Название | The Black Reaper: Tales of Terror by Bernard Capes |
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Автор произведения | Bernard Capes |
Жанр | Ужасы и Мистика |
Серия | |
Издательство | Ужасы и Мистика |
Год выпуска | 0 |
isbn | 9780008249083 |
‘He has come and passed.’
It might have been an imperceptible shrug of the shoulders that twitched the tall figure by the couch. If so, it converted the gesture into a bow of reverence.
‘Is He not to be revealed again in His glory? But there, set as in the crater of a mountain of sand, and inaccessible to mortal footstep, stands unperishing the glory of the earth. And its fragrance is drawn up to heaven, as through a wide chimney; and from its branches hangs the undying fruit, lustrous and opalescent; and in each shining globe the world and its starry system are reflected in miniature, moving westwards; but at night they glow, a cluster of tender moons.’
‘And whence came your power to scale that which is inaccessible?’
‘From Death, that, still denying me immortality, is unable to encompass my destruction.’
The young man burst into a harsh and grating laugh.
‘Here is some inconsistency!’ he cried, ‘By your own showing you were not immortal till you ate of the fruit!’
Could it be that this simple deductive snip cut the thread of coherence? A scowl appeared to contract the lofty brow for an instant. The next, a gay chirrup intervened, like a little spark struck from the cloud.
‘The pounding logic of the steam engine!’ cried the stranger, coming forward at last with an open smile. ‘But we pace in an altitude refined above sensuous comprehension. Perhaps before long you will see and believe. In the meantime let us be men and women enjoying the warm gifts of Fortune!’
IV
Nous pensions comme un songe
Le récit de vos maux;
Nous traitions de mensonge
Tous vos plus grands travaux!
In that one night of an unreality that seemed either an enchanted dream or a wilfully fantastic travesty of conventions, Amos alternated between fits of delirious self-surrender and a rage of resignation, from which now and again he would awake to flourish an angry little bodkin of irony.
Now, at this stage, it appeared a matter for passive acquiescence that he should be one of a trio seated at a bronze table, that might have been recovered from Herculaneum, playing three-handed cribbage with a pack of fifteenth-century cards – limned, perhaps, by some Franceso Bachiacca – and an ivory board inlaid with gold and mother-of-pearl. To one side a smaller ‘occasional’ table held the wine, to which the young man resorted at the least invitation from Adnah.
In this connection (of cards), it would fitfully perturb him to find that he who had renounced sin with mortality, had not only a proneness to avail himself of every oversight on the part of his adversaries, but frequently to peg-up more holes than his hand entitled him to. Moreover, at such times, when the culprit’s attention was drawn to this by his guest – at first gently; later, with a little scorn – he justified his action on the assumption that it was an essential interest of all games to attempt abuse of the confidence of one’s antagonist, whose skill in checkmating any movement of this nature was in right ratio with his capacity as a player; and finally he rose, the sole winner of a sum respectable enough to allow him some ingenuous expression of satisfaction.
Thereafter conversation ensued; and it must be remarked that nothing was further from Rose’s mind than to apologise for his long intrusion and make a decent exit. Indeed, there seemed some thrill of vague expectation in the air, to the realisation of which his presence sought to contribute; and already – so rapidly grows the assurance of love – his heart claimed some protective right over the pure, beautiful creature at his feet.
For there, at a gesture from the other, had Adnah seated herself, leaning her elbow, quite innocently and simply, on the young man’s knee.
The sweet strong Moldavian wine buzzed in his head; love and sorrow and intense yearning went with flow and shock through his veins. At one moment elated by the thought that, whatever his understanding of the ethical sympathy existing between these two, their connection was, by their own acknowledgement, platonic; at another, cruelly conscious of the icy crevasse that must gape between so perfectly proportioned an organism and his own atrabilarious personality, he dreaded to avail himself of a situation that was at once an invitation and a trust; and ended by subsiding, with characteristic lameness, into mere conversational commonplace.
‘You must have got over a great deal of ground,’ said he to his host, ‘on that constitutional hobby horse of yours?’
‘A great deal of ground.’
‘In all weathers?’
‘In all weathers; at all times; in every country.’
‘How do you manage – pardon my inquisitiveness – the little necessities of dress and boots and such things?’
‘Adnah,’ said the stranger, ‘go fetch my walking suit and show it to our guest.’
The girl rose, went silently from the room, and returned in a moment with a single garment, which she laid in Rose’s hands.
He examined it curiously. It was a marvel of sartorial tact and ingenuity; so fashioned that it would have appeared scarcely a solecism on taste in any age. Built in one piece to resemble many, and of the most particularly chosen material, it was contrived and ventilated for any exigencies of weather and of climate, and could be doffed or assumed at the shortest notice. About it were cunningly distributed a number of strong pockets or purses for the reception of diverse articles, from a comb to a sandwich-box; and the position of these was so calculated as not to interfere with the symmetry of the whole.
‘It is indeed an excellent piece of work,’ said Amos, with considerable appreciation; for he held no contempt for the art which sometimes alone seemed to justify his right of existence.
‘Your praise is deserved,’ said the stranger, smiling, ‘seeing that it was contrived for me by one whose portrait, by Giambattista Moroni, now hangs in your National Gallery.’
‘I have heard of it, I think. Is the fellow still in business?’
‘The tailor or the artist? The first died bankrupt in prison – about the year 1560, it must have been. It was fortunate for me, inasmuch as I acquired the garment for nothing, the man disappearing before I had settled his claim.’
Rose’s jaw dropped. He looked at the beautiful face reclining against him. It expressed no doubt, no surprise, no least sense of the ludicrous.
‘Oh, my God!’ he muttered, and ploughed his forehead with his hands. Then he looked up again with a pallid grin.
‘I see,’ he said. ‘You play upon my fancied credulity. And how did the garment serve you in the central desert?’
‘I had it not then, by many centuries. No garment would avail against the wicked Samiel – the poisonous wind that is the breath of the eternal dead sand. Who faces that feels, pace by pace, his body wither and stiffen. His clothes crackle like paper, and so fall to fragments. From his eyeballs the moist vision flakes and flies in powder. His tongue shrinks into his throat, as though fire had writhed and consumed it to a little scarlet spur. His furrowed skin peels like the cerements of an ancient mummy. He falls, breaking in his fall – there is a puff of acrid dust, dissipated in a moment – and he is gone.’
‘And this you met unscathed?’
‘Yes; for it was preordained that Death should hunt, but never overtake me – that I might testify to the truth of the first Scriptures.’
Even as he spoke, Rose sprang to his feet with a gesture of uncontrollable repulsion; and in the same instant was aware of a horrible change that was taking place in the features of the man before him.
V
Trahentibus autem Judaeis Jesum