The Awakening. Kate Chopin

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       The Awakening

       The Awakening

       by

      Kate Chopin

       W

       Wisehouse Classics

      Kate Chopin

      The Awakening

      Cover image: »Madame Henriot« by Auguste Renoir (1876)Source: National Gallery of Arts, Accession No.1961.3.1

      Published by Wishouse Classics – Sweden

      ISBN 978-91-7637-038-4

      Wisehouse Classics is a Wisehouse Imprint.

      © Wisehouse 2015 – Sweden

       www.wisehouse-publishing.com

      © Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photographing, recording or otherwise), without the prior written permission of the publisher.

      Table of Contents

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

       Chapter XI

       Chapter XII

       Chapter XIII

       Chapter XIV

       Chapter XV

       Chapter XVI

       Chapter XVII

       Chapter XVIII

       Chapter XIX

       Chapter XX

       Chapter XXI

       Chapter XXII

       Chapter XXIII

       Chapter XXIV

       Chapter XXV

       Chapter XXVI

       Chapter XXVII

       Chapter XXVIII

       Chapter XXIX

       Chapter XXX

       Chapter XXXI

       Chapter XXXII

       Chapter XXXIII

       Chapter XXXIV

       Chapter XXXV

       Chapter XXXVI

       Chapter XXXVII

       Chapter XXXVIII

       Chapter XXXIX

I

      A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over:

      “Allez vous-en! Allez vous-en! Sapristi! That’s all right!”

      He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.

      Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust.

      He walked down the gallery and across the narrow “bridges” which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mockingbird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.

      He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.

      Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed.

      Once in a while he withdrew his glance from the newspaper and looked about him. There was more noise than ever over at the house. The main building was called “the house,” to distinguish it from the cottages. The chattering and whistling birds were still at it. Two young girls, the Farival twins, were playing a duet from “Zampa” upon the piano. Madame Lebrun was bustling in and out, giving orders in a high key to a yard-boy whenever she got inside the house, and directions in an equally high voice to a dining-room servant whenever she got outside. She was a fresh, pretty woman, clad always in white with elbow sleeves. Her starched skirts crinkled as she came and went. Farther down, before one of the cottages, a lady in black was walking demurely up and down, telling her beads. A good many persons of the pension had gone over to the Cheniere Caminada in Beaudelet’s lugger to hear mass. Some young people were out under the wateroaks playing croquet. Mr. Pontellier’s two children were there sturdy little fellows of four and five. A quadroon nurse followed them about with a faraway, meditative air.

      Mr. Pontellier finally lit a cigar and began to smoke, letting the paper drag idly from his hand. He fixed his gaze upon a white sunshade that was advancing at snail’s pace from the beach. He could see it plainly between the gaunt trunks of the water-oaks and across the stretch of yellow camomile. The gulf looked far away, melting hazily into the blue of the horizon. The sunshade continued to approach slowly. Beneath its pink-lined shelter were his wife, Mrs. Pontellier, and young Robert Lebrun. When they reached the cottage, the two seated themselves with some appearance of fatigue upon the upper step of the porch, facing each other, each leaning against a supporting post.

      “What folly! To bathe at such an hour in such heat!” exclaimed Mr. Pontellier. He himself had taken a plunge at daylight. That was why the morning seemed long to him.

      “You are burnt beyond recognition,” he added,