The History of Philosophical Ideas and Their Expression in Art. Анна Ивановна Маслякова

So, we all have the same birthday – the Beginning of the Universe.

      Interestingly enough, the Earth is a Closed System and it must obey the Second Law of Thermodynamics according to which the Universe has a consistent amount of energy, and when some energy is lost in any operation, it ultimately leads to the Rise of Entropy and the inevitable Heat Death of Matter in the Universe. It implies that the Universe is destined to get simpler and simpler, even though its “pockets” still enjoy concentrations of energy, energy flow, and therefore complexity. On the other hand, there are a lot of Open Systems on Earth to which this Law cannot be applied and Art, being one of them, interacts with the environment and conveys Great Ideas of Humanity in Sound, Color, Shape, etc. Different branches of Art (Music, Painting, Sculpture, Architecture, etc.) are in constant Dialog with each other and, from time to time, they Unite their forces (Opera, Ballet, Happening, Installation, etc.) so as to make it easier for us to appreciate the Beauty of the World. And yet, we may never understand what is a Piece of Art-in-itself since all we know is the way in which Art appears For-Us in different interpretations.

      According to the Big History Project, there are Eight Main Thresholds – major phase-shifts leading to the beginning of the Universe, the First Stars, new Chemical Elements, the origin of Planets and the Solar System, the Beginning of Life, the Evolution of Collective Learning, the Emergence of Agriculture, and the Beginning of the Modern Revolution. In this book we are going to scrutinize the way in which Philosophical Ideas have been expressed in Art from Antiquity to the Present Day. If the predictions are true and life on Earth will be destroyed, all we can do is try to postpone this event by developing new technologies enabling us to travel through the Universe and find another planet on which we could live and Create New Art.

      Musical and Aesthetic Concept of Alexander Scriabin

      Many years ago one of my College Professors recommended me to read a book about Alexander Scriabin. And from that time on, Scriabin’s creativity has captured my imagination. It goes without saying that Alexander Scriabin is one of the most Mysterious Figures of the 20^th century. Not only did he compose Music, but he also wanted to Transform the World by using the Power of Art. In other words, he believed that the Performance of his “Mysterium” comprised of different branches of Art could cause Dematerialization and Rebirth of Humanity.

      Alexander Scriabin was an extremely versatile person and his Literary and Philosophical works correspond to his Music. The Early period of his creativity (up to 1900) has very much in common with Romantic tradition and then (from 1900 till 1910) the Center of his Aesthetic interests starts shifting towards the Personality of the Artist who is able to Bring Beauty to the World. This “reorientation” triggered radical changes in his Musical Style, namely Functional Inversion, the Emancipation of the Dissonance and the Compression of the Form. During the Late period of his creativity (from 1910 till 1915) Scriabin was fully occupied with the Realization of his Project and most of his last works could be viewed as “splinters” of the Ideal Piece of Art – the “Mysterium”. “Prometheus: The Poem of Fire” is a fine example of the expression of the Idea of the Total Unity since here Music is complemented by the Color Organ Part (Luce) whereas Melody is derived from Harmony and vice versa (“Prometheus Chord”). Interestingly enough, during the last years of his life his Musical Language was changing towards Simplicity and it seems to me that the so-called “Style of Black Line on White Background” (Prelude op. 74 No. 2) fully expresses Scriabin’s Passion for Unity and Beauty.

      In this Book the idea of which appeared when I was writing my previous monograph on the creativity of Alexander Scriabin I am going to scrutinize the way in which different Philosophical Ideas have been conveyed in Art. That is to say, we are going to Travel throughout the Whole History of Humanity and I hope that at the end of our Journey we will know more not only about Art, but also about ourselves.

      There is No Place Like Rome

      As a matter of fact, I have always wanted to travel around the world, explore cultural diversity. In particular, I have read a lot about Wonders of Italy; hence, it is no surprise that my first destination was Rome. Actually, it was my mother who forced me to go there, metaphorically speaking. So, there I was, flying to Italy on my own. The truth is that, being proud of myself, at the same time I was trembling and thinking – Is it worth it?

      Little did I know what would come next.

      Firstly and most importantly, you could talk endlessly about the charm of Rome as many prominent scientists and artists have done before. And yet, only when you arrive there will you realize what is this all about. On the one hand, Rome is without any doubt the Spiritual Center of the Christian World. It seems to me that even the sun shines more brightly there than anywhere else. On the other hand, Rome has some dark pages in its divine history. It is hard to believe, but before Constantine the Great made the Roman Empire Christian in 313 A.D. Christians were arrested and tortured at the Colosseum.

      Secondly, it is extraordinary that, despite all the obstacles, they did manage to preserve the achievements of the past till the present day. Rome is like a multi-storey building and it has its foundation – Antiquity. What I am trying to say is that the Whole History of Art lies in front of you, right under your feet – literally speaking. All you need to do is walk along the curvy streets of the city and look around.

      Last but not least, the influence of the Roman Culture has been so huge that one can find a lot of replicas of Italian Architecture in many other countries. I presume, there are two main ways of studying the History of Art. The first one is the shortest and the hardest – you may start from the beginning and go to Rome. Or you could travel around Europe trying to put the puzzle – “pieces of Rome” – together.

      To sum it up, it was love from the first sight. I will never forget the ringing of the bells of Santa Maria Maggiore at 9 P.M. If you ask me, I am virtually certain that this Mysterious Sound really is the Essence of the Roman Spirit.

      Chapter I

      Literary Essay I

      It is undeniable that Ancient Philosophy has had a tremendous impact on Western Culture. Since Socrates, Plato and Aristotle lived before Christianity and could not enter Paradise, Dante had nothing to do but put them in Limbo, which is the first circle of Inferno in “The Divine Comedy”. And even there they were having a perpetual seminar and discussing their works with each other.

      Some may argue that Ancient Philosophers were not always right (for example, Ptolemy’s Geocentric model of the Universe has become obsolete), but the fact that they were trying to find out the First Principle of All Things – or Arche – is awesome.

      It is no wonder that artists tend to insert “quotations” from Ancient sources in their paintings. Let us have a look, for example, at “The Spinners” by Diego Velázquez where he combines two subjects – one from Classical Mythology and the other from the era in which he lives. That is to say, in the background we can see Jupiter’s Rape of Europa waved by Arachne who was turned into a spider by Minerva since she could not find any flaws in Arachne’s carpet. While in the foreground there are real women from Velázquez’s time involved in tapestry manufacturing.

      There is the Crown Fountain in the Summer Gardens in Saint Petersburg surrounded by busts of Ancient Philosophers – Diogenes, Heraclitus, Democritus, Aristotle, etc. So that people wandering around in search for some shade could stop for a moment and admire their dedication and commitment in the pursuit of knowledge. Surprisingly enough, Ancient method of “thinking while walking” has not lost its effectiveness nowadays. I practice it all the time especially when writing an article or a book since it helps me to concentrate and organize my thoughts.

      In the famous “Allegory of the Cave” Socrates tells us about prisoners who live under the earth and can see nothing but shadows projected on the wall from objects being carried along in front of a fire. What I am trying to say is that in order to gain freedom we need to break the chains and walk towards the Light. It may hurt our eyes at first, but we will get used to it in the end.

      Philosophical Issues I

      Pre-Socratic philosophers were asking questions about the nature of things. And their answers were really amazing,