Doxology. Nell Zink

was pedagogically questionable,” Daniel commented.

      “You’re so nugatory all the time!”

      “I hope you mean ‘negative all the time.’”

      “Even about Daktari. He hates indie rock music because he works for a major label. It makes total sense.”

      “So why the fuck did he sign an indie rock artist like you?”

      “Because he’s a prescient guy. He can tell I’m going to bring him big hits!”

VI.

      Joe’s first girlfriend was the former singer of the defunct band Broad Spectrum, a slim, dark-haired classical archaeology major named Bethany. She was interning at Matador that summer because it was too hot in Asia Minor to go on digs. She wore hundred-dollar Laura Ashley dresses with Doc Martens, the look Eloise’s housecoats and Hush Puppies were supposed to suggest. Her features were delicate. Her teeth looked like Chiclets. She shared a two-bedroom summer sublet in the West Village with an absentee figure-skating instructor. She styled herself a “geek girl” because she wore glasses. In her spare time, she followed New Dance. She had read somewhere that attending dance performances can qualify a person to be a dance critic. Her father, a banking executive, occasionally met her for lunch at Delmonico’s, where he assured her that dance was another arrow in her quiver.

      She volunteered to sing harmonies on Joe’s record. It surprised her when he said no. She thought his trusting ways would make him a pushover. Instead they made him assume she wouldn’t mind rejection. She didn’t let on how mad she was, because she didn’t want to lose him. She believed that his surreal sense of humor made him a hard person to know.

      Her relationship specialty was evenings out. She liked plays and recitals. He didn’t care who paid. She led him to art museums and to restaurants with arty food. For several weeks that fall, they were regulars at American Ballet Theatre. She tapped his new American Express card for culture and comfort. In her own mind, she was educating him, so it seemed to her like a fair exchange.

      Joe worked diligently on his songwriting, as usual. He mastered his demos on sixty-minute cassettes. Every time a tape filled up, he delivered it to Daktari’s secretary. There was general consensus around the office that he was going to end up owing the label a lot of money. No one there believed in him but Bethany, who did it on principle because they were dating.

      PAM HATED HER WITH GREAT BITTERNESS. SHE SAW HER AS A MOOCH AND A LEECH WHO was using Joe as an auxiliary dad, one of those upper-class women who aspire to be children all their lives. As an excuse for poor eyesight, the “geek girl” tagline bugged her big time. But what bothered her most was how Bethany’s girlfriendly blandishments stained Joe’s pure soul with egotism. All his innocent self-regard and faith in his innate value metamorphosed into campy self-adoration in the light of her approval. She heightened his pleasure in life when he was already living a joyful dream. She reinforced playful impulses that didn’t need any encouragement. His behavior in her presence careened right past joie de vivre into something resembling hysteria. He called her “the orgasm factory” to her face, and she followed him around like a duckling. She constantly displayed to onlookers that she was with Joe—of all people—and this, Pam simply did not understand. How could some hot-looking, jet-setting, dance-theater-watching rich bitch be possessive about Joe? Had she reencountered him after the House of Candles show feeding hot dogs to squirrels, instead of walking the halls of Atlantic with a contract in his hand, would she have gone near him? (Hot dogs that spent too many hours in the slimy waters of the Abyssinian Coffee Shop burst and became unsalable, and then they were Joe’s.) Any child of six could have told you she was a deluded social climber who’d boarded the wrong train. Why couldn’t he see through it?

      Stupid question, she knew. He trusted everyone, even bitches. His former life hadn’t been long on the bitches. For a poignant half second, she wished she had kissed him, or even gone to bed with him, so that no star-fucker bitch could have been his first.

      WHEN FLORA WAS THREE, DANIEL TOOK HER TO THE TRIENNIAL SVOBODA FAMILY reunion. She came back raving about tricycles and wagons, wearing a tiny gold-plated cross on a chain around her neck. He was no longer an accredited family member, but the Svobodas seemed to feel there was hope for her. He let her wear the cross until they got home. Then he said it was too valuable to wear every day, took it off her, and threw it in the trash. A week later, she asked for the cross again. When she couldn’t have it, she cried.

      A week after that, her hippo ate dog shit and had to be put out of its misery. She saw a crucifix in the window of a Santeria store and asked Joe to buy it. It was as though she couldn’t get Jesus out of her mind and wanted him for her new stuffed animal.

      Fortunately it was a cash-only store. The crucifix had been blessed by a voodoo priest and was very expensive. Joe couldn’t help her out on the spot, but he told Daniel about her wish.

      “If she needs a shirtless guy with a beard, we can get her a G.I. Joe,” he replied.

      “We’ll make our own cross, and she can put him on it with rubber bands.”

      “If it’s a cross she wants, we can—no. There’s no way I’m making her a toy cross! What’s next? A toy cat-o’-nine-tails, so she can self-flagellate?”

      “Jesus is weird,” Joe remarked.

      “You can say that again!”

      “Why is he on the cross?”

      Daniel raised his eyes to heaven. “Oh, man, Joe. Well, historically, he wasn’t always on the cross. I think for something like twelve centuries, he was the risen Christ, fully dressed. Then there was Gothic art and, like, the black plague or something, so they switched to showing him on the cross. You know he died on the cross, right?”

      “Why?”

      “The weight of his own body, I guess. Makes it hard to breathe when you’re hanging by your arms.”

      “But he’s so skinny!”

      “Not in real life! He was always eating out with rich tax collectors, and he could make food appear by magic and turn water into wine, so he was a total land whale. That’s why he died so fast, like hours before the skinny dudes they crucified at the same time. The Romans didn’t even have to break his legs.”

      “That is so gross,” Joe said.

      “And he’s scared shitless up there, screaming out, ‘My God, my God, why have you forsaken me?’ But you know who God was, who could have helped him the whole time? His dad!”

      “My dad would not do that.”

      “My dad would.”

      THE REVERBERATING CHRISTIANITY DEBACLE AGGRAVATED PAM’S SENSE THAT HER daughter was growing up without her. Every moment she spent at the office was a moment when some stranger and/or family member of ill will and worse intentions could plant a fateful wrong idea in Flora’s head.

      Joe tried to console her by recording selected playtime. It didn’t help. The cassettes merely made audible how he kept Flora in stitches. He was giving her a solid grounding in verbal wit, preschool style. Her parents’ role was to drop by nightly and impose dour worries about nutrition and rest.

      After the fourth and final taping session, Pam’s path forward became clear. One dialogue passage was as follows:

      JOE: Never rub your nub where people can see.

      FLORA: But I want to!

      JOE: [singing] Got to rub my nub in the club, rub my nub in the club, got to rub my nub in the club—now dub—see my nub nub nub nub nub nub nub nub in the club club club club club club club, it’s like a sub sub sub sub sub sub sub—

      FLORA: Don’t make fun of me!

      JOE: Then stop rubbing your nub and do the dance! [singing] Rub my nub in the club, chugalug in the pub, rub-a-dub in the tub