They Came to Baghdad. Agatha Christie

behind Carmichael, the long curved knife he had just pulled from beneath his garments. In another moment that knife would have been buried in Carmichael’s back.

      Like a flash Carmichael wheeled round. With a low flying tackle he brought the other to the ground. The knife flew across the room. Carmichael disentangled himself quickly, leaped over the other’s body, rushed through the outer room where he caught a glimpse of the merchant’s startled malevolent face and the placid surprise of the fat Hajji. Then he was out, across the khan, back into the crowded souk, turning first one way, then another, strolling again now, showing no signs of haste in a country where to hurry is to appear unusual.

      And walking thus, almost aimlessly, stopping to examine a piece of stuff, to feel a texture, his brain was working with furious activity. The machinery had broken down! Once more he was on his own, in hostile country. And he was disagreeably aware of the significance of what had just happened.

      It was not only the enemies on his trail he had to fear. Nor was it the enemies guarding the approaches to civilization. There were enemies to fear within the system. For the passwords had been known, the responses had come pat and correct. The attack had been timed for exactly the moment when he had been lulled into security. Not surprising, perhaps, that there was treachery from within. It must have always been the aim of the enemy to introduce one or more of their own number into the system. Or, perhaps, to buy the man that they needed. Buying a man was easier than one might think—one could buy with other things than money.

      Well, no matter how it had come about, there it was. He was on the run—back on his own resources. Without money, without the help of a new personality, and his appearance known. Perhaps at this very moment he was being quietly followed.

      He did not turn his head. Of what use would that be? Those who followed were not novices at the game.

      Quietly, aimlessly, he continued to stroll. Behind his listless manner he was reviewing various possibilities. He came out of the souk at last and crossed the little bridge over the canal. He walked on until he saw the big painted hatchment over the doorway and the legend: British Consulate.

      He looked up the street and down. No one seemed to be paying the least attention to him. Nothing, it appeared, was easier than just to step into the British Consulate. He thought for a moment, of a mousetrap, an open mousetrap with its enticing piece of cheese. That, too, was easy and simple for the mouse …

      Well, the risk had to be taken. He didn’t see what else he could do.

      He went through the doorway.

       CHAPTER 6

      Richard Baker sat in the outer office of the British Consulate waiting until the Consul was disengaged.

      He had come ashore from the Indian Queen that morning and seen his baggage through the Customs. It consisted almost entirely of books. Pyjamas and shirts were strewed amongst them rather as an afterthought.

      The Indian Queen had arrived on time and Richard, who had allowed a margin of two days since small cargo boats such as the Indian Queen were frequently delayed, had now two days in hand before he need proceed, via Baghdad, to his ultimate destination, Tell Aswad, the site of the ancient city of Murik.

      His plans were already made as to what to do with these two days. A mound reputed to contain ancient remains at a spot near the seashore in Kuwait had long excited his curiosity. This was a heaven-sent opportunity to investigate it.

      He drove to the Airport Hotel and inquired as to the methods of getting to Kuwait. A plane left at ten o’clock the following morning, he was told, and he could return the following day. Everything therefore was plain sailing. There were, of course, the inevitable formalities, exit visa and entry visa for Kuwait. For these he would have to repair to the British Consulate. The Consul-General at Basrah, Mr Clayton, Richard had met some years previously in Persia. It would be pleasant, Richard thought, to meet him again.

      The Consulate had several entrances. A main gate for cars. Another small gate leading out from the garden to the road that lay alongside the Shatt el Arab. The business entrance to the Consulate was in the main street. Richard went in, gave his card to the man on duty, was told the Consul-General was engaged at the moment but would soon be free, and was shown into a small waiting-room to the left of the passage which ran straight through from the entrance to the garden beyond.

      There were several people already in the waiting-room. Richard hardly glanced at them. He was, in any case, seldom interested by members of the human race. A fragment of antique pottery was always more exciting to him than a mere human being born somewhere in the twentieth century AD.

      He allowed his thoughts to dwell pleasantly on some aspects of the Mari letters and the movements of the Benjaminite tribes in 1750 BC.

      It would be hard to say exactly what awoke him to a vivid sense of the present and of his fellow human beings. It was, first, an uneasiness, a sense of tension. It came to him, he thought, though he could not be sure, through his nose. Nothing he could diagnose in concrete terms—but it was there, unmistakable, taking him back to days in the late war. One occasion in particular when he, and two others, had been parachuted from a plane, and had waited in the small cold hours of dawn for the moment to do their stuff. A moment when morale was low, when the full hazards of the undertaking were clearly perceived, a moment of dread lest one might not be adequate, a shrinking of the flesh. The same acrid, almost imperceptible tang in the air.

      The smell of fear …

      For some moments, this registered only subconsciously. Half of his mind still obstinately strove to focus itself BC. But the pull of the present was too strong.

      Someone in this small room was in deadly fear …

      He looked around. An Arab in a ragged khaki tunic, his fingers idly slipping over the amber beads he held. A stoutish Englishman with a grey moustache—the commercial traveller type—who was jotting down figures in a small notebook and looking absorbed and important. A lean tired-looking man, very dark-skinned, who was leaning back in a reposeful attitude, his face placid and uninterested. A man who looked like an Iraqi clerk. An elderly Persian in flowing snowy robes. They all seemed quite unconcerned.

      The clicking of the amber beads fell into a definite rhythm. It seemed, in an odd way, familiar. Richard jerked himself to attention. He had been nearly asleep. Short—long—long—short—that was Morse—definite Morse signalling. He was familiar with Morse, part of his job during the war had dealt with signalling. He could read it easily enough. OWL. F-L-O-R-E-A-T-E-T-O-N-A. What the devil! Yes, that was it. It was being repeated. Floreat Etona. Tapped out (or rather clicked out) by a ragged Arab. Hallo, what was this? ‘Owl. Eton. Owl.’

      His own nickname at Eton—where he had been sent with an unusually large and solid pair of spectacles.

      He looked across the room at the Arab, noting every detail of his appearance—the striped robe—the old khaki tunic—the ragged hand-knitted red scarf full of dropped stitches. A figure such as you saw hundreds of on the waterfront. The eyes met his vacantly with no sign of recognition. But the beads continued to click.

       Fakir here. Stand by. Trouble.

      Fakir? Fakir? Of course! Fakir Carmichael! A boy who had been born or who had lived in some outlandish part of the world—Turkestan, Afghanistan?

      Richard took out his pipe. He took an exploratory pull at it—peered into the bowl and then tapped it on an adjacent ashtray:Message received.

      After that, things happened very fast. Later, Richard was at pains to sort them out.

      The Arab in the torn army jacket got up and crossed towards the door. He stumbled as he was passing Richard, his hand went out and clutched Richard to steady himself. Then he righted himself, apologized and moved towards the door.

      It was so surprising and happened so quickly that it seemed to Richard like a cinema scene