The Plot Thickens. Lisa Surridge

Fig. 0.11. Warwick Goble, illustration for The War of the Worlds (Wells), part 3

       Fig. 0.12. Goble, illustration for The War of the Worlds (Wells), part 7

       Fig. 0.13. Browne, illustration for Bleak House (Dickens), part 16

       Fig. 0.14. Thackeray, illustration for his Vanity Fair, parts 19 and 20

       Fig. 0.15. George Cruikshank, illustration for Jack Sheppard (Ainsworth), part 11

       Fig. 0.16. John Everett Millais, illustration for Parables (Guthrie), part 3

       Fig. 0.17. Albrecht Dürer, The Descent from the Cross

       Fig. 0.18. George Cattermole, illustration for The Old Curiosity Shop (Dickens), part 40

       Fig. 0.19. Millais, illustration for Orley Farm (Trollope), part 2

       Fig. 0.20. Charles Collins, wrapper for The Mystery of Edwin Drood (Dickens), part 1

       Fig. 0.21. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2

       Fig. 0.22. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2

       Fig. 1.1. Browne, illustration for David Copperfield (Dickens), part 1

       Fig. 1.2. Browne, illustration for David Copperfield (Dickens), part 1

       Fig. 1.3. Browne, illustration for David Copperfield (Dickens), part 7

       Fig. 1.4. Browne, title page for David Copperfield (Dickens), parts 19 and 20

       Fig. 1.5. Browne, illustration for David Copperfield (Dickens), part 3

       Fig. 1.6. Browne, illustration for David Copperfield (Dickens), part 16

       Fig. 1.7. Du Maurier, illustration for Cousin Phillis (Gaskell), part 2

       Fig. 2.1. Millais, illustration for The Anglers of the Dove (Martineau), part 1

       Fig. 2.2. Millais, illustration for The Anglers of the Dove (Martineau), part 4

       Fig. 2.3. Millais, illustration for The Anglers of the Dove (Martineau), part 2

       Fig. 2.4. Millais, illustration for Son Christopher (Martineau), part 2

       Fig. 2.5. Cruikshank, wrapper for The Tower of London (Ainsworth), part 1

       Fig. 2.6. Cruikshank, headpiece, signature, and chapter initial for The Tower of London (Ainsworth), part 1

       Fig. 2.7. Cruikshank, illustration for The Tower of London (Ainsworth), part 1

       Fig. 2.8. Cruikshank, illustration for The Tower of London (Ainsworth), part 1

       Fig. 2.9. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13

       Fig. 2.10. Cruikshank, illustration for The Tower of London (Ainsworth), part 8

       Fig. 2.11. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 13

       Fig. 2.12. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13

       Fig. 2.13. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13

       Fig. 2.14. Cruikshank, illustration for The Tower of London (Ainsworth), part 5

       Fig. 2.15. Cruikshank, illustration for The Tower of London (Ainsworth), part 4

       Fig. 2.16. Cruikshank, illustration for The Tower of London (Ainsworth), part 5

       Fig. 2.17. Browne, illustration for Charles O’Malley (Lever), parts 21 and 22

       Fig. 2.18. Thackeray, wrapper for his Vanity Fair, part 1

       Fig. 2.19. Thackeray, chapter initial for his Vanity Fair, parts 19 and 20

       Fig. 2.20. Thackeray, illustration for his Vanity Fair, part 1

       Fig. 2.21. Thackeray, chapter initial for his Vanity Fair, part 1

       Fig. 2.22. Thackeray, tailpiece for his Vanity Fair, part 1

       Fig. 2.23. Thackeray, illustration for his Vanity Fair, part 6

       Fig. 2.24. Thackeray, illustration for his Vanity Fair, part 2

       Fig. 2.25. Thackeray, illustration for his Vanity Fair, parts 19 and 20

       Fig. 2.26. Browne, illustration for A Tale of Two Cities (Dickens), part 5

       Fig. 2.27. Browne, illustration for A Tale of Two Cities (Dickens), part 5

       Fig. 2.28. Browne, frontispiece for A Tale of Two Cities (Dickens), parts and 8

       Fig. 2.29. Browne, title page for A Tale of Two Cities (Dickens), parts 7 and 8

       Fig. 2.30. John McLenan, headpiece for A Tale of Two Cities (Dickens), part 3

       Fig. 2.31. McLenan, illustration for A Tale of Two Cities (Dickens), part 3

       Fig. 2.32. McLenan, illustration for A Tale of Two Cities (Dickens), part 9

       Fig. 2.33. Browne, illustration for A Tale of Two Cities (Dickens), part 3

       Fig. 2.34. McLenan, headpiece for A Tale of Two Cities (Dickens), part 18

       Fig. 2.35. McLenan, illustration for A Tale of Two Cities (Dickens), part 9

       Fig. 2.36. McLenan, illustration for A Tale of Two Cities (Dickens), part 16

       Fig. 2.37. McLenan, illustration for A Tale of Two Cities (Dickens), part 26

       Fig. 2.38. Frederick Barnard, frontispiece for Charles Dickens (Archer)

       Fig. 2.39. McLenan, illustration for A Tale of Two Cities (Dickens), part 30

       Fig. 3.1. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 1

       Fig. 3.2. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell),