The Office of the Dead. Andrew Taylor

for any length of time. When he was feeling wealthy we rented flats or stayed in hotels. When money was tight, we went into furnished rooms.

      But I was going to spend a few days with Janet and David in Rosington after Easter 1957. Just me, of course – Henry had to go away on what he called a business trip, and in any case he didn’t want to go back to Rosington. Too many people knew why he’d left.

      I’d even done my packing. Then the day before I was due to go, a telegram arrived. Mrs Treevor had had a massive heart attack. Once again the visit was postponed. She died three days later. Then there was the funeral, and then the business of settling Mr Treevor into a flat in Cambridge. Janet wrote that her father was finding it hard to cope since her mother’s death.

      So we continued to write letters instead. Despite her mother’s death, it seemed to me that Janet had found her fairy tale. She sent me photographs of Rosie, as a baby and then as a little girl. Rosie had her mother’s colouring and her father’s features. It was obvious that she too was perfect, just like David and the Dark Hostelry.

      Life’s so bloody unsubtle sometimes. It was all too easy to contrast Janet’s existence with mine. But you carry on, don’t you, even when your life is more like one long hangover than one long party. You think, what else is there to do?

      But there was something else. There had to be, as I found out on a beach one sunny day early in October 1957. Henry and I were staying at a hotel in the West Country. We weren’t on holiday – a potential client lived in the neighbourhood, a wealthy widow.

      It was a fine afternoon, warm as summer, and I went out after lunch while Henry went off to a meeting. I wandered aimlessly along the beach, a Box Brownie swinging from my hand, trying to walk off an incipient hangover. I rounded the corner of a little rocky headland and there they were, Henry and the widow, lying on a rug.

      She was an ugly woman with a moustache and fat legs. I had a very good view of the legs because her dress was up around her thighs and Henry was bouncing around on top of her. His bottom was bare and for a moment I watched the fatty pear-shaped cheeks trembling. The widow was still wearing her shoes, which were navy-blue and high-heeled, surprisingly dainty. I wouldn’t have minded a pair of shoes like that. I remember wondering how she could have walked across the sand in such high heels, and whether she realized that sea water would ruin the leather.

      I had never seen Henry from this point of view before. I knew he was vain, and hated the fact that he was growing older. (He secretly touched up his grey hairs with black dye.) The wobbling flesh was wrinkled and flabby. Henry was getting old, and so was I. It was the first moment in my life when I realized that time was running out for me personally as well as for other people and the planet.

      Maybe it was the alcohol but I felt removed from the situation, capable of considering it as an abstract problem. I walked towards them, my bare feet soundless on the sand. I crouched a few yards away from the shuddering bodies. Suddenly they realized they were not alone. Simultaneously they turned their heads to look at me, the widow with her legs raised and those pretty shoes in the air.

      Still in that state of alcoholic transcendence, I had the sense to raise the Box Brownie and press the shutter.

       6

      I don’t keep many photographs. I am afraid of nostalgia. You can drown in dead emotions.

      Among the photographs I have thrown away is the shot of Henry bouncing on his widow on the beach. I knew at once that it could be valuable, that it meant I could divorce Henry without any trouble. At the time, the remarkable thing was how little the end of the marriage seemed to matter. Perhaps, I thought as I took the film out of the camera, perhaps it was never really a marriage at all, just a mutually convenient arrangement which had now reached a mutually convenient end.

      I still have a snap of us by the pool in somebody’s back garden in Durban with Henry sucking in his tummy and me showing what at the time seemed a daring amount of naked flesh. There’s just the two of us in the photograph, but it’s obvious from the body language that Henry and I aren’t a couple in any meaningful sense of the word. Obvious with twenty-twenty hindsight, anyway.

      In my letters to Janet I had been honest about everything except Henry. I didn’t conceal the fact that money was sometimes tight, or even that I was drinking too much. But I referred to Henry with wifely affection. ‘Must close now – His Nibs has just come in, and he wants his tea. He sends his love, as do I.’

      It was pride. Janet had her Mr Perfect and I wanted mine, or at least the illusion of him. But I think I’d known the marriage was in trouble before the episode with the widow. What I saw on the beach merely confirmed it.

      ‘I want a divorce,’ I said to Henry when he came back to our room in the hotel. By the smell of him he’d fortified himself in the bar downstairs.

      ‘Wendy – please. Can’t we –?’

      ‘No, we can’t.’

      ‘Darling. Listen to me. I –’

      ‘I mean it.’

      ‘All right,’ he said, his opposition crumbling with humiliating speed. ‘As soon as you like.’

      I felt sober now and I had a headache. I had found the bottle of black hair dye hidden as usual in one of the pockets of his suitcase. It was empty now. I’d poured the contents over his suits and shirts.

      ‘No hard feelings,’ I lied. ‘I’ll let you have some money.’

      He looked across the room at me and smiled rather sadly. ‘What money?’

      ‘You know something?’ I said. ‘When I saw you on top of that cow, your bum was wobbling around all over the place. It was like an old man’s. The skin looked as if it needed ironing.’

      In the four months after I found Henry doing physical jerks on top of his widow, I wrote to Janet less often than usual. I sent her a lot of postcards. Henry and I were moving around, I said, which was true. Except, of course, we weren’t moving around together. In a sense I spent those four months pretending to myself and everyone else that everything was normal. I didn’t want to leave my rut even if Henry was no longer in there with me.

      Eventually the money ran low and I made up my mind I had to do something. I came back to London. It was February now, and the city was grey and dank. I found a solicitor in the phone book. His name was Fielder, and the thing I remember most about him was the ill-fitting toupee whose colour did not quite match his natural hair. He had an office in Praed Street above a hardware shop near the junction with Edgware Road.

      I went to see him, explained the situation and gave him the address of Henry’s solicitor. I told him about the photograph but didn’t show it to him, and I mentioned my mother’s money too. He said he’d see what he could do and made an appointment for me the following week.

      Time crawled while I waited. I had too much to think about and not enough to do. When the day came round, I went back to Fielder’s office.

      ‘Well, Mrs Appleyard, things are moving now.’ He slid a sheet of paper across the desk towards me. ‘The wheels are turning. Time for a fresh start, eh?’

      I opened the sheet of paper. It was a bill.

      ‘Just for interim expenses, Mrs Appleyard. No point in letting them mount up.’

      ‘What does my husband’s solicitor say?’

      ‘I’m afraid there’s a bit of a problem there.’ Mr Fielder patted his face with a grubby handkerchief. He wore a brown double-breasted pinstripe suit which encased him like a suit of armour and looked thick enough for an Arctic winter. There were drops of moisture on his forehead, and his neck bulged over his tight, hard collar. ‘Yes, a bit of a problem.’

      ‘Do you mean there isn’t any money?’

      ‘I did have a reply from Mr Appleyard’s solicitor.’ Fielder scrabbled among the