Название | The Three Musketeers |
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Автор произведения | Александр Дюма |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007480760 |
Of course, while d’Artagnan dared not join in the conversation, he kept his eyes and ears wide open, and every sense on the alert, that he might lose nothing; and in spite of the paternal advice, he found himself drawn by his tastes and instinct, rather to praise than blame the incredible things he heard around him. Nevertheless, as he was absolutely a stranger to the crowd of M. de Treville’s courtiers, and it was the first time he had been seen there, some one came to inquire what he wanted. At this question he humbly gave his name, relying on his being a countryman, and requested the servant to solicit a moment’s audience of M. de Treville—a request which the inquirer, in the tone of a protector, promised to make at the proper time.
D’Artagnan, a little recovered from his first surprise, had now time to study the dresses and countenances of those around him. In the midst of the most animated group was a musketeer of great height, of a haughty countenance, and so fantastical a costume as to attract general attention. He did not wear his uniform tunic, which was not absolutely indispensable at that period of less liberty, yet greater independence, but a close coat of celestial blue, slightly faded and worn, and on this coat a magnificent border of gold embroidery, which glittered like scales upon a sunlit stream; a long mantle or cloak of crimson velvet hung gracefully from his shoulders, discovering the front alone of his splendid belt, from which depended his enormous rapier. This musketeer, who had just come from guard, complained of having caught cold, and coughed occasionally with great affectation. Therefore, as he averred, he had taken his cloak; and whilst he was talking loudly over the group, and proudly curling his moustache, everyone much admired the embroidered belt, and d’Artagnan more than anyone else.
“What would you have?” said the musketeer. “It is the fashion; I know very well that it is foolish, but it is the fashion; besides, one must spend one’s hereditary property on something or other.”
“Ah, Porthos!” cried one of the bystanders, “do not try to make us believe that this lace comes from the paternal generosity: it was given you by the veiled lady with whom I met you the other Sunday, near the gate of St. Honore.”
“No, upon my honour, and by the faith of a gentleman, I bought it with my own money,” said he whom they called Porthos.
“Yes, as I bought this new purse with what my mistress put in the old,” cried another musketeer.
“But it is true,” said Porthos, “and the proof is, that I paid twelve pistoles for it.”
The wonder and admiration were redoubled, though the doubt still existed.
“Is it not so, Aramis?” inquired Porthos, turning to another musketeer.
The person thus appealed to formed a perfect contrast to the one who thus questioned him, and who designated him by the name of Aramis. He was a young man, not more than twenty-two or twenty-three years of age, with a soft and ingenuous countenance, a black and mild eye, and cheeks rosy and damask as an autumnal peach; his slender moustache marked a perfect straight line along his upper lip; his hands appeared to dread hanging down, for fear of making their veins swell; and he was continually pinching the tips of his ears, to make them preserve a delicate and transparent carnation hue. Habitually he talked little and slowly, often bowed, laughed quietly, merely showing his teeth, which were good, and of which, as of the rest of his person, he appeared to take the greatest care. He replied to his friend’s question by an affirmative inclination of the head, and this affirmation appeared to settle all doubt concerning the embroidery. They therefore continued to admire it, but said no more about it; and by a sudden change of thought, the conversation at once passed to another subject.
“What do you think of this story of Chalais’s squire?” inquired another musketeer, not addressing any one in particular, but the company in general.
“And what does he say?” demanded Porthos in a conceited tone.
“He says that he found Rochefort, the tool of the cardinal, at Brussels, disguised as a Capuchin friar; and that this cursed Rochefort, thanks to his disguise, had deceived M. de Laignes, simpleton as he is.”
“He is a simpleton,” said Porthos; “but is it a fact?”
“I heard it from Aramis,” answered the musketeer.
“Really!”
“Ah, you know it well enough, Porthos,” said Aramis.
“I told it you myself yesterday evening; do not let us talk any more about it.”
“Not talk any more about it! that’s your view of the matter,” said Porthos; “not talk any more about it! Egad, you would make short work of it. What! the cardinal sets a spy upon a gentleman, robs him of his correspondence through a traitor, a robber, a gallows-bird; cut Chalais’s throat through this spy, and by means of this correspondence, under the flimsy pretext that he desired to kill the king, and marry monsieur to the queen! No one knew one word of this enigma; you told us of it yesterday evening, to the great astonishment of everyone; and whilst we are still all amazed at the news, you come today and say to us, ‘Let us talk no more about it!’”
“Well, then, since it better suits your humour, let us talk about it,” calmly replied Aramis.