Manifesto. Karl Marx

Che Guevara noted this concretely:

      I went to see an old woman with asthma… The poor thing was in a pitiful state, breathing the acrid smell of concentrated sweat and dirty feet that filled her room, mixed with the dust from a couple of armchairs, the only luxury items in her house. On top of her asthma, she had a heart condition. It is at times like this, when a doctor is conscious of his complete powerlessness, that he longs for change: a change to prevent the injustice of a system in which only a month ago this poor woman was still earning her living as a waitress, wheezing and panting but facing life with dignity.³

      It was Marx first of all who described how capital not only dispossesses and forces the vast majority of people “to sell themselves piecemeal,” but contains, ultimately, its own undoing:

      Modern bourgeois society, with its relations of production, of exchange and of property, a society that has conjured up such gigantic means of production and of exchange, is like the sorcerer, who is no longer able to control the powers of the netherworld whom he has called up by his spells.⁴

      But he first lays forth an exposition of the history of capitalism, the emergence of bourgeois or owning-class power and the effects of that power, a panorama so prescient of 21st century social conditions that it transcends its own moment of writing. As Che was to observe in 1964:

      The merit of Marx is that he suddenly produces a qualitative change in the history of social thought. He interprets history, understands its dynamic, foresees the future. But in addition to foreseeing it (by which he would meet his scientific obligation), he expresses a revolutionary concept: it is not enough to interpret the world, it must be transformed.⁵

      And in fact, over more than 150 years The Communist Manifesto has become the most influential, most translated, reprinted (and demonized) single document of modern history. It’s a work of extraordinary literary power fused with historical analysis; a document of its time yet resonant, as we see here, for later generations. A document which can be, has been, critiqued and argued with — even by its author — but which will be carried into any future that is bearable to contemplate.

      Marx, Luxemburg and Guevara were revolutionaries but they were not romantics. Their often poetic eloquence is grounded in their study and critical analysis of human society and political economy from the earliest communistic arrangements of prehistory to the emergence of modern capitalism and imperialist wars. They did not idealize past societies or attempt to create marginal communities of lifestyle purists, but — beginning with Marx — they scrutinized the illusions of past and contemporary reformers and rebels in the light of history, aware how easy it can be for parties and leaders to lose momentum, drift off and settle down with existing relationships of power. (It is this kind of compromise that Luxemburg addresses in Reform or Revolution.)

      So what have we here?

      The Communist Manifesto was so named because at a certain moment the emerging German League of Communists asked Marx and Engels to draft a platform. Thus, Marx is both setting forth a new theory of history and making a program manifest: asking, what in economic history has produced the need for Communism as a movement and what does Communism in 1848 actually stand for? He describes, with admiration as well as condemnation, the contradictory achievements of industrial capitalism. He notes, sometimes with scorching wit, the “spectral” interpretations of Communism floating abroad, and defines its real goal as common ownership of the means of production.

      Fifty years later, in 1899, Luxemburg vigorously analyzes the reformist “opportunism” that would keep the old systemic relations of ownership and production in place under the guise of socialist reform. She dissects this opportunism in the ideas of Eduard Bernstein, an elder leader of the German Marxist Social Democratic Party with the additional cachet of being Engels’ literary executor. Her confrontation is coming from a young person, a foreigner, and a woman in a party rife with “virulent male chauvinism.”⁶ Coming from anyone, it would have constituted a brilliant intellectual autopsy.

      Luxemburg makes it clear that to be antireformist is not to be antireform:

      For Social Democracy there exists an indissoluble tie between social reform and revolution. The struggle for reforms is its means; the social revolution, its goal.⁷

      With her critique of Bernstein’s article as a springboard, she goes on to enunciate ideas that acquire renewed pungency and suggestiveness today:

      The fate of the socialist movement is not bound to bourgeois democracy; but the fate of democracy, on the contrary, is bound to the socialist movement. Democracy does not acquire greater chances of life in the measure that the working class renounces the struggle for its emancipation; on the contrary, democracy acquires greater chances of survival as the socialist movement becomes sufficiently strong to struggle against the reactionary consequences of world politics and the bourgeois desertion of democracy. He who would strengthen democracy must also want to strengthen and not weaken the socialist movement; and with the renunciation of the struggle for socialism goes that of both the labor movement and democracy.⁸

      Legal reform and revolution are not different methods of historical progress that can be picked out at pleasure from the counter of history, just as one chooses hot or cold sausages. They are different moments in the development of class society which condition and complement each other, and at the same time exclude each other reciprocally…

      In effect, every legal constitution is the product of a revolution. In the history of classes, revolution is the act of political creation while legislation is the political expression of the life of a society that has already come into being. Work for legal reforms does not itself contain its own driving force independent from revolution.⁹

      In 1965, Che Guevara, as participant-theorist of an actual ongoing revolution, writes to an Uruguayan editor friend a letter obviously intended to make manifest the experience of the emerging Cuban society. By then, Che, an Argentine, had traveled on his continent, studied Marxism in Guatemala, fought along with Fidel Castro and the July 26 Movement,¹⁰ served in the new Cuban revolutionary government, and was beginning to work for the extension of socialism in Latin America and among the “nonaligned” nations of Africa and Asia. He is writing of the labor pains of a transitional revolutionary society. How is it to be born? There is the idea, socialism, and there is also “the human being” — incomplete, coming alive in new conditions where labor becomes shared social responsibility, but also initially dwelling as it were between two vastly different worlds: “The new society in formation has to compete fiercely with the past.”¹¹ Commodity relationships are still imprinted on the mind. This phase of revolutionary process is new and unstable and anxiety may seek relief in autocratic rigidity. The leadership in such a transition has need for a vigilant, well-calibrated self-criticism. Rosa Luxemburg had written: “Revolutions are not ‘made’ and great movements of the people are not produced according to technical recipes that repose in the pockets of the party leaders.”¹² Che envisioned that “[s]ociety as a whole must be converted into a gigantic school”¹³; those who hope to educate must be in constant and responsive touch with those who are learning: teachers must also be learners.

      In this connection it’s necessary to think about art and culture. Marx writes of how

      the bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and thereby the relations of production, and with them the whole relations of society… [U]ninterrupted disturbance of all social conditions, everlasting uncertainty and agitation distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air…¹⁴

      And, in a system of commodity relationships, “the physician, the lawyer, the priest, the poet, the man of science” become “paid wage laborers” who must “sell themselves piecemeal” and “are consequently exposed to all the vicissitudes of exploitation, all the fluctuations of the market.” For the artist, this can also mean censorship by the market.

      Che