Ivanhoe. Вальтер Скотт

introduce no ornament inconsistent with the climate or country of his landscape; he must not plant cypress trees upon Inch-Merrin, or Scottish firs among the ruins of Persepolis; and the author lies under a corresponding restraint. However far he may venture in a more full detail of passions and feelings, than is to be found in the ancient compositions which he imitates, he must introduce nothing inconsistent with the manners of the age; his knights, squires, grooms, and yeomen, may be more fully drawn than in the hard, dry delineations of an ancient illuminated manuscript, but the character and costume of the age must remain inviolate; they must be the same figures, drawn by a better pencil, or, to speak more modestly, executed in an age when the principles of art were better understood. His language must not be exclusively obsolete and unintelligible; but he should admit, if possible, no word or turn of phraseology betraying an origin directly modern. It is one thing to make use of the language and sentiments which are common to ourselves and our forefathers, and it is another to invest them with the sentiments and dialect exclusively proper to their descendants.

      This, my dear friend, I have found the most difficult part of my task; and, to speak frankly, I hardly expect to satisfy your less partial judgment, and more extensive knowledge of such subjects, since I have hardly been able to please my own.

      I am conscious that I shall be found still more faulty in the tone of keeping and costume, by those who may be disposed rigidly to examine my Tale, with reference to the manners of the exact period in which my actors flourished: It may be, that I have introduced little which can positively be termed modern; but, on the other hand, it is extremely probable that I may have confused the manners of two or three centuries, and introduced, during the reign of Richard the First, circumstances appropriated to a period either considerably earlier, or a good deal later than that era. It is my comfort, that errors of this kind will escape the general class of readers, and that I may share in the ill-deserved applause of those architects, who, in their modern Gothic, do not hesitate to introduce, without rule or method, ornaments proper to different styles and to different periods of the art. Those whose extensive researches have given them the means of judging my backslidings with more severity, will probably be lenient in proportion to their knowledge of the difficulty of my task. My honest and neglected friend, Ingulphus, has furnished me with many a valuable hint; but the light afforded by the Monk of Croydon, and Geoffrey de Vinsauff, is dimmed by such a conglomeration of uninteresting and unintelligible matter, that we gladly fly for relief to the delightful pages of the gallant Froissart, although he flourished at a period so much more remote from the date of my history. If, therefore, my dear friend, you have generosity enough to pardon the presumptuous attempt, to frame for myself a minstrel coronet, partly out of the pearls of pure antiquity, and partly from the Bristol stones and paste, with which I have endeavoured to imitate them, I am convinced your opinion of the difficulty of the task will reconcile you to the imperfect manner of its execution.

      Of my materials I have but little to say. They may be chiefly found in the singular Anglo-Norman MS., which Sir Arthur Wardour preserves with such jealous care in the third drawer of his oaken cabinet, scarcely allowing any one to touch it, and being himself not able to read one syllable of its contents. I should never have got his consent, on my visit to Scotland, to read in those precious pages for so many hours, had I not promised to designate it by some emphatic mode of printing, as {The Wardour Manuscript}; giving it, thereby, an individuality as important as the Bannatyne MS., the Auchinleck MS., and any other monument of the patience of a Gothic scrivener. I have sent, for your private consideration, a list of the contents of this curious piece, which I shall perhaps subjoin, with your approbation, to the third volume of my Tale, in case the printer’s devil should continue impatient for copy, when the whole of my narrative has been imposed.

      Adieu, my dear friend; I have said enough to explain, if not to vindicate, the attempt which I have made, and which, in spite of your doubts, and my own incapacity, I am still willing to believe has not been altogether made in vain.

      I hope you are now well recovered from your spring fit of the gout, and shall be happy if the advice of your learned physician should recommend a tour to these parts. Several curiosities have been lately dug up near the wall, as well as at the ancient station of Habitancum. Talking of the latter, I suppose you have long since heard the news, that a sulky churlish boor has destroyed the ancient statue, or rather bas-relief, popularly called Robin of Redesdale. It seems Robin’s fame attracted more visitants than was consistent with the growth of the heather, upon a moor worth a shilling an acre. Reverend as you write yourself, be revengeful for once, and pray with me that he may be visited with such a fit of the stone, as if he had all the fragments of poor Robin in that region of his viscera where the disease holds its seat. Tell this not in Gath, lest the Scots rejoice that they have at length found a parallel instance among their neighbours, to that barbarous deed which demolished Arthur’s Oven. But there is no end to lamentation, when we betake ourselves to such subjects. My respectful compliments attend Miss Dryasdust; I endeavoured to match the spectacles agreeable to her commission, during my late journey to London, and hope she has received them safe, and found them satisfactory. I send this by the blind carrier, so that probably it may be some time upon its journey.

      The last news which I hear from Edinburgh is, that the gentleman who fills the situation of Secretary to the Society of Antiquaries of Scotland, is the best amateur draftsman in that kingdom, and that much is expected from his skill and zeal in delineating those specimens of national antiquity, which are either mouldering under the slow touch of time, or swept away by modern taste, with the same besom of destruction which John Knox used at

      the Reformation. Once more adieu; “vale tandem, non immemor mei”. Believe me to be,

      Reverend, and very dear Sir,

      Your most faithful humble Servant.

      Laurence Templeton.

      Toppingwold, near Egremont, Cumberland, Nov. 17, 1817.

       CHAPTER 1

       Thus communed these; while to their lowly dome,

       The full-fed swine return’d with evening home;

       Compell’d, reluctant, to the several sties,

       With din obstreperous, and ungrateful cries.

       —Pope’s Odyssey

      In that pleasant district of merry England which is watered by the river Don, there extended in ancient times a large forest, covering the greater part of the beautiful hills and valleys which lie between Sheffield and the pleasant town of Doncaster. The remains of this extensive wood are still to be seen at the noble seats of Wentworth, of Warncliffe Park, and around Rotherham. Here haunted of yore the fabulous Dragon of Wantley; here were fought many of the most desperate battles during the Civil Wars of the Roses; and here also flourished in ancient times those bands of gallant outlaws, whose deeds have been rendered so popular in English song.

      Such being our chief scene, the date of our story refers to a period towards the end of the reign of Richard I., when his return from his long captivity had become an event rather wished than hoped for by his despairing subjects, who were in the meantime subjected to every species of subordinate oppression. The nobles, whose power had become exorbitant during the reign of Stephen, and whom the prudence of Henry the Second had scarce reduced to some degree of subjection to the crown, had now resumed their ancient license in its utmost extent; despising the feeble interference of the English Council of State, fortifying their castles, increasing the number of their dependants, reducing all around them to a state of vassalage, and striving by every means in their power, to place themselves each at the head of such forces as might enable him to make a figure in the national convulsions which appeared to be impending.

      The situation of the inferior gentry, or Franklins, as they were called, who, by the law and spirit of the English constitution, were entitled to hold themselves independent of feudal tyranny, became now unusually precarious. If, as was most generally the case, they placed themselves under the protection of any of the petty kings in their vicinity, accepted of feudal offices