Название | Far From the Madding Crowd |
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Автор произведения | Томас Харди |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007424818 |
‘Ah, now. If so be ’tis like that, I can’t look her in the face. Lord, no: not I – heh-heh-heh! Such a shy man as I be!’
‘Yes – she’s very vain. ’Tis said that every night at going to bed she looks in the glass to put on her nightcap properly.’
‘And not a married woman. Oh, the world!’
‘And ’a can play the peanner, so ’tis said. Can play so clever that ’a can make a psalm tune sound as well as the merriest loose song a man can wish for.’
‘D’ye tell o’t! A happy time for us, and I feel quite a new man! And how do she pay?’
‘That I don’t know, Master Poorgrass.’
On hearing these and other similar remarks, a wild thought flashed into Gabriel’s mind that they might be speaking of Bathsheba. There were, however, no grounds for retaining such a supposition, for the waggon, though going in the direction of Weatherbury, might be going beyond it, and the woman alluded to seemed to be the mistress of some estate. They were now apparently close upon Weatherbury, and not to alarm the speakers unnecessarily Gabriel slipped out of the waggon unseen.
He turned to an opening in the hedge, which he found to be a gate, and mounting thereon he sat meditating whether to seek a cheap lodging in the village, or to ensure a cheaper one by lying under some hay or corn stack. The crunching jangle of the waggon died upon his ear. He was about to walk on, when he noticed on his left hand an unusual light – appearing about half a mile distant. Oak watched it, and the glow increased. Something was on fire.
Gabriel again mounted the gate, and, leaping down on the other side upon what he found to be ploughed soil, made across the field in the exact direction of the fire. The blaze, enlarging in a double ratio by his approach and its own increase, showed him as he drew nearer the outlines of ricks beside it, lighted up to great distinctness. A rick-yard was the source of the fire. His weary face now began to be painted over with a rich orange glow, and the whole front of his smock-front and gaiters was covered with a dancing shadow pattern of thorn-twigs – the light reaching him through a leafless intervening hedge – and the metallic curve of his sheep-crook shone silver-bright in the same abounding rays. He came up to the boundary fence, and stood to regain breath. It seemed as if the spot was unoccupied by a living soul.
The fire was issuing from a long straw-stack, which was so far gone as to preclude a possibility of saving it. A rick burns differently from a house. As the wind blows the fire inwards, the portion in flames completely disappears like melting sugar, and the outline is lost to the eye. However, a hay or a wheat-rick, well put together, will resist combustion for a length of time if it begins on the outside.
This before Gabriel’s eyes was a rick of straw, loosely put together, and the flames darted into it with lightning swiftness. It glowed on the windward side, rising and falling in intensity like the coal of a cigar. Then a superincumbent bundle rolled down with a whisking noise; flames elongated, and bent themselves about with a quiet roar, but no crackle. Banks of smoke went off horizontally at the back like passing clouds, and behind these burned hidden pyres, illuminating the semi-transparent sheet of smoke to a lustrous yellow uniformity. Individual straws in the foreground were consumed in a creeping movement of ruddy heat, as if they were knots of red worms, and above shone imaginary fiery faces, tongues hanging from lips, glaring eyes, and other impish forms, from which at intervals sparks flew in clusters like birds from a nest.
Oak suddenly ceased from being a mere spectator by discovering the case to be more serious than he had at first imagined. A scroll of smoke blew aside and revealed to him a wheat-rick in startling juxtaposition with the decaying one, and behind this a series of others, composing the main corn produce of the farm; so that instead of the straw-stack standing, as he had imagined, comparatively isolated, there was a regular connection between it and the remaining stacks of the group.
Gabriel leapt over the hedge, and saw that he was not alone. The first man he came to was running about in a great hurry, as if his thoughts were several yards in advance of his body, which they could never drag on fast enough.
‘O, man – fire, fire! A good master and a bad servant is fire, fire! – I mane a bad servant and a good master. O Mark Clark – come! And you, Billy Smallbury – and you, Maryann Money – and you, Jan Coggan, and Matthew there!’ Other figures now appeared behind this shouting man and among the smoke, and Gabriel found that, far from being alone, he was in a great company – whose shadows danced merrily up and down, timed by the jigging of the flames, and not at all by their owners’ movements. The assemblage – belonging to that class of society which casts its thoughts into the form of feeling, and its feelings into the form of commotion – set to work with a remarkable confusion of purpose.
‘Stop the draught under the wheat-rick!’ cried Gabriel to those nearest to him. The corn stood on stone staddles, and between these, tongues of yellow hue from the burning straw licked and darted playfully. If the fire once got under this stack, all would be lost.
‘Get a tarpaulin – quick!’ said Gabriel.
A rick-cloth was brought, and they hung it like a curtain across the channel. The flames immediately ceased to go under the bottom of the corn-stack, and stood up vertical.
‘Stand here with a bucket of water and keep the cloth wet,’ said Gabriel again.
The flames, now driven upwards, began to attack the angles of the huge roof covering the wheat-stack.
‘A ladder,’ cried Gabriel.
‘The ladder was against the straw-rick and is burnt to a cinder,’ said a spectre-like form in the smoke.
Oak seized the cut ends of the sheaves, as if he were going to engage in the operation of ‘reed-drawing’, and digging in his feet, and occasionally sticking in the stem of his sheep-crook, he clambered up the beetling face. He at once sat astride the very apex, and began with his crook to beat off the fiery fragments which had lodged thereon, shouting to the others to get him a bough and a ladder, and some water.
Billy Smallbury – one of the men who had been on the waggon – by this time had found a ladder, which Mark Clark ascended, holding on beside Oak upon the thatch. The smoke at this corner was stifling, and Clark, a nimble fellow, having been handed a bucket of water, bathed Oak’s face and sprinkled him generally, whilst Gabriel, now with a long beech-bough in one hand, in addition to his crook in the other, kept sweeping the stack and dislodging all fiery particles.
On the ground the groups of villagers were still occupied in doing all they could to keep down the conflagration, which was not much. They were all tinged orange, and backed up by shadows of varying pattern. Round the corner of the largest stack, out of the direct rays of the fire, stood a pony, bearing a young woman on its back. By her side was another woman, on foot. These two seemed to keep at a distance from the fire, that the horse might not become restive.
‘He’s a shepherd,’ said the woman on foot. ‘Yes – he is. See how his crook shines as he beats the rick with it. And his smock-frock is burnt in two holes, I declare! A fine young shepherd he is too, ma’am.’
‘Whose shepherd is he?’ said the equestrian in a clear voice.
‘Don’t know, ma’am.’
‘Don’t any of the others know?’
‘Nobody at all – I’ve asked ’em. Quite a stranger, they say.’
The young woman on the pony rode out from the shade and looked anxiously around.
‘Do you think the barn is safe?’ she said.
‘D’ye think the barn is safe, Jan Coggan?’ said the second woman, passing on the question to the nearest man in that direction.
‘Safe now – leastwise I think so. If this rick had gone the barn would have followed. ’Tis that bold shepherd up there that have done the most good – he sitting on the top o’ rick, whizzing his great long