Spectacle. Rachel Vincent

suffer just to draw out my beast and its violent brand of justice.

      Not again.

      Motion to my left drew my eye, and I twisted on the cold steel floor to see Mirela lying in the next cell, unbound and evidently unconscious, still dressed in her fortune-teller costume. But I couldn’t see into the cells beyond hers from my prone position.

      Grunting with the effort, I tucked my legs beneath my stomach and pulled myself upright without the use of my hands. On my knees, I could see down the length of the steel cage into at least a dozen cells separated by steel-slat walls. I was in the very last one. And finally I understood.

      We were in a cattle car—a long horse trailer modified to hold human-sized cryptids. Each pen had its own roll-up door and the whole thing was much cleaner and newer than anything we’d had at Metzger’s. Much colder.

      And much more expensive.

      Mirela’s sisters lay unmoving in the two narrow cells after hers, and beyond those were several more, each occupied by one of my fellow captives.

      The light shining through the canvas strapped in place over the cattle car was too warm in tone to be anything but sunlight, and the canvas itself gave me no hint of our location. I closed my eyes and listened, trying to slow my racing heart.

      I heard the rattle of a cage door rolling up on another cattle car and male voices, speaking too softly for me to understand. The only familiar sound was the breathing of the other captives.

      “Where are we?” Lala whispered, and I turned to see her pushing herself upright in the middle of her cell. She blinked at me through eyes ringed in dark circles and drew her denim-clad knees to her chest.

      “I don’t—”

      Heavy footsteps clomped toward us, and two shadowy silhouettes appeared through the thin canvas, starkly backlit, growing larger as they got closer. The shapes were male and bulky from whatever equipment they wore, and when one of them came to disconnect the canvas from the two rear corners of my cell, I could tell from his outline that he had a gun and some kind of baton.

      When the canvas was unhooked, the men pulled it from the cattle car with practiced motions, then folded it with the same efficiency. Both men wore the Savage Spectacle’s black tactical gear, including visored helmets, and each wore a pistol and a stun gun holstered on opposite sides of their waists. They worked in silence, and after an initial assessing glance into the trailer, they didn’t leer, stare, laugh or point.

      The soldiers’ professional bearing was so unlike that of Metzger’s rough-edged roustabouts and handlers that Lala and I seemed more interested in them than they were in us.

      From my left, I heard and felt movement as the rest of the captives began to wake up, but I couldn’t tear my searching gaze from the world outside the cattle car. Where were the rides and the booths? Where were the campers, trucks and trailers? Where was the fairground?

      I saw nothing but a gray building and, behind that, a thick patch of forest.

      “Where are we?” Lala asked again. “What’s happening?”

      I hardly even heard her questions over the chattering of my teeth, a nervous reaction I’d had since I was a kid. My mouth was dry and my hands were shaking in my bindings, which chafed my already-raw wrists.

      “We’ve been captured, obviously,” Zarah said from the other end of the trailer, where she was confined in the pen next to Trista, her twin and fellow succubus.

      “But where’s the menagerie?”

      “Probably right where we left it,” Mirela said to her sister, while she watched the black-clad men stack the folded canvas on top of at least two others. “It looks like we’ve been seized. They must know the old man is dead.”

      But how? Renata and Raul had done flawless work with Metzger’s relatives. We’d hoped to get at least a year out of the ruse, which should have given us plenty of time to figure out how to get everyone south of the border.

      “I think we’re being sold,” Lenore said, and for once, I didn’t fight the calming pull of her voice. Instead, I let the sound relax my tense muscles and slow my racing heart, and finally my teeth stopped chattering. Clarity returned to my vision.

      Our cattle trailer was parked in front of a squat gray brick building punctuated by a series of tall, narrow windows. Its resemblance to a prison was no doubt intentional. Two men stood guard at either side of the building’s entrance, wearing padded bite suits similar to what K9 trainers used to condition attack dogs. Their utility belts each held a Taser and a baton, but no guns.

      The trees visible behind and above the building were taller than they typically grew in Oklahoma, my home state, and the flora was greener and more lush.

      “We’re all being sold?” Mahsa asked, and when I turned to follow the leopard shifter’s gaze, relief flooded me. Two more cattle cars stood about fifty feet away, on the other side of the parking lot, but their occupants were still unconscious, and I wouldn’t be able to identify them until they sat up.

      “Mirela,” I whispered as I watched the two tactical team members head for the building entrance. “Do you see Gallagher?”

      She studied the other trailers, then shook her head. “But they might have put him in that last one, with Eryx and the centaurs. He’s heavy enough.”

      I squinted, but the only thing I could tell about the third trailer, viewed through the one in the middle, was that its cells were larger and lower to the ground, and on the scale of horses and cows. More like an actual cattle car.

      Even if all three of the trailers were full, they couldn’t possibly hold even half the cryptids from Metzger’s. Where were all the rest?

      “Hey!” Lala shouted, and we both turned to her in surprise as one of the succubi tried to shush her. “Where the hell are we? Who are you people?”

      “Lala!” Mirela scolded her softly, as the men continued to ignore us. “Don’t make trouble.”

      I wasn’t sure whether to applaud the young oracle or cry for us all. She’d grown bold and confident after months of relative freedom, and she seemed much less willing than the others to fall back into the trembling and quiet comportment of a captive.

      Before the two soldiers made it to the building, the door opened and Willem Vandekamp stepped out. All four men—two in tactical gear, two in puffy, full-body bite suits—snapped to attention as he marched past them, with another man on his heels, and I could only stare, trying to figure out what his presence meant.

      Was this his building? Was Vandekamp storing us until...what? An auction? A bulk sale? Seizure by the government?

      Vandekamp took up a position between our cattle car and the next and one of his men handed him a clipboard. “Okay, let’s get them stored. Start over there.” He pointed in our direction. “Individual cells. Give them uniforms, then start processing.”

      Murmurs rose the length of the trailer as the other ladies tried to figure out where we were and who the man obviously in charge was.

      “The uniforms say ‘SS,’” Lenore whispered, for those who couldn’t read.

      “The Savage Spectacle.” I spoke just loudly enough for Mirela to hear, knowing she’d pass the information down. “That’s Willem Vandekamp. The owner.” But the gray brick building in front of us didn’t look like someplace catering to wealthy, high-profile clients.

      Most of the occupants of the next trailer had woken up, and I was relieved to see both cheetah shifters, Gael the berserker, and Drusus the incubus among its occupants. But I wasn’t sure I should be relieved to find them confined alongside us.

      “Let me know when it’s done.” Vandekamp let his assessing gaze wander over all three trailers, then he gave his clipboard to a man wearing a thick pair of brown cargo pants and a lightweight short-sleeved button-down shirt with a stylized set of overlapping S’s embroidered