Ash Mistry and the Savage Fortress. Sarwat Chadda

sleek sunglasses. Her thick unkempt blonde-streaked hair was loosely held in place with ivory pins. She pressed her palms together. “Namaste. I’m Jackie, Lord Savage’s personal assistant.” Her accent was English, and posh.

      “Vikram Mistry, at your service.” He took Aunt Anita’s hand. “And this is my wife.”

      “Namaste, Mrs Mistry,” said Jackie.

      “Call me Anita,” she replied, smoothing out the creases in her silk sari. The cloth was a shimmering pearly silver embroidered with gold. She only wore it for special occasions, like visiting rich aristocrats.

      “What a perfectly beautiful child,” said Jackie, catching a glimpse of Lucky. She knelt down and stroked Lucky’s cheek with a long nail, her smile widening. “Why, you look good enough to eat.”

      Lucky cringed and took a step behind Ash. Jackie’s smile thinned, then she slowly straightened up and faced Uncle Vik.

      “Lord Savage is very keen to meet you,” Jackie said. “He’s a great admirer of your work.”

      “I am flattered.”

      Jackie gestured at the boats. “I’m so sorry about this, but I hope you’ll be OK. There’ve been a lot of heavy trucks crossing back and forth because of the excavations. This morning one of them went over the side. A bad business.” She snapped her fingers and a local boy ran up bearing a kerosene lantern. “The bridge will be out a while for repairs.”

      “Excavations?” asked Vik. “I didn’t realise there were any digs in Varanasi.”

      “In Varanasi and elsewhere,” said Jackie. “The Savage family have been staunch supporters of Indian archaeology for many centuries. Lord Savage’s weapons collection is one of the finest in the world.”

      Weapons collection? thought Ash. Maybe tonight wouldn’t be a total loss.

      “Is this why Lord Savage wants to meet me?” his uncle asked.

      “All in good time, Professor.”

      “What happened there?” said Ash, pointing at the half-devoured buffalo.

      “Marsh crocodile. The river has a few,” said Jackie. “Not the place for a dip.”

      Ash couldn’t help but notice how her gaze lingered on the dead buffalo. And was she licking her lips? The woman was pure freak show. That’s probably what happened to Brits if you stayed out here too long.

      Jackie led them to the pier, a rickety row of mouldering planks held together by near-rotten rope. The only thing solid about it was the pair of stone pillars that stood at the end, each carved in the shape of an elephant. A boat and boatman waited for them.

      The boat looked like one of the punts Ash had been in during a day trip to Cambridge; shallow and low in the water. Not very crocodile-proof.

      “This does not look entirely safe,” said Ash. “Where are the life-jackets?”

      Aunt Anita shook her head. “Just get in the boat.” It wobbled as she stepped in. “And keep your fingers out of the water.”

      The boatman pushed them off with his oar and they drifted away from the bank. Ash peered back at the scattered vehicles until their shining headlamps dwindled to mere spots in the darkness.

      “Look!” Lucky jumped to her feet and the boat rocked perilously.

      “Sit down!” snapped Aunt Anita.

      A path of lanterns shone along the wide stone steps that lined the opposite bank. A cliff-like mass stood on the riverside, rising high straight out of the water. Torches flared, one by one, along its battlement walls. Polished marble and the soft egg-curve shape of a roof glistened in the torchlight. Vines and climbers were as much part of the immense walls as the marble and sandstone. Black glass sparkled like ebony diamonds from the balcony windows.

      Uncle Vik had told them the building had once belonged to the maharajah of Varanasi, but had been abandoned and left to rot for decades. Now the monolithic palace would be grander than ever. It had a new owner and a new name.

      The Savage Fortress.

      The torch-lit battlements loomed over their boat as it drifted towards the bank. Apart from the fortress, the land was empty of any other buildings or life. It was as if the Savage Fortress had devoured everything, leaving only dried-out streams, a few stunted trees and, in the distance, what looked like a small shanty town of tents and crude hovels. Lorries lined the road and Ash could see a few big bulldozers, presumably from the excavations Jackie had mentioned.

      “Wonder what’s out there,” said Vik. He wiped his glasses and cast a critical eye over the wide field. “Whatever he’s doing, he’s serious about it.”

      The boat touched the broad steps that led to the water gate. As they ascended the steps Ash spotted a large stone shield over the main entrance. It was carved with three bulbous flowers and a pair of crossed swords.

      “What’s that?” he asked. “Are they thistles?”

      Uncle Vik adjusted his glasses. “No, poppies. The Savage family made its first fortune in the Opium Wars with China.”

      “And the motto?” Ash read the scroll under the shield. “Ex dolor adveho opulentia?”

      “Through misery comes profit.”

      Nice.

      They clambered up the steep, damp passageway and soon emerged into a crowded courtyard, decorated for a party. Servants, dressed in white and wearing golden turbans and sashes, carried silver trays of drinks and food among a field of colour. Silken pavilions dotted the large grass-covered square.

      There were maybe a hundred guests, and soon Ash’s uncle and aunt lost themselves in the crowd. Lucky spotted a gang of younger kids and ran off to play.

      Ash decided to explore.

      Classical Indian music played from one of the hidden galleries. The dream-like sound suited the palace. Marble statues dotted the corners of the courtyard and the walls bore vast carvings of heroes and monsters, which Ash recognised as images from Indian mythology. One wall was filled with a battle scene taken from the epic tale of the Ramayana, probably the most famous of Indian legends and Ash’s favourite.

      A giant golden warrior dominated the picture, his eyes blazing with fury, his mouth open in a silent roar of rage. He swung a pair of massive swords, reaping men left and right.

      All around him lay corpses, and behind him stood his army of demons: hideous human-animal hybrids with scales or fur-covered bodies, tails or wings.

      It was Ravana, the demon king.

      To the far left of the wall, almost off it, was a warrior with his bow raised and an arrow pointed at Ravana. The artist had painted the arrow with obvious care, surrounding it with flames and inlaying its centre with gold leaf. This wasn’t just any arrow. It was an aastra, a weapon charged with the power of a god.

      The scene caught the demon king’s last moment. Any second now the arrow, the aastra, would be launched and penetrate his heart, shattering him. And only one hero could shoot it: the hero Rama.

      “What do you think?” said a voice from behind him.

      A figure stepped out of the shadows and approached Ash.

      “Namaste,” he said.

      English for sure, the man wore a fine white linen suit with a pale silk shirt, so the only points of colour were his blue eyes, two brilliant chips of the coldest ice. Ash caught his breath as the man came into the glow of a nearby forest of candles.

      It was as though his face had been shattered, then crudely recast. Deep irregular grooves covered his skin, which shone with waxy transparency, revealing a fine network of veins beneath. Limp clumps of brittle white hair hung from his liver-spotted scalp.

      His gloved hand tightened round the silver tiger-headed handle of his cane. The