The Dostoyevsky Collection. Fyodor Dostoyevsky

trivial difficulties? Was it worth while, for instance, to manoeuvre that Svidrigalov should not go to Porfiry's? Was it worth while to investigate, to ascertain the facts, to waste time over anyone like Svidrigalov?

      Oh, how sick he was of it all!

      And yet he was hastening to Svidrigalov; could he be expecting something _new_ from him, information, or means of escape? Men will catch at straws! Was it destiny or some instinct bringing them together? Perhaps it was only fatigue, despair; perhaps it was not Svidrigalov but some other whom he needed, and Svidrigalov had simply presented himself by chance. Sonia? But what should he go to Sonia for now? To beg her tears again? He was afraid of Sonia, too. Sonia stood before him as an irrevocable sentence. He must go his own way or hers. At that moment especially he did not feel equal to seeing her. No, would it not be better to try Svidrigalov? And he could not help inwardly owning that he had long felt that he must see him for some reason.

      But what could they have in common? Their very evil-doing could not be of the same kind. The man, moreover, was very unpleasant, evidently depraved, undoubtedly cunning and deceitful, possibly malignant. Such stories were told about him. It is true he was befriending Katerina Ivanovna's children, but who could tell with what motive and what it meant? The man always had some design, some project.

      There was another thought which had been continually hovering of late about Raskolnikov's mind, and causing him great uneasiness. It was so painful that he made distinct efforts to get rid of it. He sometimes thought that Svidrigalov was dogging his footsteps. Svidrigalov had found out his secret and had had designs on Dounia. What if he had them still? Wasn't it practically certain that he had? And what if, having learnt his secret and so having gained power over him, he were to use it as a weapon against Dounia?

      This idea sometimes even tormented his dreams, but it had never presented itself so vividly to him as on his way to Svidrigalov. The very thought moved him to gloomy rage. To begin with, this would transform everything, even his own position; he would have at once to confess his secret to Dounia. Would he have to give himself up perhaps to prevent Dounia from taking some rash step? The letter? This morning Dounia had received a letter. From whom could she get letters in Petersburg? Luzhin, perhaps? It's true Razumihin was there to protect her, but Razumihin knew nothing of the position. Perhaps it was his duty to tell Razumihin? He thought of it with repugnance.

      In any case he must see Svidrigalov as soon as possible, he decided finally. Thank God, the details of the interview were of little consequence, if only he could get at the root of the matter; but if Svidrigalov were capable... if he were intriguing against Dounia--then...

      Raskolnikov was so exhausted by what he had passed through that month that he could only decide such questions in one way; "then I shall kill him," he thought in cold despair.

      A sudden anguish oppressed his heart, he stood still in the middle of the street and began looking about to see where he was and which way he was going. He found himself in X. Prospect, thirty or forty paces from the Hay Market, through which he had come. The whole second storey of the house on the left was used as a tavern. All the windows were wide open; judging from the figures moving at the windows, the rooms were full to overflowing. There were sounds of singing, of clarionet and violin, and the boom of a Turkish drum. He could hear women shrieking. He was about to turn back wondering why he had come to the X. Prospect, when suddenly at one of the end windows he saw Svidrigalov, sitting at a tea-table right in the open window with a pipe in his mouth. Raskolnikov was dreadfully taken aback, almost terrified. Svidrigalov was silently watching and scrutinising him and, what struck Raskolnikov at once, seemed to be meaning to get up and slip away unobserved. Raskolnikov at once pretended not to have seen him, but to be looking absent-mindedly away, while he watched him out of the corner of his eye. His heart was beating violently. Yet, it was evident that Svidrigalov did not want to be seen. He took the pipe out of his mouth and was on the point of concealing himself, but as he got up and moved back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov's room. A sly smile came into Svidrigalov's face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigalov broke into a loud laugh.

      "Well, well, come in if you want me; I am here!" he shouted from the window.

      Raskolnikov went up into the tavern. He found Svidrigalov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance. On the table before Svidrigalov stood an open bottle and a glass half full of champagne. In the room he found also a boy with a little hand organ, a healthy-looking red-cheeked girl of eighteen, wearing a tucked-up striped skirt, and a Tyrolese hat with ribbons. In spite of the chorus in the other room, she was singing some servants' hall song in a rather husky contralto, to the accompaniment of the organ.

      "Come, that's enough," Svidrigalov stopped her at Raskolnikov's entrance. The girl at once broke off and stood waiting respectfully. She had sung her guttural rhymes, too, with a serious and respectful expression in her face.

      "Hey, Philip, a glass!" shouted Svidrigalov.

      "I won't drink anything," said Raskolnikov.

      "As you like, I didn't mean it for you. Drink, Katia! I don't want anything more to-day, you can go." He poured her out a full glass, and laid down a yellow note.

      Katia drank off her glass of wine, as women do, without putting it down, in twenty gulps, took the note and kissed Svidrigalov's hand, which he allowed quite seriously. She went out of the room and the boy trailed after her with the organ. Both had been brought in from the street. Svidrigalov had not been a week in Petersburg, but everything about him was already, so to speak, on a patriarchal footing; the waiter, Philip, was by now an old friend and very obsequious.

      The door leading to the saloon had a lock on it. Svidrigalov was at home in this room and perhaps spent whole days in it. The tavern was dirty and wretched, not even second-rate.

      "I was going to see you and looking for you," Raskolnikov began, "but I don't know what made me turn from the Hay Market into the X. Prospect just now. I never take this turning. I turn to the right from the Hay Market. And this isn't the way to you. I simply turned and here you are. It is strange!"

      "Why don't you say at once 'it's a miracle'?"

      "Because it may be only chance."

      "Oh, that's the way with all you folk," laughed Svidrigalov. "You won't admit it, even if you do inwardly believe it a miracle! Here you say that it may be only chance. And what cowards they all are here, about having an opinion of their own, you can't fancy, Rodion Romanovitch. I don't mean you, you have an opinion of your own and are not afraid to have it. That's how it was you attracted my curiosity."

      "Nothing else?"

      "Well, that's enough, you know," Svidrigalov was obviously exhilarated, but only slightly so, he had not had more than half a glass of wine.

      "I fancy you came to see me before you knew that I was capable of having what you call an opinion of my own," observed Raskolnikov.

      "Oh, well, it was a different matter. Everyone has his own plans. And apropos of the miracle let me tell you that I think you have been asleep for the last two or three days. I told you of this tavern myself, there is no miracle in your coming straight here. I explained the way myself, told you where it was, and the hours you could find me here. Do you remember?"

      "I don't remember," answered Raskolnikov with surprise.

      "I believe you. I told you twice. The address has been stamped mechanically on your memory. You turned this way mechanically and yet precisely according to the direction, though you are not aware of it. When I told you then, I hardly hoped you understood me. You give yourself away too much, Rodion Romanovitch. And another thing, I'm convinced there are lots of people in Petersburg who talk to themselves as they walk. This is a town of crazy people. If only we had scientific