Of Me and Others. Alasdair Gray

on foot or bicycle, sketching landscapes and cityscapes around Scotland, for I knew very little of it apart from Glasgow, two islands in the Firth of Clyde, and places seen on day trips to Edinburgh. However, a condition of the scholarship was that I go abroad. I decided to visit London for a fortnight, travel from there to Gibraltar by ship, find a cheap place to live in southern Spain, paint there as long as the money would allow, then travel home through Granada, Malaga, Madrid, Toledo, Barcelona and Paris, viewing on the way Moorish mosques, baroque cathedrals, plateresque palaces, the works of EI Greco, Velazquez and Goya, with Bosch’s Garden of Earthly Delights, Brueghel’s Triumph of Death, and several other grand gaudy things which are supposed to compensate for the crimes of our civilization. The excellence of this plan, approved by Mr Bliss, is not lessened by the fact that I eventually spent two days in Spain and saw nothing of interest.

      On the 31st of October I boarded the London train in Glasgow Central Station. It was near midnight, dark and drizzling, and to save money I had not taken a sleeping car. The prospect of vivid sunshine, new lands and people should have been very exciting, but as the train sped south a sullen gloom settled upon me. I looked at my reflection in the rain-streaked carriage window and doubted the value of a tourist’s shallow experience of anywhere. I was homesick already. I do not love Glasgow much, I sometimes actively hate it, but I am at home here. In London this sickness increased until it underlay quite cheerful feelings and weighed so heavy on the chest that it began to make breathing difficult. I had been in hospital with asthma during the three previous summers, but a doctor treating me had said another very bad attack was unlikely and a trip abroad might do me good. I had a pocket inhaler which eased difficult breathing with puffs of atropine methondrate, papaverine hydrochloride, chlorbutol and adrenaline; and for strong spasms I had a bottle of adrenaline solution and a hypodermic needle to inject myself subcutaneously. In London I slept in a students’ hostel in a street behind the university tower. The dormitory was not large and held about fifty bunks, all occupied. I was afraid to use the inhaler at night in case the noise of it wakened someone, so used the needle, which should have been kept for emergencies. This made sleep difficult. At night I felt trapped in that dormitory and by day I felt trapped in London.

      The main shops and offices in London are as large as ours, sometimes larger, but the dwelling houses are mostly of brick and seldom more than half the height of a Scottish sandstone tenement. Such buildings, in a country town surrounded by meadows, look very pleasant, but a big county of them, horizon beyond horizon beyond horizon, is a desert to me, and not less a desert for containing some great public buildings and museums. I visited these oases as the trustees would have wished, but had continually to leave them for a confusion of streets of which my head could form no clear map. Like most deserts this city is nearly flat and allows no view of a more fertile place. The streets of central Glasgow are also gripped between big buildings but it is always easy to reach a corner where we can see, on a clear day, the hills to the north and to the south. I know I am unfair to London. A normal dweller there has a circle of acquaintance about the size of a small village. Only a stranger feels challenged to judge the place as a whole, which cannot be done, so the stranger feels small and lonely. I visited several publishers with a folder of drawings and a typescript of my poems. I hoped to be asked to illustrate a book, perhaps my own book. I was kindly received and turned away from each place, and although I could not feel angry with the publishers (who would have been out of business if they had not known what was saleable) I turned my disappointment against the city. I grew more asthmatic and walked about refusing to be awed.

