The Mezentian Gate. E. Eddison R.

man: my office but only to understand, and to watch, and to wait.’

      ‘Well, have you seen the child? What find you in him? Give me in a word your very thought. I must have the truth.’ She turned and faced him. ‘Even and the truth be evil.’

      ‘If it be truth,’ said the doctor, ‘it can in no hand be evil; according to the principle of theoric, Quanta est, tanto bonum, which is as much as to say that completeness of reality and completeness of goodness are, sub specie aeternitatis, the same. I have beheld this child like as were I to behold some small scarce discernible first paling of the skies to tomorrow’s dawn, and I say to you: Here is day.’

      ‘To be King in his time?’

      ‘So please the Gods.’

      ‘In Fingiswold, after his father?’

      ‘So, and more. To be the stay of the whole world.’

      ‘This is heavenly music. Shall’t be by power, or but by fortune?’

      ‘By power,’ answered Vandermast. ‘And by worth.’

      The Queen caught a deep breath. ‘O, you have shown me a sweet morn after terrible dreams. But also a strange noise in my head, makes stale the morning: by what warrant must I believe you?’

      ‘By none. You must believe not me, but the truth. I am but a finger pointing. And the nearest way for your highness (being a mortal) to believe that truth, and the sole only way for it to take body and effect in this world, is that you should act and make it so.’

      ‘You are dark to me as yet.’

      ‘I say that whether this greatness shall be or not be, resteth on your highness alone.’

      She turned away and hid her face. When, after a minute, she looked around at him again, she reached out her hand for him to kiss. ‘I am not offended with you,’ she said. ‘There was an instant, in that wild talk of ours, I could have cut your throat. Be my friend. God knows, in the path I tread, uneven, stony, and full of bogs, I need one.’

      Vandermast answered her, ‘Madam and sweet Mistress, I say to you again, I am yours in all things. And I say but again that your highness’s self hath the only power able to help you. Rest faithful to that perfectness which dwelleth within you, and be safe in that.’

       III

       NIGRA SYLVA, WHERE THE DEVILS DANCE

      THAT night Prince Aktor startled out of his first sleep from an evil dream that had in it nought of reasonable correspondence with things of daily life but, in an immediacy of pure undeterminable fear, horror and loss that beat down all his sense to deadness, as with a thunder of monstrous wings, hurled him from sleep to waking with teeth a-chatter, limbs trembling, and the breath choking in his throat. Soon as his hand would obey him, he struck a light and lay sweating with the bedclothes huddled about his ears, while he watched the candle-flame burn down almost to blueness then up again, and the slow strokes of midnight told twelve. After a tittle, he blew it out and disposed himself to sleep; but sleep, standing iron-eyed in the darkness beside his bed, withstood all wooing. At length he lighted the candle once more; rose; lighted the lamps on their pedestals of steatite and porphyry; and stood for a minute, naked as he was from bed, before the great mirror that was on the wall between the lamps, as if to sure himself of his continuing bodily presence and verity. Nor was there any unsufficientness apparent in the looking-glass image: of a man in his twenty-third year, slender and sinewy of build, well strengthened and of noble bearing, dark-brown hair, somewhat swart of skin, his face well featured, smooth shaved in the Akkama fashion, big-nosed, lips full and pleasant, and having a delicateness and a certain proudness and a certain want of resolution in their curves, well-set ears, bushy eyebrows, blue eyes with dark lashes of an almost feminine curve and longness.

      Getting on his nightgown he brimmed himself a goblet of red wine from the flagon on the table at the bed-head, drank it, filled again, and this time drained the cup at one draught. ‘Pah!’ he said. ‘In sleep a man’s reason lieth drugged, and these womanish fears and scruples, that our complete mind would laugh and away with, unman us at their pleasure.’ He went to the window and threw back the curtains: stood looking out a minute: then, as if night had too many eyes, extinguished the lamps and dressed hastily by moonlight, and so to the window again, pausing in the way to pour out a third cup of wine and, that being quaffed down, a fourth, which being but two parts filled left the flagon empty. Round and above him, as he leaned out now on the sill of the open window, the night listened, warm and still; wall, gable and buttress silver and black under the moonshine, and the sky about the moon suffused with a radiancy of violet light that misted the stars. Aktor said in himself, ‘Desire without action is poison. Who said that, he was a wise man.’ As though the unseasonable mildness of this calm, unclouded March midnight had breathed suddenly a frozen air about him, he shivered, and in the same instant there dropped into that pool of silence the marvel of a woman’s voice singing, light and bodiless, with a wildness in its rhythms and with every syllable clean and sharp like the tinkle of broken icicles falling:

      ‘Where, without the region earth,

      Glacier and icefall take their birth,

      Where dead cold congeals at night

      The wind-carv’d cornices diamond-white,

      Till those unnumbered streams whose flood

      To the mountain is instead of blood

      Seal’d in icy bed do lie,

      And still’d is day’s artillery,

      Near the frost-star’d midnight’s dome

      The oread keeps her untim’d home.

      From which high if she down stray,

      On th’ world’s great stage to sport and play,

      There most she maketh her game and glee

      To harry mankind’s obliquity.’

      So singing, she passed directly below him, in the inky shadow of the wall. A lilting, scorning voice it was, with overtones in it of a tragical music as from muted strings, stone-moving but as out of a stone-cold heart: a voice to send tricklings down the spine as when the night-raven calls, or the whistler shrill, whose call is a fore-tasting of doom. And now, coming out into clear moonlight, she turned about and looked up at his window. He saw her eyes, like an animal’s eyes, throw back the glitter of the moon. Then she resumed her way, still singing, toward the northerly corner of the courtyard where an archway led to a cloistered walk which went to the Queen’s garden. Aktor stood for a short moment as if in doubt; then, his heart beating thicker, undid his door, fumbled his way down the stone staircase swift as he might in the dark, and so out and followed her.

      The garden gate stood open, and a few steps within it he overtook her. ‘You are a night-walker, it would seem, and in strange places.’

      ‘So much is plain,’ said she, and her lynx-like eyes looked at him.

      ‘Know you who this is that do speak to you?’

      ‘O yes. Prince by right in your own land, till your own land put you out; and thereafter prince here, and but by courtesy. Which is much like egg without the meat: fair outsides, but small weight and smaller profit. I’ve heard some unbitted tongues say: “princox”.’

      ‘You are a bold little she-cat,’ he said. Again a shivering took him, bred of some bite in the air. ‘There is frost in this garden.’

      ‘Is there? Your honour were wiser leave it and go to bed, then.’

      ‘You must first do me this kindness, mistress. Bring me to the old man your grandsire.’

      ‘At this time of night?’

      ‘There is a thing I must