Buried for Pleasure. Edmund Crispin

manner, like one who tries to evade pursuit.

      On reaching the edge of the pond, however, he straightened up and glanced quickly about him; then produced from the pocket of his coat a large, antique service revolver which seemed to be attached by a length of string to his braces. This he levelled at a wizened sapling which was growing by the hedge.

      ‘Bang,’ he said. ‘Bang, bang, bang.’

      Now a look of satisfaction appeared on his face, and, turning, he suddenly hurled the revolver, still attached to its string, into the centre of the pond. After a moment’s pause he hauled it out again, like a fish on the end of a line, removed the string both from it and from his braces, wrapped this string in a piece of newspaper, crammed it into his pocket and, leaving the revolver where it lay, hurried across to the sapling, where with much difficulty he shouldered an imaginary burden and tottered with it in Fen’s direction. The duck, which had ambled into his path, gave him one look and then fled away before him, quacking angrily, like a leaf driven by an autumn gale.

      It was clear that the man had not yet become aware of Fen’s presence. He staggered almost as far as the gate, lowered his invisible load to the ground with a sigh of relief, pulled off his coat, removed the paper-wrapped length of string from its pocket, turned the coat delicately right side out, and with much groaning and effort began putting it on to whatever it was he imagined was lying at his feet.

      He was thus engaged when, becoming abruptly conscious that he was not alone, he looked up and caught Fen’s fascinated eye.

      He stood upright, slowly, and expelled his breath in a long gasp of dismay.

      ‘A – aaaaaah,’ he said.

      They gazed rigidly at one another for a moment longer. Then the man, recovering the power of articulate speech, remarked: ‘I’m not mad.’

      This discouraging social gambit touched Fen. He said kindly: ‘Of course you’re not mad.’

      The man became frantic. ‘I’m really not mad, I mean,’ he said.

      ‘I quite believe you,’ said Fen. ‘You needn’t imagine I’m just trying to humour you.’

      ‘You see,’ the man nervously explained, ‘there’s a lunatic at large, and I was afraid that you, being a stranger, might assume—’

      ‘No, no,’ Fen assured him. ‘I never had any doubt about what you were doing. But I imagine few detective novelists can be as scrupulous.’

      The man relaxed suddenly, and began wiping his forehead with a brightly coloured handkerchief. He picked up the reefer jacket and put it on.

      ‘One’s plots are necessarily improbable,’ he said a trifle didactically, ‘but I believe in making sure that they are not impossible.’ His utterance was prim and selfconscious, like himself. ‘Short of murder itself, I try everything out before finally adopting it for a book, and really, you would be surprised at the number of flaws and difficulties which are revealed in the process.’

      Fen put his elbows on the top bar of the gate and leaned there comfortably.

      ‘And of course’, he said, ‘it must enable you to get to some extent inside the mind of the murderer.’

      An expression of mild repugnance appeared on the man’s face. ‘No,’ he said, ‘no, it doesn’t do that.’ The subject seemed painful to him, and Fen felt that he had committed an indiscretion. ‘The fact is,’ the man went on, ‘that I have no interest in the minds of murderers, or for that matter,’ he added rather wildly, ‘in the minds of anyone else. Characterization seems to me a very over-rated element in fiction. I can never see why one should be obliged to have any of it at all, if one doesn’t want to. It limits the form so.’

      Fen agreed, with no special conviction, that it did, and particularly in the case of detective stories. ‘I read a good many of them,’ he said, ‘and I must know yours. May I ask your name?’

      ‘Judd,’ the man replied, ‘my name is Judd. But I write’ – he hesitated, in some embarrassment – ‘I write under the pseudonym of “Annette de la Tour”.’

      ‘Ah, yes,’ said Fen. Annette de la Tour’s books, he remembered, were complicated, lurid, and splendidly melodramatic. And certainly they made no concessions to the Baal of characterization. He said: ‘Your work has given me a great deal of pleasure, Mr Judd.’

      ‘Has it?’ said Mr Judd eagerly. ‘Has it really? I’ve been writing for twenty years, and no one has ever said anything like that to me before. My dear fellow, I’m so grateful.’ His eyes sparkled with innocent pleasure. ‘And it’s all the better coming, as it evidently does, from an intelligent man.’

      Upon this shameless quid pro quo he paused expectantly, and Fen, feeling that he was required to identify himself, did so. Mr Judd clapped his hands together with excitement.

      ‘But how splendid!’ he exclaimed. ‘Of course I’ve followed all your cases. We must have a very long talk together, a very long talk indeed. Are you staying here?’

      ‘Yes.’

      ‘For long?’

      ‘Until after polling day. I’m standing for Parliament.’

      Mr Judd was taken aback.

      ‘Standing?’ he repeated dazedly. ‘For Parliament?’

      ‘It is my wish to serve the community,’ Fen said.

      Confronted with this pronouncement, Mr Judd showed himself either more credulous or more courteous than Diana had been.

      ‘Very commendable,’ he murmured. ‘To tell you the truth, I had rather forgotten there was a by-election in progress… What interest do you represent?’

      ‘I’m an Independent.’

      ‘Then you shall have my vote,’ said Mr Judd, narrowly forestalling a primitive attempt at canvassing on Fen’s part. ‘And if I had fifty votes,’ he added lyrically, ‘you should have them all. Tell me, which of my books do you think the best?’

      Fen rummaged in his mind, seeking not for that book of Mr Judd’s which he thought the best, but for the one which Mr Judd was likely to cherish most. ‘The Screaming Bone,’ he said at last.

      ‘Admirable!’ said Mr Judd, and Fen was pleased that his diagnosis had been correct. ‘I’m so glad you enjoyed that one, because the critics were very down on it, and yet I’ve always thought it the finest thing I’ve done. Mind you, the critics are down on all my books, because they haven’t any psychology in them, but they were particularly harsh about that one… You’re very perceptive, Professor Fen, very perceptive indeed.’ He beamed approval. ‘Still, we mustn’t waste time talking about my nonsense,’ he concluded insincerely. ‘Where are you heading for?’

      ‘I think’ – Fen glanced at his watch – ‘that it’s about time I was strolling back to the village.’

      Mr Judd’s face fell. ‘What a pity – I have to go in the opposite direction, or we could have walked along together and talked,’ he said with great simplicity, ‘about my books. Still, you must come and have a meal with me – I live in a cottage only a quarter of a mile from here. What about lunch today?’

      Fen said: ‘I’m afraid, you know, that I’m going to be very busy during the coming week,’ but Mr Judd’s disappointment was so manifest and poignant that he was moved to add: ‘But I dare say we can fit something in.’

      ‘Please try,’ said Mr Judd earnestly. ‘Please try. My telephone number is Sanford 13, and you needn’t hesitate to ring me at any time. Where are you staying?’

      ‘The Fish Inn,’ said Fen.

      These words produced, unexpectedly enough, a marked change in Mr Judd. A new light appeared in his eyes – a light which Fen could not but associate with the more disreputable antics of satyrs in