      The least awesome place I saw was the government church, Westminster Abbey. This once fine Gothic structure is filled with effigies of landlords, company directors and administrators who got rich by doing exactly what was expected of them, and now stand as solid in their marble wigs, boots and waistcoats as the Catholic saints and martyrs they have replaced. Among them is an occasional stone carved with the name of someone who has been creative or courageous. A less pretentious but nastier place is the Tower of London. Built by the Normans for the enslavement of the English natives (who before this had been a comparatively democratic and even artistic people, judging by their export of illuminated manuscripts to the continent) this fort was used by later governments as an arsenal, jail and bloody police station. Nobody pretends otherwise. The stands of weapons and the pathetic scratchings of the political prisoners on their cell-walls are clearly labelled, and folk who would feel discomfort at a rack of police batons or the barbed fence of a concentration camp feel thrilled because these are supposed to be part of a splendid past. The tower also holds the Crown jewels. There were more of them than I had imagined, twelve or fifteen huge display cabinets of crowns, orbs, maces, swords and ceremonial salt-cellars. Most of it dates from the eighteenth century – I recall nothing as old as the regalia of the sixth Jamie Stewart in Edinburgh castle. I noticed that the less the monarchs were working politicians the more money was spent ornamenting them. The culmination of this development is the huge Crown lmperial, an art nouveau job created for the coronation of Edward the Fat in 1901, when the Archbishop of Canterbury placed the world’s most expensively useless hat on the world’s most expensively useless head.

      Did anything in London please me? Yes: the work of the great cockneys, the Williams Blake and Turner. Also Saint Paul’s Cathedral. Also the underground rail system. I found this last, with the H.G. Wellsian sweep of its triple escalators and lines of framed, glazed advertisements for films and women’s underwear, and tunnels beneath tunnels bridging tunnels, and tickets which allow those who take the wrong train to find their way to the right station without paying extra, a very great comfort.

      But I was glad one morning to get on a boat-train at Liverpool Street Station and begin the second part of the journey to Spain. I was in the company of Ian McCulloch, who had arrived from Glasgow that morning. He is an artist who received his painting diploma at the same time as myself. He also wanted to visit Spain, and had saved the money to do so by working as a gas Iamplighter near Parkhead Forge, Shettleston. We had arranged to travel together and meant to share the rent of a small place in south Spain. The boat-train ran along embankments above the usual streets of small houses, then came to a place where towering structures, part warehouse and part machine, stood among labyrinths of railway-siding. The little brick homes were here also, but the surrounding machinery gave them the dignity of outposts. We arrived at the docks.

      The ship was called the Kenya Castle and long before it unmoored we found it a floating version of the sort of hotel we had never been in before. Our cabin was small but compact. It held two bunks the size of coffins, each with a reading lamp and adjustable ventilator. There was a very small sink with hot and cold water, towels, facecloths, soap, a locker with coat-hangers, a knob to ring for the steward, another for the stewardess. In the lavatories each closet contained, beside the roll of toilet paper, a clean towel, presumably to wipe the lingers-on after using the roll, although there were washbasins and towels in the vestibule outside. (It has just struck me that perhaps the extra towel was for polishing the lavatory seat before use.) The menus in the dining room embarrassed us. They were printed on glazed-surface card and decorated at every meal with a different photograph of some nook of Britain’s African empire – The Governor’s Summer Residence, Balihoo Protectorate, The District Vice-Commissioner’s Bungalow, Janziboola, etc. The food, however, was listed in French. Obviously some foods were alternatives to others, while some could, and perhaps should, be asked for on the same plate. We wanted to eat as much as possible to get the full value of the money we had paid; at the same time we feared we would be charged extra if we ate more than a certain amount. We also feared we would be despised if we asked the waiter for information on these matters. Our table was shared with two priests, Catholic and Anglican. Ian and I were near acquaintances rather than friends. With only our nationality, profession and destination in common we left conversation to the priests. They mainly talked about an audience the Anglican had had with the Pope. He addressed the Catholic with the deference a polite salesman might show to the representative of a more powerful firm. He said the Pope’s hands were beautifully shaped, he had the fingers of an artist, a painter. Ian and I glanced down at our own fingers. Mine had flecks of paint on the nails that I hadn’t managed to clean off for the previous fortnight.

      After this meal coffee was served in the lounge. The cups were very small with frilled paper discs between themselves and the saucers to absorb the drips. There were many people in the lounge but it was