The Office of the Dead. Andrew Taylor

impersonal thing.

      David swiftly arranged the next stage of my life, barely bothering to consult me. His charity was as impersonal as his sex appeal. He was helping me because he felt he ought to or because Janet had asked him to. He was earning good marks in heaven or with Janet, possibly both.

      A few hours later I was in a second-class smoking compartment and the train was pulling out of the echoing cavern of Liverpool Street Station. I still had the hangover but time, tea and aspirins had dulled the skewers of pain and made them irritating but bearable, like a certain sort of old friend. My suitcase was above my head and the two trunks would be following by road. I had bathed and changed. I’d even managed to eat and keep down a meal that wasn’t quite breakfast and wasn’t quite lunch. David wasn’t with me – his conference ended at lunchtime tomorrow.

      The train lumbered north between soot-streaked houses beneath a smoky sky.

      ‘Let’s face it,’ I told myself as the train began to gather speed and I fumbled for my cigarettes, ‘he doesn’t give a damn about me. And why the hell should he?’

      It occurred to me that I wasn’t quite sure which he I meant.

      After Cambridge the countryside became flat. The train puffed on a straight line with black fields on either side. It was already getting dark. The horizon was a border zone, neither earth nor sky. I was alone in my compartment. I felt safe and warm and a little sleepy. If the journey went on for ever, that would have been quite all right by me.

      The train began to slow. I looked out of the window and saw in the distance the spire of Rosington Cathedral. The closer we got to it, the more it looked like a stone animal preparing to spring. I went to the lavatory, washed a smut off my cheek and powdered my nose. David had telephoned Janet and asked her to meet me.

      By the time I got back to the compartment, the platform was sliding along the window. I pulled down my suitcase and left the train. The first thing I noticed was the wind that cut at my throat like a razor blade. The wind in Rosington isn’t like other winds, Janet had written in one of her letters, it comes all the way from Siberia and over the North Sea, it’s not like an English wind at all.

      Janet wasn’t on the platform. She wasn’t at the barrier. She wasn’t outside, either.

      I dragged my suitcase through the ticket hall and into the forecourt beyond. The station was at the bottom of the hill. At the top was the stone mountain. The wind brought tears to my eyes. A tall clergyman was climbing into a tall, old-fashioned car. He glanced at me with flat, incurious eyes.

      Before I went to Rosington I didn’t know any priests. They were there to be laughed at on stage and screen, avoided like the plague at parties, and endured at weddings and funerals of the more traditional sort. After Rosington, all that changed. Priests became people. I could believe in them.

      I wasn’t any nearer believing in God, mind you. A girl has her pride. Sometimes, though, I wish I could think that it was all for the best in the long run. That God had a plan we could follow or not follow, as we chose. That when bad things happened they were due to evil, and that even evil had a place in God’s inscrutable but essentially benevolent plan.

      It’s nonsense. Why should we matter to anyone, least of all to an omnipotent god whose existence is entirely hypothetical? I still think that Henry got it right. It was one evening in Durban, and we were having a philosophical discussion over our second or third nightcaps.

      ‘Let’s face it, old girl,’ he said, ‘it’s as if we’re adrift on the ocean in a boat without oars. Not much we can do except drink the rum ration.’

      At Rosington station, I watched the clergyman’s car driving up the hill into the darkening February afternoon. I waited a few more minutes for Janet. I went back into the station and phoned the house. Nobody answered.

      So there was nothing for it but one of the station taxis. I told the driver to take me to the Dark Hostelry in the Close. In one of her letters, Janet said someone told her that in the Middle Ages, when Rosington was a monastery, the Dark Hostelry was where visiting Benedictine monks would stay. The ‘Dark’ came from the black habits of the order.

      The taxi took me up the hill and through the great gateway, the Porta, and into the Close. I saw small boys in caps and shorts and grey mackintoshes. Perhaps they were at the Choir School. None of the boys would remember Henry. Six years is a long time in the life of a school.

      We followed the road round the east end of the Cathedral and stopped outside a small gate in a high wall. I didn’t ask the driver to carry in my suitcase – it would have meant a larger tip. I pushed open the gate in the wall, and that’s when I saw Rosie playing hopscotch.

      ‘And what’s your name?’ I asked.

      ‘I’m nobody.’

      Rosie wasn’t wearing a coat. There she was in February playing outside and wearing sandals and a dress, not even a cardigan. The light was beginning to go. Some children don’t feel the cold.

      ‘Nobody?’ I said. ‘I’m sure that’s not right. I bet you’re really somebody. Somebody in disguise.’

      ‘I’m nobody. That’s my name.’

      ‘Nobody’s called nobody.’

      ‘I am.’

      ‘Why?’

      ‘Because nobody’s perfect.’

      And so she was. Perfect. I thought, Henry, you bastard, we could have had this.

      I called after Rosie as she skipped down the path towards the house. ‘Rosie! I’m Auntie Wendy.’

      I felt a fool saying that. Auntie Wendy sounded like a character in a children’s story, the sort my mother would have liked.

      ‘Can you tell Mummy I’m here?’

      Rosie opened the door and skipped into the house. I picked up my case and followed. I was relieved because Janet must have come back. She wouldn’t have left a child that age alone.

      The house was part of a terrace. I had a confused impression of buttresses, the irregular line of high-pitched roofs against a grey velvet skyline, and small deeply recessed windows. At the door I put down my case and looked for the bell. There were panes of glass set in the upper panels and I could see the hall stretching into the depths of the building. Rosie had vanished. Irregularities in the glass gave the interior a green tinge and made it ripple like Rosie’s hair.

      A brass bell pull was recessed into the jamb of the door. I tugged it and hoped that a bell was jangling at the far end of the invisible wire. There was no way of knowing. You just had to have faith, not a state of mind that came easily to me at any time. I tried again, wondering if I should have used another door. The skin prickled on the back of my neck at the possibility of embarrassment. I waited a little longer. Someone must be there with the child. I opened the door and a smell of damp rose to meet me. The level of the floor was a foot below the garden.

      ‘Hello?’ I called. ‘Hello? Anyone home?’

      My voice had an unfamiliar echo to it, as though I had spoken in a church. I stepped down into the hall. It felt colder inside than out. A clock ticked. I heard light footsteps running above my head. There was a click as a door opened, then another silence, somehow different in quality from the one before.

      Then the screaming began.

      There’s something about a child’s screams that makes the heart turn over. I dropped the suitcase. Some part of my mind registered the fact that the lock had burst open in the impact of the fall, that my hastily packed belongings, the debris of my life with Henry, were spilling over the floor of the hall. I ran up a flight of shallow stairs and found myself on a long landing.

      The door at the end was open. I saw Rosie’s back, framed in the doorway. She wasn’t screaming any more. She was standing completely still. Her arms hung stiffly by her sides as though they were no longer jointed at the elbows.

      ‘Rosie! Rosie!’