The Complete Short Stories: The 1960s. Brian Aldiss

– I may be ill! You must help me.’

      ‘Speak Italian. I told you, I don’t understand German.’

      ‘Help me, Angelina. I must be ill.’

      ‘You were well enough before.’

      ‘I swear … I had a vision. I can’t face my room. I don’t want to be alone. Let me come back to your room!’

      ‘Oh no! You must think I am a fool, Signor!’

      He pulled himself together.

      ‘Look, I’m ill, I think. Come and sit in my car with me for ten minutes. I need to get my strength back. If you don’t trust me, I’ll smoke a cigar all the time. You never knew a man kiss a pretty girl with a cigar in his mouth, did you?’

      They sat in the car, she beside him looking at him rather anxiously. Charteris could see her eyes gleam in the thick orange light – the very hue of time congealed! – bouncing off the walls of the cathedral. He sucked the rich sharp smoke down into his being, trying to fumigate it against the terrible visions of his psyche.

      ‘I’m going back to Italy soon,’ she said. ‘Now the war’s over, I may work in Milano. My uncle writes that it’s booming there again now. Is that so?’

      ‘Booming.’ A very curious word. Not blooming, not booing. Booming.

      ‘Really, I’m not Italian. Not by ancestry. Everyone in our village is descended from Albanians. When the Turks invaded Albania five centuries ago, many Albanians fled in ships across to the south of Italy to start life anew. The old customs were preserved from generation to generation. Did you hear of such a thing in Catenzaro?’

      ‘No.’ In Catenzaro he had heard the legends and phobias of the Caucasus, chopped and distorted by the kaleidoscopes of hallucination. It was a Slav, and not a Latin, purgatory of alienation.

      ‘As a little girl, I was bilingual. We spoke Squiptar in the home and Italian everywhere else. Now I can hardly remember one word of Squiptar! My uncles have all forgotten too. Only my old aunt, who is also called Angelina, remembers. It’s sad, isn’t it, not to recall the language of your childhood? Like an exile?’

      ‘Oh, shut up! To hell with it!’

      By that, she was reassured. Perhaps she believed that a man who took so little care to please could not want to rape her. Perhaps she was right. While Charteris nursed his head and tried to understand what was inside it, she chattered on a new tack.

      ‘I’ll go back to Milano in the autumn, in September when it’s not so hot. They’re not good Catholics here. Are you a good Catholic? The French priests – ugh, I don’t like them, the way they look at you! Sometimes I hardly seem to believe any more … Do you believe in God, Signor?’

      He turned and looked painfully at her orange eyes, trying to see what she was really saying. She was a terrible bore, this girl.

      ‘If you are really interested, I believe we each have Gods within us, and we must follow those.’

      ‘That’s stupid! Those gods would just be reflections of ourselves and we should be indulging in egotism.’

      He was surprised by her answer. Neither his Italian nor his theology was good enough for him to reply as he would have liked. He said briefly, ‘And your god – he is just an externalisation of egotism. Better to keep it inside!’

      ‘What terrible, wicked blasphemy for a Catholic to utter!’

      ‘You little idiot, I’m no Catholic! I’m a Communist. I’ve never seen any sign of your God marching about the world.’

      ‘Then you are indeed sick!’

      Laughing angrily, he grabbed her wrist and pulled her towards him. As she struggled, he shouted, ‘Let’s make a little investigation!’

      She brought her skull forward and struck him on the nose. His head seemed to turn cathedral-size on the instant, flood-lit with pain. He hardly realised she had broken from his grip and was running across the square, leaving the Banshee’s passenger door swinging open.

      After a minute or two, Charteris locked the car door, climbed out, and made his way across to the hotel. The door was locked; Madame would be in bed, dreaming dreams of locked chests. Looking through the window into the bar, he saw that M’sieur still sat at his special table, drinking wine with a crony. Madame’s wretched dog sprawled by the radiator, still restlessly changing its position. Charteris tapped on the window.

      After a minute or two, M’sieur unlocked the door from inside and appeared in his shirtsleeves. He stroked his tiny puff of beard and nodded to himself, as if something significant had been confirmed.

      ‘You were fortunate I was still up, M’sieur. Madame my wife does not like to be disturbed when once she has locked up the premises. My friend and I were just fighting some of our old campaigns before bed.’

      ‘Perhaps I have been doing the same thing.’

      He went up to his room. It was filled with noise. As he walked over to the window and looked out, he saw that a lock on the dry canal had been opened. Now it was full of rushing water, coursing over the car body and other rubbish, slowly moving them downstream. All the long uncomfortable night, Charteris slept uneasily to the noise of the purging water.

      In the morning, he rose early, drank Madame’s first indifferent coffee of the day, and paid his bill. His head was clear, but the world seemed less substantial than it had been. Carting his bag out to the car, he dressed himself in his lifesuit, inflated it, strapped himself in, and drove round the cathedral onto the motorway, which was already roaring with traffic. He headed towards the coast, leaving Metoz behind at a gradually increasing speed.

       Multi-Value Motorway

      She too was obsessed with pelting images. Phil Brasher, her husband, was growing more and more violent with Charteris, as if he knew the power was passing from him to the foreigner. Charteris had the certainty Phil lacked, the gestalt. Certainty, youth, handsome. He was himself. Also, perhaps, a saint. Also other people. But clearly a bit hipped, a heppo. Two weeks here, and he had spoken and the drugged Loughborough crowds had listened to him in a way they never did to her husband. She could not understand his message, but then she had not been sprayed. She understood his power.

      The pelting images caught him sometimes naked.

      Nerves on edge. Army Burton, played lead guitar, passed through her mind, saying, ‘We are going to have a crusade.’ Lamp posts flickered by, long trees, a prison gate, furry organs. She could not listen to the two men. As they walked over the withdrawn meaning of the wet and broken pavement, the hurtling traffic almost tore at their elbows. That other vision, too, held her near screaming pitch; she kept hearing the squeal of lorry wheels as it crashed into her husband’s body, could see it so clear she knew by its nameboards it was travelling from Glasgow down to Naples. Over and over again it hit him and he fell backwards, disintegrating, quite washing away his discussion, savage discussion of multi-value logic, with Charteris. Also, she was troubled because she thought she saw a dog scuttle by wearing a red and black tie. Bombardment of images. They stood in a web of alternatives.

      Phil Brasher said, ‘I ought to kill Charteris.’ Charteris was eating up his possible future at an enormous pace. Brasher saw himself spent, like that little rat Robbins, who had stood as saint and had not been elected. This new man, whom he had at first welcomed as a disciple, was as powerful as the rising sun, blanking Brasher’s mind. He no longer got the good images from the future. Sliced bread cold oven. It was dead, there was a dead area, all he saw was that damned Christmas cactus which he loathed for its meaninglessness, like flowers on a grave. So he generated hate and said powerfully and confusedly to Charteris, ‘I ought to kill Charteris.’

      ‘Wait, first wait,’ said Colin Charteris, in his own English, brain cold and acid. ‘Think of Ouspenski’s personality photographs. There’s a