Memories, Dreams, Reflections. Карл Густав Юнг

      We came to a church, and my mother said, “That is a Catholic church.” My curiosity, mingled with fear, prompted me to slip away from my mother and peer through the open door into the interior. I just had time to glimpse the big candles on a richly adorned altar (it was around Easter) when I suddenly stumbled on a step and struck my chin on a piece of iron. I remember that I had a gash that was bleeding badly when my parents picked me up. My state of mind was curious: on the one hand I was ashamed because my screams were attracting the attention of the churchgoers, and on the other hand I felt that I had done something forbidden. “Jesuits — green curtain — secret of the man-eater. … So that is the Catholic Church which has to do with Jesuits. It is their fault that I stumbled and screamed.”

      For years afterwards I was unable to set foot inside a Catholic church without a secret fear of blood and falling and Jesuits. That was the aura or atmosphere that hung about it, but at the same time it always fascinated me. The proximity of a Catholic priest made me even more uneasy, if that were possible. Not until I was in my thirties was I able to confront Mater Ecclesia without this sense of oppression. The first time was in St. Stephen’s Cathedral in Vienna.

      Soon after I was six my father began giving me Latin lessons, and I also went to school. I did not mind school; it was easy for me, since I was always ahead of the others and had learned to read before I went there. However, I remember a time when I could not yet read, but pestered my mother to read aloud to me out of the Orbis Pictus, an old richly illustrated children’s book, which contained an account of exotic religions, especially that of the Hindus. There were illustrations of Brahma, Vishnu, and Shiva which I found an inexhaustible source of interest. My mother later told me that I always returned to these pictures. Whenever I did so, I had an obscure feeling of their affinity with my “original revelation” — which I never spoke of to anyone. It was a secret I must never betray. Indirectly, my mother confirmed this feeling, for the faint tone of contempt with which she spoke of “heathens” did not escape me. I knew that she would reject my “revelation” with horror, and I did not want to expose myself to any such injury.

      This unchildlike behaviour was connected on the one hand with an intense sensitivity and vulnerability, on the other hand — and this especially — with the loneliness of my early youth. (My sister was born nine years after me.) I played alone, and in my own way. Unfortunately I cannot remember what I played; I recall only that I did not want to be disturbed. I was deeply absorbed in my games and could not endure being watched or judged while I played them. My first concrete memory of games dates from my seventh or eighth year. I was passionately fond of playing with bricks, and built towers which I then rapturously destroyed by an “earthquake.” Between my eighth and eleventh year I drew endlessly — battle pictures, sieges, bombardments, naval engagements. Then I filled a whole exercise book with ink blots and amused myself giving them fantastic interpretations. One of my reasons for liking school was that there I found at last the playmates I had lacked for so long.

      At school, I also discovered something else. But before I go into this I should first mention that the nocturnal atmosphere had begun to thicken. All sorts of things were happening at night, things incomprehensible and alarming. My parents were sleeping apart. I slept in my father’s room. From the door to my mother’s room came frightening influences. At night Mother was strange and mysterious. One night I saw coming from her door a faintly luminous, indefinite figure whose head detached itself from the neck and floated along in front of it, in the air, like a little moon. Immediately another head was produced and again detached itself. This process was repeated six or seven times. I had anxiety dreams of things that were now small, now large. For instance, I saw a tiny ball at a great distance; gradually it approached, growing steadily into a monstrous and suffocating object. Or I saw telegraph wires with birds sitting on them, and the wires grew thicker and thicker and my fear greater until the terror awoke me.

      Although these dreams were overtures to the physiological changes of puberty, they had in their turn a prelude which occurred about my seventh year. At that time I was sick with pseudo-croup, accompanied by choking fits. One night during an attack I stood at the foot of my bed, my head bent back over the bed rail, while my father held me under the arms. Above me I saw a glowing blue circle about the size of the full moon, and inside it moved golden figures which I thought were angels. This vision was repeated, and each time it allayed my fear of suffocation. But the suffocation returned in the anxiety dreams. I see in this a psychogenic factor: the atmosphere of the house was beginning to be unbreathable.

      I hated going to church. The one exception was Christmas Day. The Christmas carol “This Is the Day That God Has Made” pleased me enormously. And then in the evening, of course, came the Christmas tree. Christmas was the only Christian festival I could celebrate with fervour. All others left me cold. New Year’s Eve alone had something of the attractiveness of Christmas, but definitely took second place; Advent had a quality about it that somehow did not fit in with the coming Christmas. It had to do with night, storms, and wind, and also with the darkness of the house. There was something whispering, something queer going on.

      I return now to the discovery I made in the course of associating with my rustic schoolmates. I found that they alienated me from myself. When I was with them I became different from the way I was at home. I joined in their pranks, or invented ones which at home would never have occurred to me, so it seemed; although, as I knew only too well, I could hatch up all sorts of things when I was alone. It seemed to me that the change in myself was due to the influence of my schoolfellows, who somehow misled me or compelled me to be different from what I thought I was. The influence of this wider world, this world which contained others besides my parents, seemed to me dubious if not altogether suspect and, in some obscure way, hostile. Though I became increasingly aware of the beauty of the bright daylight world where “golden sunlight filters through green leaves,” at the same time I had a premonition of an inescapable world of shadows filled with frightening, unanswerable questions which had me at their mercy. My nightly prayer did, of course, grant me a ritual protection since it concluded the day properly and just as properly ushered in night and sleep. But the new peril lurked by day. It was as if I sensed a splitting of myself, and feared it. My inner security was threatened.

      I also recall from this period (seven to nine) that I was fond of playing with fire. In our garden there was an old wall built of large blocks of stone, the interstices of which made interesting caves. I used to tend a little fire in one of these caves, with other children helping me; a fire that had to burn forever and therefore had to be constantly maintained by our united efforts, which consisted in gathering the necessary wood. No one but myself was allowed to tend this fire. Others could light other fires in other caves, but these fires were profane and did not concern me. My fire alone was living and had an unmistakable aura of sanctity.

      In front of this wall was a slope in which was embedded a stone that jutted out — my stone. Often, when I was alone, I sat down on this stone, and then began an imaginary game that went something like this: “I am sitting on top of this stone and it is underneath.” But the stone also could say “I” and think: “I am lying here on this slope and he is sitting on top of me.” The question then arose: “Am I the one who is sitting on the stone, or am I the one on which he is sitting?” This question always perplexed me, and I would stand up, wondering who was what now. The answer remained totally unclear, and my uncertainty was accompanied by a feeling of curious and fascinating darkness. But there was no doubt whatsoever that this stone stood in some secret relationship to me. I could sit on it for hours, fascinated by the puzzle it set me.

      Thirty years later I again stood on that slope. I was a married man, had children, a house, a place in the world, and a head full of ideas and plans, and suddenly I was again the child who had kindled a fire full of secret significance and sat down on a stone without knowing whether it was I or I was it. I thought suddenly of my life in Zürich, and it seemed alien to me, like news from some remote world and time. This was frightening, for the world of my childhood in which I had just become absorbed was eternal, and I had been wrenched away from it and had fallen into a time that continued to roll onwards, moving farther and farther away. The pull of that other world was so strong that I had to tear myself violently from the spot in order not to lose hold of my future.

      I have never forgotten