Bruce Lee Artist of Life. Bruce Lee

the state of mind he had at the very beginning of training when he knew nothing, when he was altogether ignorant of the art. The beginning and the end thus turn into next-door neighbors. In the musical scale, one may start with the lowest pitch and gradually ascend to the highest. When the highest is reached, one finds it is located next to the lowest.

      In a similar way, when the highest stage is reached in the study of Taoist teaching, a gung fu man turns into a kind of simpleton who knows nothing of Tao, nothing of its teachings, and is devoid of all learning. Intellectual calculations are lost sight of and a state of no-mindedness prevails. When the ultimate perfection is attained, the body and limbs perform by themselves what is assigned to them to do with no interference from the mind. The technical skill is so automatic it is completely divorced from conscious efforts.

      There are big differences between the Chinese hygiene and the Western hygiene. Some of the obvious ones are Chinese exercise is rhythmic, whereas the Western is dynamic and full of tension; the Chinese exercise seeks to merge harmoniously with nature, whereas the Western dominates it; the Chinese exercise is both a way of life and a mental cultivation, while the Western exercise is merely a sport or a physical calisthenic.

      Perhaps the main difference is the fact that Chinese hygiene is Yin (softness), while Western is Yang (positiveness). We can compare the Western mind with an oak tree that stands firm and rigid against the strong wind. When the wind becomes stronger, the oak tree cracks. The Chinese mind, on the other hand, is like the bamboo that bends with the strong wind. When the wind ceases (that is, when it goes to the extreme and changes), the bamboo springs back stronger than before.

      Western hygiene is a gratuitous waste of energy. The overexertion and overdevelopment of bodily organs involved in Western athletics is detrimental to one’s health. Chinese hygiene, on the other hand, throws its emphasis on conservation of energy; the principle is always that of moderation without going to the extreme. Whatever exercise there may be consists of harmonious movements calculated to normalize but not to excite one’s bodily regimen. It starts out with a mental regimen as a basis, in which the sole object is to bring about peace and calmness of mind. With this as a basis, it aims at stimulating the normal functioning of the internal process of respiration and blood circulation.

      Source: Handwritten essay by Bruce Lee entitled “The Tao of Gung Fu: A Study in the Way of the Chinese Martial Art,” dated May 16, 1962. Bruce Lee Papers.

      1-B

      GUNG FU: THE CENTER OF THE ORIENTAL ARTS

      Gung fu, the center of the Oriental arts of self-defense, is a philosophical art that serves to promote health, to cultivate the mind, and to provide a most efficient means of self-protection.

      Its philosophy is based on the integral parts of the philosophies of Taoism and Ch’an (Zen)—the ideal of being harmonious with and not against the force of the opponent. Just as a butcher preserves his knife by cutting along the bones, a gung fu man preserves himself by complementing the movements of the opponent.

      The word gung fu means “discipline” and “training” toward the ultimate reality of the object—be it health promotion, mind cultivation or self-protection. There is no distinction to make between the opponent and the self because the opponent is but the other complementary (not opposite) part. There is no conquering, struggling, or dominating, and the idea is to “fit” harmoniously your movement into that of the opponent. When he expands, you contract; when he contracts, you expand. Expansion then is interdependent with contraction and vice versa, each being the cause and result of the other.

      Gentleness/firmness is one inseparable force of one unceasing interplay of movement. If a person riding a bicycle wishes to go somewhere, he cannot pump on both the pedals at the same time or not pump on them at all. In order to move forward he has to pump on one pedal and release the other. So the movement of going forward requires this “oneness” of pumping and releasing. Therefore, gentleness alone cannot forever dissolve away great force, nor can sheer brute force subdue one’s foe. In order to survive in any combat, the harmonious interfusion of gentleness and firmness as a whole is necessary, sometimes one dominating sometimes the other, in a wavelike succession. The movement will then truly flow, for the pure fluidity of movements is in their interchangeability.

      So neither gentleness nor firmness holds any more than one half of a broken whole which, welded together, forms the true Way of martial art. The tendency to guard against is from getting too firm and stiff. Notice that the stiffest tree is most easily cracked, while the bamboo or willow survives by bending with the wind. This is why a gung fu man is soft yet not yielding, firm, yet not hard. The best example of gung fu is water. Water can penetrate the hardest granite because it is yielding. One cannot stab or strike at water and hurt it because that which offers no resistance cannot be overcome.

      In actual application, gung fu is based on simplicity; it is a natural result of four thousand years of exhaustive experimentation and is of highly sophisticated complexity. All techniques are stripped down to their essential purpose without wastage or ornamentation, and everything becomes the straightest, most logical simplicity of common sense. The utmost is expressed and performed in the minimum of movements and energy.

      The method for health promotion is again based on water, as flowing water never grows stale. The idea is not to overdevelop or to overexert but to normalize the function of the body.

      Source: Bruce Lee’s handwritten essay on gung fu, untitled. Bruce Lee Papers.

      1-C

      A MOMENT OF UNDERSTANDING

      Gung fu is a special kind of skill, a fine art rather than just a physical exercise. It is a subtle art of matching the essence of the mind to that of the techniques in which it has to work. The principle of gung fu is not a thing that can be learned, like a science, by fact-finding and instruction in facts. It has to grow spontaneously, like a flower, in a mind free from emotions and desires. The core of this principle of gung fu is Tao—the spontaneity of the universe.

      Burce Lee (right) and his only formal martial art instructor,Yip Man

      After four years of hard training in the art of gung fu, I began to understand and felt the principle of gentleness— the art of neutralizing the effect of the opponent’s effort and minimizing the expenditure of one’s energy. All these must be done in calmness and without striving. It sounded simple, but in actual application it was difficult.

      The principle of gung fu is not a thing that can be learned, like a science, by fact-finding and instruction in facts. It has to grow spontaneously, like a flower, in a mind free from emotions and desires.

      The moment I engaged in combat with an opponent, my mind was completely perturbed and unstable. And after a series of exchanging blows and kicks, my theory of gentleness was gone. My only thought at this point was “Somehow or other I must beat him and win!”

      The moment I engaged in combat with an opponent, my mind was completely perturbed and unstable. And after a series of exchanging blows and kicks, my theory of gentleness was gone. My only thought at this point was “Somehow or other I must beat him and win!”

      My instructor at the time, Professor Yip Man, head of the wing chun school of gung fu, would come up to me and say “Loong,¹⁸ relax and calm your mind. Forget about yourself and follow the opponent’s movement. Let your mind, the basic reality, do the counter-movement without any interfering deliberation. Above all, learn the art of detachment.”

      “That was it!” I thought. “I must relax!” However, right then I had just done something that contradicted against my will. That occurred at the precise moment I said, “I must relax.” The demand for effort in must was already inconsistent with the effortlessness in relax.

      When my acute self-consciousness grew to what the psychologists refer to as the “double-bind” type, my instructor would again approach me and say, “Loong, preserve yourself by following