Название | Blue Mars |
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Автор произведения | Kim Stanley Robinson |
Жанр | Сказки |
Серия | |
Издательство | Сказки |
Год выпуска | 0 |
isbn | 9780007402175 |
Looking up at the battle overhead she almost drove into the first tent of west Sheffield, which was already punctured. As the town had grown westward new tents had attached to the previous ones like lobes of pillow lava; now the construction moraines outside the latest tent were littered with bits of framework, like shards of glass, and the tent fabric was missing in the remaining soccer-ball shapes. Her rover bounced wildly over a mound of basalt rubble; she braked, drove slowly up to the wall. The vehicle lock doors were stuck shut. She put on her suit and helmet, ducked into the rover’s own lock, left the car. Heart pounding hard, she walked up to the city wall and climbed over it into Sheffield.
The streets were deserted. Glass and bricks and bamboo shards and twisted magnesium beams lay scattered on the streetgrass. At this elevation, tent failure caused flawed buildings to pop like balloons; windows gaped empty and dark, and here and there complete rectangles of unbroken windows lay scattered, like great clear shields. And there was a body, face frosted or dusted. There would be a lot of dead, people weren’t used to thinking about decompression any more, it was an old settlers’ worry. But not today.
Ann kept walking east. ‘Look for Kasei or Dao or Marion or Peter,’ she said to her wrist again and again. But no one replied.
She followed a narrow street just inside the southern wall of the tent. Harsh sunlight, sharp-edged black shadows. Some buildings had held, their windows in place, their lights on inside. No one to be seen in them, of course. Ahead, the cable was just visible, a black vertical stroke rising into the sky out of east Sheffield, like a geometric line become visible in their reality.
The Red emergency band was a signal transmitted in a rapidly varying wavelength, synchronized for everyone who had the current encryption. This system cut through some kinds of radio jamming very well; nevertheless Ann was surprised when a crow voice cawed from her wrist, ‘Ann, it’s Dao. Up here.’
He was actually in sight, waving at her from a doorway into a building’s little emergency lock. He and a group of some twenty people were working with a trio of mobile rocket-launchers out in the street. Ann ran over to them, ducked into the doorway beside Dao. ‘This has to stop!’ she cried.
Dao looked surprised. ‘We’ve almost got the Socket.’
‘But what then?’
Talk to Kasei about that. He’s up ahead, going for Arsiaview.’
One of their rockets whooshed away, its noise faint in the thin air. Dao was back at it. Ann ran forward up the street, keeping as close as she could to the buildings siding it. It was obviously dangerous, but at that moment she didn’t care if she were killed or not, so she had no fear. Peter was somewhere in Sheffield, in command of the Green revolutionaries who had been there from the beginning. These people had been efficient enough to keep the UNTA security forces trapped on the cable and up on Clarke, so they were by no means the hapless pacifistic young native street demonstrators that Kasei and Dao seemed to have assumed they were. Her spiritual children, mounting an attack on her only actual child, in complete confidence that they had her blessing. As once they had. But now—
She struggled to keep running, her breath hard and ragged, the sweat beginning to flood through all over her skin. She hurried to the south tent wall, where she came on a little fleet of Red boulder cars, Turtle Rocks from the Acheron car manufactory. But no one inside them answered her calls, and when she looked closer she saw that their rock roofs were punctured by holes at their fronts, where the windshields would have been, underneath the rock overhang. Anyone inside them was dead. She ran on eastward, staying against the tent wall, heedless of debris underfoot, feeling a rising panic. She was aware that a single shot from anyone could kill her, but she had to find Kasei. She tried again over the wrist.
While she was at it, a call came in to her. It was Sax.
‘It isn’t logical to connect the fate of the elevator with terraforming goals,’ he was saying, as if he was speaking to more people than just her. ‘The cable could be tethered to quite a cold planet.’
It was the usual Sax, the all-too-Sax: but then he must have noticed she was on, because he stared owlishly into his wrist’s little camera and said, ‘Listen Ann, we can take history by the arm and break it – make it. Make it new.’
Her old Sax would never have said that. Nor chattered on at her, clearly distraught, pleading, visibly nerve-racked; one of the most frightening sights she had ever seen, actually: ‘They love you, Ann. It’s that that can save us. Emotional histories are the true histories. Watersheds of desire and devolution – devotion. You’re the – the personification of certain values – for the natives. You can’t escape that. You have to act with that. I did it in Da Vinci, and it proved – helpful. Now it’s your turn. You must. You must – Ann – just this once you must join us all. Hang together or hang separately. Use your iconic value.’
So strange to hear such stuff from Saxifrage Russell. But then he shifted again, seemed to pull himself together: ‘… logical procedure is to establish some kind of equation for conflicting interests’. Just like his old self.
Then there was a beep from her wrist and she cut Sax off, and answered the incoming call. It was Peter, there on the Red coded frequency, a black expression on his face that she had never seen before.
‘Ann!’ He stared intently at his own wristpad. ‘Listen, mother – I want you to stop these people!’
‘Don’t you mother me,’ she snapped. ‘I’m trying. Can you tell me where they are?’
‘I sure as hell can. They’ve just broken into the Arsiaview tent. Moving through – it looks like they’re trying to come up on the Socket from the south.’ Grimly he took a message from someone off-camera. ‘Right.’ He looked back at her. ‘Ann, can I patch you into Hastings up on Clarke? If you tell him you’re trying to stop the Red attack, then he may believe that it’s only a few extremists, and stay out of it. He’s going to do what he has to to keep the cable up, and I’m afraid he’s about to kill us all.’
‘I’ll talk to him.’
And there he was, a face from the deep past, a time lost to Ann she would have said; and yet he was instantly familiar, a thin-faced man, harried, angry, on the edge of snapping. Could anyone have sustained such enormous pressures for the past hundred years? No. It was just that kind of time, come back again.
‘I’m Ann Clayborne,’ she said, and as his face twisted even further, she added, ‘I want you to know that the fighting going on down here does not represent Red party policy.’
Her stomach clamped as she said this, and she tasted chyme at the back of her throat. But she went on: ‘It’s the work of a splinter group, called the Kakaze. They’re the ones who broke the Burroughs dyke. We’re trying to shut them down, and expect to succeed by the end of the day.’
It was the most awful string of lies she had ever said. She felt as if Frank Chalmers had come down and taken over her mouth; she couldn’t stand the sensation of such words on her tongue. She cut the connection before her face betrayed what falsehoods she was vomiting. Hastings disappeared without having said a word, and his face was replaced by Peter’s, who did not know she was back on line; she could hear him but his wristpad was facing a wall. ‘If they don’t stop on their own we’ll have to do it ourselves, or else UNTA will and it’ll all go to hell. Get everything ready for a counter-attack, I’ll give the word.’
‘Peter!’ she said without thinking.
The picture on the little screen swung around, came onto his face.
‘You deal with Hastings,’ she choked out, barely able to look at him, traitor that he was. ‘I’m going for Kasei.’