War and Peace - The Original Classic Edition. Leo Tolstoy

black curls tossed backward, thin bare arms, little legs in lace-frilled drawers, and feet in low slippers--was just at that charming age when a girl is no longer a child, though the child is not yet a young woman. Escaping from her father she ran to hide her flushed face in the lace of her mother's mantilla--not paying the least attention to her severe remark--and began to laugh. She laughed, and in fragmentary sentences tried to explain about a doll which she produced from the folds of her frock.

       "Do you see?... My doll... Mimi... You see..." was all Natasha managed to utter (to her everything seemed funny). She leaned against

       her mother and burst into such a loud, ringing fit of laughter that even the prim visitor could not help joining in.

       "Now then, go away and take your monstrosity with you," said the mother, pushing away her daughter with pretended sternness, and turning to the visitor she added: "She is my youngest girl."

       Natasha, raising her face for a moment from her mother's mantilla, glanced up at her through tears of laughter, and again hid her face.

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       The visitor, compelled to look on at this family scene, thought it necessary to take some part in it. "Tell me, my dear," said she to Natasha, "is Mimi a relation of yours? A daughter, I suppose?"

       Natasha did not like the visitor's tone of condescension to childish things. She did not reply, but looked at her seriously.

       Meanwhile the younger generation: Boris, the officer, Anna Mikhaylovna's son; Nicholas, the undergraduate, the count's eldest

       son; Sonya, the count's fifteen-year-old niece, and little Petya, his youngest boy, had all settled down in the drawing room and were obviously trying to restrain within the bounds of decorum the excitement and mirth that shone in all their faces. Evidently in the back rooms, from which they had dashed out so impetuously, the conversation had been more amusing than the drawingroom talk of society scandals, the weather, and Countess Apraksina. Now and then they glanced at one another, hardly able to suppress their laughter.

       The two young men, the student and the officer, friends from childhood, were of the same age and both handsome fellows, though

       not alike. Boris was tall and fair, and his calm and handsome face had regular, delicate features. Nicholas was short with curly hair

       and an open expression. Dark hairs were already showing on his upper lip, and his whole face expressed impetuosity and enthusiasm. Nicholas blushed when he entered the drawing room. He evidently tried to find something to say, but failed. Boris on the contrary at once found his footing, and related quietly and humorously how he had known that doll Mimi when she was still quite a young lady, before her nose was broken; how she had aged during the five years he had known her, and how her head had cracked right across the skull. Having said this he glanced at Natasha. She turned away from him and glanced at her younger brother, who was screw-

       ing up his eyes and shaking with suppressed laughter, and unable to control herself any longer, she jumped up and rushed from the room as fast as her nimble little feet would carry her. Boris did not laugh.

       "You were meaning to go out, weren't you, Mamma? Do you want the carriage?" he asked his mother with a smile. "Yes, yes, go and tell them to get it ready," she answered, returning his smile.

       Boris quietly left the room and went in search of Natasha. The plump boy ran after them angrily, as if vexed that their program had been disturbed.

       CHAPTER XII

       The only young people remaining in the drawing room, not counting the young lady visitor and the countess' eldest daughter (who was four years older than her sister and behaved already like a grownup person), were Nicholas and Sonya, the niece. Sonya was a slender little brunette with a tender look in her eyes which were veiled by long lashes, thick black plaits coiling twice round her head, and a tawny tint in her complexion and especially in the color of her slender but graceful and muscular arms and neck. By the grace of her movements, by the softness and flexibility of her small limbs, and by a certain coyness and reserve of manner, she reminded one of a pretty, half-grown kitten which promises to become a beautiful little cat. She evidently considered it proper to show an interest in the general conversation by smiling, but in spite of herself her eyes under their thick long lashes watched her cousin who was going to join the army, with such passionate girlish adoration that her smile could not for a single instant impose upon anyone, and it was clear that the kitten had settled down only to spring up with more energy and again play with her cousin as soon as they too could, like Natasha and Boris, escape from the drawing room.

       "Ah yes, my dear," said the count, addressing the visitor and pointing to Nicholas, "his friend Boris has become an officer, and so for friendship's sake he is leaving the university and me, his old father, and entering the military service, my dear. And there was a place and everything waiting for him in the Archives Department! Isn't that friendship?" remarked the count in an inquiring tone.

       "But they say that war has been declared," replied the visitor.

       "They've been saying so a long while," said the count, "and they'll say so again and again, and that will be the end of it. My dear, there's friendship for you," he repeated. "He's joining the hussars."

       The visitor, not knowing what to say, shook her head.

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       "It's not at all from friendship," declared Nicholas, flaring up and turning away as if from a shameful aspersion. "It is not from

       friendship at all; I simply feel that the army is my vocation."

       He glanced at his cousin and the young lady visitor; and they were both regarding him with a smile of approbation.

       "Schubert, the colonel of the Pavlograd Hussars, is dining with us today. He has been here on leave and is taking Nicholas back with him. It can't be helped!" said the count, shrugging his shoulders and speaking playfully of a matter that evidently distressed him.

       "I have already told you, Papa," said his son, "that if you don't wish to let me go, I'll stay. But I know I am no use anywhere except in the army; I am not a diplomat or a government clerk.--I don't know how to hide what I feel." As he spoke he kept glancing with the flirtatiousness of a handsome youth at Sonya and the young lady visitor.

       The little kitten, feasting her eyes on him, seemed ready at any moment to start her gambols again and display her kittenish nature.

       "All right, all right!" said the old count. "He always flares up! This Buonaparte has turned all their heads; they all think of how he

       rose from an ensign and became Emperor. Well, well, God grant it," he added, not noticing his visitor's sarcastic smile. The elders began talking about Bonaparte. Julie Karagina turned to young Rostov.

       "What a pity you weren't at the Arkharovs' on Thursday. It was so dull without you," said she, giving him a tender smile.

       The young man, flattered, sat down nearer to her with a coquettish smile, and engaged the smiling Julie in a confidential conversation without at all noticing that his involuntary smile had stabbed the heart of Sonya, who blushed and smiled unnaturally. In the midst of his talk he glanced round at her. She gave him a passionately angry glance, and hardly able to restrain her tears and maintain the artificial smile on her lips, she got up and left the room. All Nicholas' animation vanished. He waited for the first pause in the conversation, and then with a distressed face left the room to find Sonya.

       "How plainly all these young people wear their hearts on their sleeves!" said Anna Mikhaylovna, pointing to Nicholas as he went out. "Cousinage--dangereux voisinage;" * she added.

       * Cousinhood is a dangerous neighborhood.

       "Yes," said the countess when the brightness these young people had brought into the room had vanished; and as if answering a question no one had put but which was always in her mind, "and how much suffering, how much anxiety one has had to go through that we might rejoice in them now! And yet really the anxiety is greater now than the joy. One is always, always anxious! Especially just at this age, so dangerous both for girls and boys."

       "It all depends on the bringing up," remarked the visitor.

       "Yes, you're quite right," continued the countess. "Till now I have