The Raven’s Knot. Robin Jarvis

all other considerations and both he and Brian Chapman tried to comfort him.

      ‘Blood and sand!’ Neil’s father spluttered, unable to wrench his eyes from the bizarre scene around him. ‘What’s been going on? Blood and sand... blood and sand.’

      Standing apart from the Chapman family, Miss Ursula Webster, eldest of the three sisters who owned The Wyrd Museum, eyed the destruction with her glittering eyes, the nostrils of her long thin nose twitching as she contained her anger.

      Arching her elegant eyebrows, the woman examined the wreckage that surrounded her. All the precious exhibits were strewn over the floor, jettisoned from their splintered display cabinets, and she sucked the air in sharply between her mottled teeth.

      ‘So many valuable artefacts,’ her clipped, crisp voice declared. ‘It is an outrage to see them unhoused and vandalised in such a fashion.’

      Turning, with glass crunching beneath her slippered heel, she clapped her hands for attention and pointed an imperious finger at Neil’s father.

      ‘Mr Chapman,’ she began. ‘You must begin the restoration of this collection as soon as possible. Such treasures as these must not be left lying around in this disgraceful manner. I charge you to save all you can of them, for you cannot guess their worth. My sisters and I are their custodians for a limited period only, they enjoy such shelter and guardianship as this building can offer and what slight protection our wisdom can afford.’

      With a quick, bird-like movement, she turned her head to observe her two wizened sisters who were stooping and fussing over a young girl, then returned her glance to Neil’s father.

      ‘Mine is a grave responsibility,’ she informed him. ‘See to it that you obey me in this. When you have cleared away the rubble and removed this ridiculous foliage from the walls, throw nothing away. I must inspect everything prior to that, do you understand? We cannot afford to make another mistake.’

      Brian Chapman nodded and the elderly woman gave him a curt, dismissive nod before returning to her sisters.

      Miss Celandine Webster, with her straw-coloured hair hanging in two great plaits on either side of her over-ripe apple face, was grinning her toothiest smile. At her side Miss Veronica was trilling happily, her normally white-powdered countenance a startling waxy sight, covered as it was by a thick layer of beauty cream.

      Edie Dorkins, the small girl brought from the time of the Blitz to the present by the power of the Websters, took little notice of them or the Chapmans. She was staring at a large piece of broken glass propped against the wall and gazing at her reflection. Upon her head the green woollen pixie-hood, a gift from the sisters, sparkled as the light caught the strands of silver tinsel woven into the stitches and she preened herself with haughty vanity.

      ‘Doesn’t she look heavenly?’ Miss Celandine cooed in delight. ‘And there was I worrying about the size – why it’s perfect! It is, it is!’

      Leaning upon her walking cane, Miss Veronica bent forward to touch the woollen hood and sighed dreamily. ‘Now there are four of us. It’s been so long, so very, very long.’

      ‘Edith!’

      Miss Ursula’s commanding voice rapped so sharply that the girl stopped admiring herself and fixed her almond-shaped eyes upon the eldest of the Websters.

      Picking her way through the debris, Miss Ursula took the youngster’s grubby hand in her own.

      ‘I have said that you are to be our daughter, Edith, dear, the offspring which was denied to us and you have accepted. But do you comprehend the nature of the burden you have yoked upon your shoulders?’

      An impudent grin curved over the child’s face as she stared up at Miss Ursula. ‘Reckon I do,’ she stated flatly.

      The fragment of a smile flitted across the woman’s pinched features but her bony fingers gripped Edie’s hand a little tighter and when she next spoke her voice was edged with scorn.

      ‘Wild infant of the rambling wastes!’ she cried. ‘Akin to us you may be and many draughts of the sacred water have you drunk, but do not think you know us yet, nor the tale of all our histories.’

      But Edie was not cowed by the vehemence of the old woman’s words and, baring her teeth, snapped back. ‘So teach me ’em! Tell me about the sun, the moon an’ the name of everything what grows. What has been – an’ all of whatever will be.’

      Miss Ursula loosened her grip and her eyelids fluttered closed as she breathed deeply. ‘Well answered Edith, my dear – tomorrow we shall begin your instruction.’

      ‘No,’ the girl insisted. ‘Start now!’

      Miss Ursula studied her, then gave a grim laugh. ‘Come with me!’ she cried. ‘As this is the hour of your joining with us, it is only fitting that you are shown our greatest treasure at once.’

      With her gown billowing around her, Miss Ursula strode swiftly from The Separate Collection and Edie Dorkins, her eyes dancing with an excited light, ran after her.

      ‘Where is Ursula taking our new sister?’ Miss Veronica asked in bewilderment. ‘There’s jam and pancakes upstairs, I prepared them myself. You don’t think they’ll eat them all do you, Celandine? Do you suppose they’ll leave some for me? I love them so dearly.’

      Miss Celandine’s nut-brown face crinkled with impatience as she stared after the figures of Miss Ursula and the girl as they disappeared into the darkness of the rooms beyond.

      ‘You and your pancakes!’ she snorted petulantly. ‘I’m certain little Edith can eat as many as she likes of them – and most welcome she is too...’ Her chirruping voice faded as her rambling mind suddenly realised where the others were going and she threw her hands in the air in an exclamation of joy and wonder.

      ‘Of course!’ she sang, hopping up and down, her plaits swinging wildly about her head. ‘Ursula will take her there! She will! She will – I know it – I do, I do! Oh, you must hurry, Veronica, or we may be too late.’

      And so, bouncing in front of her infirm sister like an absurd rabbit, Miss Celandine scampered from the room and Miss Veronica hobbled after.

      Alone with his sons, the dumbfounded Mr Chapman pinched the bridge of his nose and gazed around forlornly.

      ‘I... I don’t understand,’ he murmured, staring up at the spreading branches overhead. ‘I want to, but I don’t. Neil – what happened here?’

      The boy pulled away from him, but he was too exhausted to explain. ‘It’s over now, Dad,’ he mumbled wearily. ‘That’s all that matters. Josh and me are safe. We’re back.’

      ‘Back from where? Who was that scruffy kid? She looked like some kind of refugee.’

      But if Brian Chapman was expecting any answers to his questions he quickly saw that none were forthcoming. Neil’s face was haggard and his eyelids were drooping. Remembering that it was past three in the morning, the caretaker of The Wyrd Museum grunted in resignation and lifted Josh into his arms.

      ‘I’d best get the pair of you to bed,’ he said. ‘You can tell me in the morning.’

      Neil shambled to the doorway but paused before leaving. Casting his drowse-filled eyes over the scattered debris of The Separate Collection, he whispered faintly ‘Goodbye Ted, I’ll miss you.’

      Down the stairs Miss Ursula led Edie, down past a great square window through which a shaft of silver moonlight came slanting into the building, illuminating the two rushing figures.

      ‘Are you ready Edith, my dear?’ the elderly woman asked, her voice trembling with anticipation when they reached the claustrophobic hallway at the foot of the staircase. ‘Are you prepared for what you are about to see?’

      The girl nodded briskly and whisked her head from left to right as she looked about her in the dim gloom.

      The panelling of the hall was crowded with dingy watercolours.