Название | The Honey Queen |
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Автор произведения | Cathy Kelly |
Жанр | Зарубежные любовные романы |
Серия | |
Издательство | Зарубежные любовные романы |
Год выпуска | 0 |
isbn | 9780007373680 |
‘Sanctuary,’ said Peggy absent-mindedly in reply to TJ’s question as she went from table to table with her black plastic bag, bucket, spray and cloth. She’d already gathered up the ashtrays from the beer garden and put them to soak in a basin. The glass-washing machines were on, the empty beer bottles collected. The floor, sticky with alcohol and dirt, was somebody else’s problem in the morning.
‘Saying “sanctuary” makes you sound like a nun,’ remarked TJ.
‘OK, peace, then,’ Peggy said in exasperation.
‘If you want peace, you need one of those villages in the middle of nowhere,’ TJ said, reaching for another piece of nicotine gum. ‘Sort of place where you get one pub, ten houses and a lot of old farmers standing at their gates staring at you when you drive by.’
‘That’s not at all what I want.’ Peggy moved on to the next table. Somebody’s door key was stuck there in a glue of crisps and the sticky residue of spilt alcohol. Peggy scrubbed it free and went back to the bar, where she put it in the lost property tin. ‘TJ, you can’t run a business in a village in the middle of nowhere and I want my own business. I told you already. A knitting and craft shop.’
‘I know, you told me: knitting,’ TJ repeated, shaking his head. ‘You just don’t look the knitting type.’
Peggy laughed. She seldom told people about her plans for fear they’d laugh at her fierce determination and tell her she was mad, and why didn’t she blow her savings on a trip to Key West/Ibiza/Amsterdam with them? But whenever she did mention her life plan, it was astonishing how often people told her that she didn’t look ‘the knitting type’.
What was the knitting type? A woman with her hair in a bun held up with knitting needles, wearing a long, multi-coloured knitted coat that trailed along behind her on the floor?
‘I want to run my own business, TJ,’ she said, ‘and knitting’s what I’m good at, what I love. I’ve been knitting since I was small: my mother used to knit Aran for the tourist shops years ago. She taught me everything. I know there’s a market for shops like that. That’s what I’m looking for – somewhere to start off.’
‘You told me, but I’m not sure I believe you.’ TJ’s eyes narrowed. ‘What exactly are you running away from, babe? You should stay here. You’re happy, we appreciate you.’
What got a woman like Peggy trailing all over the place looking for peace? A man, he’d bet tonight’s takings on it. When women moved all the time the way Peggy did, a man was usually behind it all.
Women like Peggy, tall and rangy with those steady dark eyes half-obscured by curls of conker-brown fringe and a hint of vulnerability that she did her best to hide, were always running from men. Not that she couldn’t be tough when she was dealing with angry drunks pulling at her clothes and making suggestions. But she was soft inside, despite the outer tough-chick exterior and the black leather biker jacket and boots. Too soft. He wondered what had happened to her.
‘I’m not running,’ Peggy said, straightening up from the final table and facing him squarely. ‘I’m looking. There’s a difference. I’ll know when I find it.’
‘Yeah.’ He waved one hand wearily. The soft women who’d been hurt by men all said that.
‘It’s not what you think,’ Peggy insisted. ‘I’m looking for a different kind of life.’
But as she walked home that night, hand wrapped around a personal alarm in one pocket of her leather jacket, she admitted to herself that TJ was sort of right – only she would never tell him that. He thought she was running away from a man, and in a way she was. Except it wasn’t the ex-lover TJ undoubtedly imagined. She was running away from something very different.
On a beautiful February day, shortly after leaving the bar in Galway, an Internet property trawl led Peggy to Redstone, a suburb of Cork that somehow retained a sense of being a town.
On the computer screen, the premises near Redstone Junction had it all: a pretty, Art Deco façade, a big catchment area and lots of other shops and cafés nearby to bring in passing trade.
Now, as she drove her rattling old Volkswagen Beetle slowly through the crossroads, she felt a sense of peace envelop her. This might, just might, be the place she’d been looking for.
It helped that it was such a lovely day, the low-angled winter sun burnishing everything with warm light, but she sensed that she’d have liked the place even if it had been bucketing down with rain. There were trees planted on the footpaths, stately sycamores and elegant beeches with a few acid-green buds emerging, giving a sense of the country town Redstone had been before it merged with the city. The façade of one entire block was still dedicated to Morton’s Grain Storage, pale brick with classic 1930s lettering chiselled into the brickwork itself, although the grain storage was long gone and the ground floor had been converted to a row of shops that included a pharmacy, a chi-chi delicatessen-cum-café and a clothes shop. Peggy parked the car and walked back through the little junction, loving the black wrought-iron street lights with their curlicues where the lamps hung. It was impossible to tell whether they’d been installed a hundred and fifty years ago or were a more recent addition.
She loved the trees and the flowers planted diligently around them, probably by a team of local people involved in the Tidy Towns competition, she thought. They’d obviously chosen a host of bulbs, for now buttery yellow early crocuses and pale narcissi were sweetly blooming in wooden troughs at the base of each tree along both arms of the crossroads.
Nobody had ripped up the flowers or stubbed cigarettes out in the earth. The people here obviously admired how they brightened up the street.
Even before she’d looked over the premises for rent – a former off-licence, which had unaccountably gone out of business – she’d felt a kind of peace in Redstone.
The vacant property was a double-fronted shop with two large rooms out the back and a flat upstairs, should she wish to rent that too, the estate agent added hopefully.
The downstairs would need only cosmetic work, but the upstairs needed a wrecking ball, Peggy thought privately. The fittings were old and hazardous. Besides, living over the shop was a mistake, she knew that after working as a waitress in a Dublin bistro and living upstairs.
‘Downstairs is enough for me,’ Peggy said. ‘I don’t have a deathwish.’
The agent sighed. ‘Ah well, plenty of people are looking for bijou doer-uppers,’ he said over-confidently.
‘As long as the floor’s safe and they don’t come crashing down to my place when they’re using the sander,’ Peggy replied. ‘The landlord’s responsible.’
The agent laughed.
Peggy eyeballed him. What was it about a woman in tight jeans and leather jacket that made people think you were both ignorant of the law and a pushover?
‘I mean it,’ she said.
The deal to rent the shop was signed five days later.
She found a small cottage for rent at the end of St Brigid’s Avenue, on a 1950s estate of former council houses, about a mile away from the shop. The house wasn’t overly beautiful with its genuine fifties decor, but it was all she could afford.
Peggy celebrated her new life with a quarter-bottle of champagne and a takeaway pizza in front of the cheap television-cum-DVD player she’d bought years ago. She slotted Sleepless in Seattle, her favourite film of all time, into the player, sipped her champagne and toasted herself.
‘To Peggy’s Busy Bee Knitting and Stitching Shop,’ she said, happily raising her glass before biting into the pizza. She’d achieved her dream and her life would be different from now on. The past was just