected. The place was a converted conservatory, giving onto the garden. It was built on a framework of slender, white-painted wrought iron, and had once given a decent view of the river; but I had long since boarded up the panes, to assure myself of a consistency of light and to deter the curious eyes of my neighbours. My various tools and devices loomed in that oily darkness, and now they reminded me of my half-glimpses of the great machines in the caverns of the Morlocks. I wondered if I myself might not have some morbid streak of the Morlock! When I returned, I resolved, I would kick out the boards and glaze up the room once again, and make it a place of Eloi light rather than Morlock gloom.

      Now