A Night In With Audrey Hepburn. Lucy Holliday

know.’

      ‘You’re so right, Lib. I’m going to show them all tomorrow night, by the way.’

      (Tomorrow night is the Made Man party celebrating their pathetic poll, and Cass is attending. She may not be Top 100 material, but she’s pert and blonde and on TV, which is evidently quite enough for an invite.)

      ‘That’s the spirit, Cass!’ I undo one of my Warty Alien gloves, reach across the table and pat her on the hand. ‘You show them all!’

      ‘That’s why I bought the dress I’m going to wear. It’s got a massively plunging neckline, and it’s totally sheer down the back, so you can sort of see my bum – but through the lace, so it’s really classy.’

      ‘Cass, no, that isn’t what I meant by show them all …’

      ‘And I’ll need you to alter that ruby pendant thingy. It’ll look amazing with the dress, but remember I said I’d prefer it longer, so the ruby bit dangles right down into the top of my cleavage.’

      That ruby pendant thingy is actually a garnet necklace I made for Cass’s twenty-fifth birthday; painstakingly crafted, to be more accurate, from a gorgeous garnet cabochon (garnet being her birthstone) and a vintage Swarovski-crystal teardrop charm, both hanging from a gold-plated chain that I customized with teeny-tiny garnet-coloured crystals at intervals along the length. Pendant-making may only be a hobby, but I did put a fair amount of work into this particular one, and the chain was so expensive that I could only afford to make it an eighteen-inch pendant (sitting elegantly against Cass’s collarbones) rather than a twenty-four-inch one (nestling brassily between her breasts).

      ‘I can’t make it any longer,’ I tell her. ‘I don’t have a replacement chain.’

      ‘Well, bung the ruby bit on the end of a bit of ribbon, or something,’ Cass says, airily unconcerned about compromising the artistic integrity of my creation. ‘I just need it to draw maximum attention to my boobs.’

      ‘I don’t think you’ll need a necklace to do that.’

      ‘No, Libby.’ She looks very serious. ‘I really have to pull out all the stops if I’m going to stand a chance up against Rhea Haverstock-Harley.’

      ‘Surely,’ I say, feeling a bit like whatshisname standing in the sea, telling the tide to go back, ‘you shouldn’t really be in hot pursuit of Dillon O’Hara anyway, Cass. If he has a girlfriend, that is. Not to mention the fact that you have a boyfriend of your own.’

      His name is David, apparently. I say ‘apparently’ because Cass hasn’t introduced him to either me or Mum yet. All I know about him is that he’s a ‘talent manager’ for a big showbiz agency, so it’s perfectly possible that he’s covered from head to toe in huge warts, just like my costume, but oozing real pus – and Cass would still be perfectly happy dating him.

      ‘David isn’t my boyfriend. We’re just seeing each other.’ She emits a sigh of exasperation, as she always does when I don’t just happily spout whatever it is she wants to hear. ‘You’re no use, Cass. I’m going to text a selfie to Mum, see if she thinks I should change into something a bit sexier.’

      ‘Christ, no, don’t do that!’

      I’m not yelping this because I fear that the only thing ‘a bit sexier’ than Cass’s plunging top and micro-shorts is a thong bikini, and I’m trying, as her big sister, to protect her remaining modesty.

      I’m yelping this because if Cass texts Mum, Mum will call right back. And after lengthy discussion of Cass’s outfit options, she’ll finally ask to speak to me. And then she’ll ask exactly what part I’ve been given and what my costume is like.

      You see, my lack of enthusiasm for the Warty Alien costume isn’t down to the fact that I was secretly thinking I might be the one to catch Dillon O’Hara’s eye if he ever makes it to the shoot this morning. I mean, even if I wasn’t perspiring in puke-coloured latex, I don’t think for a minute that he’s going to stop dead in his tracks, grab the nearest passing crew member and whisper, ‘By God, tell me the name of that flat-chested brunette with the pear-shaped bottom, for until I have bedded her I shall go mad with lust! Mad, I tell you.’

      The reason, in fact, is my mother.

      The thing is that she’s not only my mother, but also my agent, and the one responsible for badgering The Time Guardians’ casting director until the poor woman eventually cracked and agreed to promote me – against my will, I might add – from Extra to Bit-Parter. So it’s not exactly ideal that the first words I get to speak in an acting role in the last five years are going to be from behind a vomit-green, wart-covered alien head, which renders me not only revolting but also – much more importantly, from my mum/agent’s point of view – invisible.

      ‘Well, you’re not being any help,’ Cass retorts, ignoring my plea and starting to undertake her very favourite activity – posing for selfies with her mobile phone camera – while I decide that the best way to avoid Mum for a bit longer is to leave Cass to it and go and find myself a bacon roll instead.

      After all, I tell myself, as I lumber off the catering bus in my Warty Alien feet, it’s not as if I need to worry about tummy bloat while I swelter away inside my layers of concealing latex, is it? And anyway, the bacon rolls are exceptionally delicious, and made to order by lovely Olly Walker, who’s been one of my best friends ever since I met him, donkey’s years ago, at that godawful Sound of Music audition in Wimbledon. He runs the on-location catering van, so I can go and have a chat with him while simultaneously waiting to be called by the assistant director to deliver my line, and – most important of all – avoiding my mother.

      *

      Olly is not currently at his catering van. He wasn’t there when I fetched my first bacon roll before going to Wardrobe at eight this morning either, so when I reach the head of the queue, I ask his sous chef, Jesse, if he’s all right.

      ‘Hasn’t he called you?’ Jesse asks, squirting ketchup onto three waiting rolls he’s just finishing off for Liz, the production assistant (pretty, blonde, and Dillon-ready in a crop top and skin-tight jeans, so I can only assume the bacon rolls are actually for some hungry electricians or cameramen, or something, and not for her to snarf down herself).

      ‘No. Well, he might have done. I’ve left my phone in my bag.’ I don’t add: because, although I’m twenty-nine years old, I’m still avoiding my mother.

      ‘He’s gone in his van to the studios. Mentioned something about doing a furniture run. First to Woking and then to you and your new flat?’

      This, really, should be making me a bit less stressed about the whole Mum-and-my-Big-Break situation: the fact that I don’t have to go back to her house after work this evening and have her harangue me about my career over the kitchen table. Tonight, if she wants to harangue me, she can do it over the phone while I relax at my very own kitchen table in my very own flat!

      It’s not much – it’s really, really not much, just a tiny one-bed above a parade of shops on Colliers Wood High Street; I’ve seen hip-hop producers’ downstairs loos, on MTV Cribs, that are at least three times the size – but I’m going to make it cosy, and homely, and lovely.

      Of course, a slight barrier to this, up until a couple of days ago, was that I’ve managed to reach my ripe old age without actually acquiring the basics you need to make a flat look cosy and homely.

      I don’t mean cashmere throws and Venetian glass lamps and Victorian writing desks. I mean – and this is a bit embarrassing to admit – a sofa, a table, and a double bed.

      I was bemoaning this fact to Olly when he came round to Mum’s in his van the night before last to pick up my boxes full of clothes, books and other bits and bobs, and that’s when he told me about the Pinewood props store. Pinewood Studios, which is where the majority of The Time Guardians gets filmed, is home to an enormous treasure trove (well, a giant corrugated-steel warehouse)