The Classic Morpurgo Collection. Michael Morpurgo

       Adonis Blues

      The next afternoon after games were over, I went over the fence at the bottom of the park, hared up through Innocents Breach, across the road, along the wall and slipped through the iron gateway with the stone lion roaring above me. It was raining a light summer rain.

      I tried knocking at the front door. No one came. No dog barked. I went round to the back and peered in through the kitchen window. The box kite was still there on the kitchen table, but there was no sign of the old lady anywhere. I rattled the kitchen door, and knocked louder, again and again. I called out: “Hello! Hello!” There was no reply. I banged on the window. “Are you there? Are you there?”

      “We all are,” came a voice from behind me. I turned. There was no one there. I was alone, alone with the white lion on the hillside. I had imagined it.

      I climbed the hill and went to sit in the grass above the white of the lion’s mane. I looked down at the great house beneath me. Jackdaws cawed overhead. There was bracken and grass growing out of the gutters and around the chimney pots. Some of the windows were boarded up. Drainpipes hung loose and rusting. The place was empty, quite empty.

      The rain suddenly stopped and the sun warmed the back of my neck. The first butterfly landed on my arm. It was blue. “Adonis Blues, Adonis Blues,” came the voice again, like an echo in my head. Then the sky around me was filled with butterflies, and they were settling to drink on the chalk.

      “Adonis Blues, remember?” The same voice, a real voice, her voice. And this time I knew it was not in my head. “Keep him white for us, there’s a dear. We don’t want him forgotten, you see. And think of us sometimes, won’t you?”

      “I will,” I cried. “I will.”

      And I swear I felt the earth tremble beneath me with the roar of a distant lion.

       For all the good and kind people at The Savoy who looked after us so well.

       MM.

       For my brother Pud, a North Sea fisher-man and boy.

       MF.

      Contents

       Dedication

The Coming of Kaspar

Not Johnny Trott at All

A Ghost in the Mirror

“Who Gives a Fig, Anyway?”

Running Wild

Stowaway

“We’ve Only Gone and Hit A Flaming Iceberg”

Women and Children First

“Good Luck and God Bless You”

A New Life

Postscript

       The Coming of Kaspar

      Prince Kaspar Kandinsky first came to the Savoy Hotel in a basket. I know because I was the one who carried him in. I carried all the Countess’ luggage that morning, and I can tell you, she had an awful lot of it.

      But I was a bell-boy so that was my job: to carry luggage, to open doors, to say good morning to every guest I met, to see to their every need, from polishing their boots to bringing them their telegrams. In whatever I did I had to smile at them very politely, but the smile had to be more respectful than friendly. And I had to remember all their names and titles too, which was not at all easy, because there were always new guests arriving. Most importantly though, as a bell-boy – which, by the way, was just about the lowest of the low at the hotel – I had to do whatever the guests asked me to, and right away. In fact I was at almost everyone’s beck and call. It was “jump to it, Johnny”, or “be sharp about it, boy”, do this “lickedysplit”, do that “jaldi, jaldi”. They’d click their fingers at me, and I’d jump to it lickedysplit, I can tell you, particularly if Mrs Blaise, the head housekeeper, was on the prowl.

      We could always hear her coming, because she rattled like a skeleton on the move. This was on account of the huge bunch of keys that hung from her waist. She had a voice as loud as a trombone when she was angry, and she was often angry. We lived in constant fear of her. Mrs Blaise liked to be called “Madame”, but on the servants corridor at the top of the hotel where we all lived – bell-boys, chamber maids, kitchen staff – we all called her Skullface, because she didn’t just rattle like a skeleton, she looked a lot like one too. We did our very best to keep out of her way.

      To her any misdemeanour, however minor, was a dreadful crime – slouching, untidy hair, dirty fingernails. Yawning on duty was the worst crime of all. And that’s just what Skullface had caught me doing that morning just before the Countess arrived. She’d just come up to me in the lobby, hissing menacingly as she passed, “I saw that yawn, young scallywag. And your cap is set too jaunty. You know how I hate a jaunty cap. Fix it. Yawn again, and I’ll have your guts for garters.”

      I was just fixing my cap when I saw the doorman, Mr Freddie, showing the Countess in. Mr Freddie clicked his fingers at me, and that was how moments later I found myself walking through the hotel lobby alongside the Countess, carrying her cat basket, with the cat yowling so loudly that soon everyone was staring at us. This cat did not yowl like other cats, it was more like a wailing lament, almost human in its tremulous tunefulness. The Countess, with me at her side, swept up to the reception desk and announced herself in a heavy foreign accent – a Russian accent, as I was soon to find out. “I am Countess Kandinsky,” she said. “You have a suite of rooms for Kaspar and me, I think. There must be river outside my window, and I must have a piano. I sent you a telegram with all my requirements.”

      The