Carrying His Scandalous Heir. Julia James

been commanded to answer him. For this was a man who was obeyed.

      But she would not obey immediately. She would defy him in that, at least.

      Deliberately she looked back at the Luciezo, making him wait. ‘A man of his time,’ she answered finally.

      As you are not a man of your time.

      The words formed in her head silently, powerfully. No, the current Conte di Mantegna was not a man of the twenty-first century! She could see it in every austere line of his body. He carried his own ancient ancestry in the unconscious lift of his chin at her reply, in his dark brows drawing together.

      ‘What do you mean by that?’

      Again, the question demanded an immediate answer.

      Carla looked back at the portrait, gathering her reasons for the reply she had made him.

      ‘His hand is on the pommel of his sword,’ she essayed. ‘He will slay any man who offers him insult. He subjects himself to the scrutiny of one who can never be his equal, however much genius Luciezo possesses, simply in order that his illustrious image can be displayed. His arrogance is in every line, every stroke of the brush.’

      She turned back to the man who had commanded her to speak. Her answer had displeased him, as she had known it would.

      There was a dark flash in his eyes, as he riposted, ‘You mistake arrogance for pride. Pride not in himself but in his family, his lineage, his honour. An honour he would defend with his life, with his sword—that he must defend because he has no choice but to do so. The artist’s scrutiny is to be endured because he must be ever mindful of what he owes his house—which is to protect it and preserve it. His portrait will be his persona in his own absence—it will persist for posterity when he himself is dust.’

      The night-dark eyes went to those in the portrait. As if, Carla thought, the two men were communing with each other.

      Her brow furrowed for an instant. How strange to think that a man of the present could look into the eyes of his own ancestor... That, in itself, made il Conte entirely different from all those who—like herself—were simply cut from the common herd of humanity...who had no knowledge of their ancestors from so many centuries ago.

      Her expression changed, becoming drawn for a moment. She didn’t even know of her own more immediate forebears. Her father was little more than a name to her—a name reluctantly bestowed upon her when her mother’s pregnancy had required that he marry her, only for him to be killed in a car crash when she was a small child. His widow had been unwelcome to her in-laws, and Carla had been raised by her mother alone until her remarriage to Guido Viscari when Carla was a young teenager.

      I know more about my stepfather’s family than I do about my own father’s!

      To a man like il Conte that very ignorance about her paternal forebears must seem incomprehensible, for he would know the identity of every one of his entire collection of ancestors for centuries—each of them doubtless from families as aristocratic as his own.

      With such a heritage she could not be surprised by his immediate retort. Yet she had one of her own.

      ‘Then it is entirely to the credit of Luciezo’s mastery that he can convey all that with his portrait,’ she replied, making her voice even. ‘Without his genius to record it your ancestor is merely dust.’

      There was defiance in her voice—and an open assertion that, however many heraldic quarterings the illustrious Conte di Mantegna was possessed of, none could compare with the incomparable genius of a great master such as Luciezo.

      That dark flash came again in the depths of the Conte’s eyes. ‘Will we not all be dust in years to come?’ he murmured. ‘But until that time comes...’

      Something changed in his voice—something that suddenly made the heat flush in her blood once more, as it had done when she had realised his gaze was upon her.

      ‘Should we not carpe diem?’

      ‘Seize the day?’ Carla heard her voice answering. But inside her head she was registering that sudden change in the Count’s voice, the smoothing of that low timbre. She could see, now, the change in his eyes. He was looking at her. Approving of what he saw. Sending that flush of heat through her again.

      ‘Or, indeed, seize the evening,’ he murmured again, with the slightest husk in his voice.

      And now there was no mistaking the message in his voice. None at all. Those dark, long-lashed hooded eyes were resting on her, and the message in them was as old as time.

      She pleased him. Her appearance, at any rate, even if her words did not. But their exchange had merely been the mechanism by which he had approached her—had given him the opening he desired, by which he would obtain the end he sought.

      The end he now stated openly.

      ‘Have dinner with me tonight.’

      It was as simple as that. As straightforward. His dark, expressive eyes were resting on her, and Carla felt their impact—knew their message. Knew what reply she should make to this powerful, sensual man, who was displaying every obvious sign of his intent.

      Her habit had always been to say no—the few relationships she’d had over the years had never been with Italians, nor conducted in Rome under the avidly speculative glare of the circles in which she moved. And never had she fancied herself to be deeply emotionally involved. It had been only friendship and compatibility that attracted her—no more than that. It was safer that way. Safer than yielding to any overriding sensual attraction that might ignite a passion that would be hard to quench.

      After all, no one knew better than she what that might lead to. Hadn’t it happened to her own mother? Falling for a man who, when he’d been faced with unintended pregnancy, had not wished to commit to her?

      Although his father had cracked the financial whip and forced a marriage, there had been no happy ending. Her father had chafed at marriage, chafed at fatherhood—and had been on the point of leaving her mother when he was killed. Was it any wonder, Carla asked herself, that she was wary of making such a mistake herself?

      So, for every reason of good sense, there was only one reply for her to make to this arrogant, sensual man who possessed the power to disturb her senses.

      Yet she could not say the words. Could only find the means to give a slight, fleeting, demurring half-smile, and a self-protective sweeping down of her eyelashes to hide the all too revealing response in her eyes as she made an evasive reply.

      ‘So...have you loaned any other paintings to the exhibition?’ she asked.

      Her voice sounded abrupt, even breathless, but she did not care. She met his gaze head-on, keeping hers quite limpid, though the effort was great—the more so since in his eyes was a look of knowingness that told her he had understood immediately why she had not answered him.

      But to her relief he followed her diversion.

      ‘Indeed,’ he murmured, still with that semi-amused look in his eyes that was so disturbing to her. ‘The Luciezo is, in fact, part of a triptych. The other two portraits are on display across the gallery.’

      There was a discernible tinge of annoyance in his voice at the curator’s decision as he indicated across the width of the gallery, towards an alcove in which Carla could make out two portraits.

      ‘Shall we?’

      The cool voice held assumption, and Carla found herself being guided forward. He halted, lifting his hand to the portraits they were now in front of.

      ‘What do you make of them?’

      Carla’s trained eyes went to the portraits, immediately seeing the skill and artistry in them, seeing in them all the hallmarks of a master. Her eyes narrowed very slightly. But not Luciezo.

      ‘Caradino?’ she ventured.

      She felt rather than saw the glance the Count threw at her. Surprise—and