The Dostoyevsky Collection. Fyodor Dostoyevsky

intended. But I must disillusion you a little. There is one expression in the letter, one slander about me, and rather a contemptible one. I gave the money last night to the widow, a woman in consumption, crushed with trouble, and not 'on the pretext of the funeral,' but simply to pay for the funeral, and not to the daughter--a young woman, as he writes, of notorious behaviour (whom I saw last night for the first time in my life)--but to the widow. In all this I see a too hasty desire to slander me and to raise dissension between us. It is expressed again in legal jargon, that is to say, with a too obvious display of the aim, and with a very nave eagerness. He is a man of intelligence, but to act sensibly, intelligence is not enough. It all shows the man and... I don't think he has a great esteem for you. I tell you this simply to warn you, because I sincerely wish for your good..."

      Dounia did not reply. Her resolution had been taken. She was only awaiting the evening.

      "Then what is your decision, Rodya?" asked Pulcheria Alexandrovna, who was more uneasy than ever at the sudden, new businesslike tone of his talk.

      "What decision?"

      "You see Pyotr Petrovitch writes that you are not to be with us this evening, and that he will go away if you come. So will you... come?"

      "That, of course, is not for me to decide, but for you first, if you are not offended by such a request; and secondly, by Dounia, if she, too, is not offended. I will do what you think best," he added, drily.

      "Dounia has already decided, and I fully agree with her," Pulcheria Alexandrovna hastened to declare.

      "I decided to ask you, Rodya, to urge you not to fail to be with us at this interview," said Dounia. "Will you come?"

      "Yes."

      "I will ask you, too, to be with us at eight o'clock," she said, addressing Razumihin. "Mother, I am inviting him, too."

      "Quite right, Dounia. Well, since you have decided," added Pulcheria Alexandrovna, "so be it. I shall feel easier myself. I do not like concealment and deception. Better let us have the whole truth.... Pyotr Petrovitch may be angry or not, now!"

      CHAPTER IV

      At that moment the door was softly opened, and a young girl walked into the room, looking timidly about her. Everyone turned towards her with surprise and curiosity. At first sight, Raskolnikov did not recognise her. It was Sofya Semyonovna Marmeladov. He had seen her yesterday for the first time, but at such a moment, in such surroundings and in such a dress, that his memory retained a very different image of her. Now she was a modestly and poorly-dressed young girl, very young, indeed, almost like a child, with a modest and refined manner, with a candid but somewhat frightened-looking face. She was wearing a very plain indoor dress, and had on a shabby old-fashioned hat, but she still carried a parasol. Unexpectedly finding the room full of people, she was not so much embarrassed as completely overwhelmed with shyness, like a little child. She was even about to retreat. "Oh... it's you!" said Raskolnikov, extremely astonished, and he, too, was confused. He at once recollected that his mother and sister knew through Luzhin's letter of "some young woman of notorious behaviour." He had only just been protesting against Luzhin's calumny and declaring that he had seen the girl last night for the first time, and suddenly she had walked in. He remembered, too, that he had not protested against the expression "of notorious behaviour." All this passed vaguely and fleetingly through his brain, but looking at her more intently, he saw that the humiliated creature was so humiliated that he felt suddenly sorry for her. When she made a movement to retreat in terror, it sent a pang to his heart.

      "I did not expect you," he said, hurriedly, with a look that made her stop. "Please sit down. You come, no doubt, from Katerina Ivanovna. Allow me--not there. Sit here...."

      At Sonia's entrance, Razumihin, who had been sitting on one of Raskolnikov's three chairs, close to the door, got up to allow her to enter. Raskolnikov had at first shown her the place on the sofa where Zossimov had been sitting, but feeling that the sofa which served him as a bed, was too _familiar_ a place, he hurriedly motioned her to Razumihin's chair.

      "You sit here," he said to Razumihin, putting him on the sofa.

      Sonia sat down, almost shaking with terror, and looked timidly at the two ladies. It was evidently almost inconceivable to herself that she could sit down beside them. At the thought of it, she was so frightened that she hurriedly got up again, and in utter confusion addressed Raskolnikov.

      "I... I... have come for one minute. Forgive me for disturbing you," she began falteringly. "I come from Katerina Ivanovna, and she had no one to send. Katerina Ivanovna told me to beg you... to be at the service... in the morning... at Mitrofanievsky... and then... to us... to her... to do her the honour... she told me to beg you..." Sonia stammered and ceased speaking.

      "I will try, certainly, most certainly," answered Raskolnikov. He, too, stood up, and he, too, faltered and could not finish his sentence. "Please sit down," he said, suddenly. "I want to talk to you. You are perhaps in a hurry, but please, be so kind, spare me two minutes," and he drew up a chair for her.

      Sonia sat down again, and again timidly she took a hurried, frightened look at the two ladies, and dropped her eyes. Raskolnikov's pale face flushed, a shudder passed over him, his eyes glowed.

      "Mother," he said, firmly and insistently, "this is Sofya Semyonovna Marmeladov, the daughter of that unfortunate Mr. Marmeladov, who was run over yesterday before my eyes, and of whom I was just telling you."

      Pulcheria Alexandrovna glanced at Sonia, and slightly screwed up her eyes. In spite of her embarrassment before Rodya's urgent and challenging look, she could not deny herself that satisfaction. Dounia gazed gravely and intently into the poor girl's face, and scrutinised her with perplexity. Sonia, hearing herself introduced, tried to raise her eyes again, but was more embarrassed than ever.

      "I wanted to ask you," said Raskolnikov, hastily, "how things were arranged yesterday. You were not worried by the police, for instance?"

      "No, that was all right... it was too evident, the cause of death... they did not worry us... only the lodgers are angry."

      "Why?"

      "At the body's remaining so long. You see it is hot now. So that, to-day, they will carry it to the cemetery, into the chapel, until to-morrow. At first Katerina Ivanovna was unwilling, but now she sees herself that it's necessary..."

      "To-day, then?"

      "She begs you to do us the honour to be in the church to-morrow for the service, and then to be present at the funeral lunch."

      "She is giving a funeral lunch?"

      "Yes... just a little.... She told me to thank you very much for helping us yesterday. But for you, we should have had nothing for the funeral."

      All at once her lips and chin began trembling, but, with an effort, she controlled herself, looking down again.

      During the conversation, Raskolnikov watched her carefully. She had a thin, very thin, pale little face, rather irregular and angular, with a sharp little nose and chin. She could not have been called pretty, but her blue eyes were so clear, and when they lighted up, there was such a kindliness and simplicity in her expression that one could not help being attracted. Her face, and her whole figure indeed, had another peculiar characteristic. In spite of her eighteen years, she looked almost a little girl--almost a child. And in some of her gestures, this childishness seemed almost absurd.

      "But has Katerina Ivanovna been able to manage with such small means? Does she even mean to have a funeral lunch?" Raskolnikov asked, persistently keeping up the conversation.

      "The coffin will be plain, of course... and everything will be plain, so it won't cost much. Katerina Ivanovna and I have reckoned it all out, so that there will be enough left... and Katerina Ivanovna was very anxious it should be so. You know one can't... it's a comfort to her... she is like that, you know...."

      "I understand, I understand... of course... why do you look at my room like that? My mother has just said it is like a tomb."