Название | The Styx |
---|---|
Автор произведения | Patricia Holland |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9781922198310 |
This night the rail was up and the putting-Sophie-to-bed job had been done. It was silent in my bedroom if I didn’t rattle the rail, and I could hear shrieks of laughter—some casually raucous, others salacious—from the bar, twenty metres from my bedroom window.
“Okay, June, show us what you can do with your balls,” I heard my father say. Shrieks of laughter drowned him out for a while.
“I love a woman with balls,” another wit joined in.
“Come on, Sid, your turn, grow another set,” June called out.
I think there are sound grooves in the bar walls of this exchange. Every time, with each new group of tourists, he acts like it’s the first time for such fun. Almost equally as ridiculous, every time, with every new group of them, they seem to actually believe that it is funny. From every tourist bus—easily one every week—he has them ball-bowling in the bar well into the night while I lie alone, scared: scared of being alone, scared of not.
In so many other ways these early years were silent ones, for me. Not that I couldn’t hear, just that I had no voice. My disability gave me a part-time brain, with no-way communication. I couldn’t meaningfully speak. I could shriek and scream with frustration, pain and fear, but had no ability to form coherent words. I looked basically normal, albeit very thin and frail, but I could not toilet myself or feed myself, couldn’t even effectively scratch myself. I had little ability to walk. Sometimes I could totter a few steps, then randomly fall one way or another. I couldn’t use my hands in any purposeful way. I could flail my arms wildly around, grab and never let go, but could not hold a cup. Or even a hand.
Rememory 2
Everyone seems to think the worst of disabled people. If they don’t get normal feedback, they think you’re dumb. Mentally, I can process information fast—far faster than other kids, I reckon. And I can read minds. Faces tell me what people are thinking. Faces jump from their skin and bones and shout every tiny emotion at me.
“How are you today, darling?” The voice is usually jaunty, but the eyes are always dead. The smile is dead.
“Have you been a good girl?” A self-conscious laugh, sometimes a pat of my head, and they feel satisfied: they take pleasure in their kindness.
“Thank God that part is done,” they think.
“How totally revolting, ugghhh,” the slight pursing and micro twitch of the lips says.
Then the dead smile swings to someone else and a light switches on. Their eyes dance in the relief of someone normal. At least I increase the joy they feel with each other’s company.
I can read it all. The most miniscule flicker of malice, contempt, lust, love is written in bold capitals across their faces. These things scream at me, and sometimes make me scream. Inside.
It’s called Rett Syndrome, my syndrome. Back then, when I was little, some people considered it the most extreme form of autism. It’s got to be one of the worst disabilities to have. It makes Asperger’s or even the most dysfunctional alphabet disorder seem mild in comparison. Rett is severely physically debilitating and painful. If you’re lucky it leads to death, usually suffocation during a bout of pneumonia; but if you’re unlucky, you live on and on and on and on. Interminable days of suffering. Interminable days of neglect, boredom, frustration, despair.
Some people get lucky and get drugged. If you scream and flail enough, you can get them to drug you; usually to shut you up, sometimes to put you out of your misery. Rett Syndrome means mental and physical torture for everyone involved. And it grows. Regresses you further and further, every moment, every day, every year until your teens. Then it stops, slows at least. Sometimes reverses. A bit. If you live long enough. Boys with Rett are lucky. They never get born.
Rememory 3
“What a good man looking after that poor little creature,” they all say. “He is so unselfish, doesn’t put her in a home. He’s devoted to her.”
My father loved this idea of himself. He’d cultivated it for so long that I think he actually believed it. It had grown onto his skin, only flaking off in the privacy of his own home. Just for me.
My mother became a burden. At first it was okay, more than okay. It was only shortly before the cachet of mixed-marriage days. He was the centre of everyone’s gossip, and he glowed. In those early days, she was who he thought she should be. Grateful, he thought she should be, and I think he believed she was. At the start.
It was good then, up until she left, up until I was five and a half. She made pancakes for breakfast every Sunday. And I had a birthday party every year; so did he. Even though I didn’t have any friends, she’d find some. She made it such an occasion to dress up—she always made me a new dress—and bring presents and have fun, around me, in the name of me. She’d make a special cake and he’d help me blow out the candles. And she’d take photos—some of him and me, mostly just of me. This happened every year she was here. But then, when she strayed from his agenda and developed ideas and wants and loves, he really had no option but to lose her. And she would have to suffer because of it. Never to benefit from her life with him, he told her. And showed her.
Rememory 4
After my mother left Styx River Station, my father didn’t really need anyone. He liked being the token single father, someone all the mothers fêted and simpered at. He liked making a show at school events of being the devoted father.
I can see him now, pushing me up the path to school from the car park. He, the picture of an RM Williams rural bloke. Me, skinny, legs and arms undersized and always askew, pushed in an undersized pastel-pink wheelchair that, from its very nature, could never be cute.
He always had something slightly skew-whiff to match me: rumpled hair, shirt-tail hanging out, sleeves rolled too high, uneven. Something for everyone to latch onto to pity, to offset the endless well of pity they couldn’t allow themselves to properly begin to negotiate towards me. It could almost comfortably be displaced onto him. He would only have to turn up three or four times a year at most, to attract the tag of devoted father.
It wasn’t a big deal for him to no longer have my mother around. He always liked going to social functions alone or with a wingman or two. He attracted more attention that way. For him, the chase for attention was sublime. He walked differently, dressed differently, stood taller. And smelt of going out.
Rememory 5
My father always had so much to do, he said. Dozing with a book in a squatter’s chair was research, he’d say. Reading Country Life magazine was keeping abreast of things. Apart from going to sales and conferences, in the early days, he didn’t seem to do much in the cattle side of things—plenty of staff to do that—but he always had some project in the offing, some scheme to roll out, some way to big-note himself—mostly to himself. And to his cronies.
He has—had—three main cronies: Silas, Dominic and Warren. Creepy crony number one, Psycho Silas, is ace wingman and the master manipulator, with money to invest from his very lucrative psychiatric practice in Leichhardt, a town with the highest mental health problems per capita in the country. His greatest joy is in seeing the impact of his manipulations—usually to the detriment of others involved, and not always for his own personal gain. The pain of others is sufficient joy for him. His patients, especially those underage or in government care facilities, are frequent targets, often involving inappropriate sexual behaviours—sometimes on his part, but by no means necessarily.
Crony number two, Dodgy Dom, is a bit of a wingman too, a small-town lawyer, a minor investor with major free legal advice who, at nineteen and still at uni, married the wrong woman for the wrong, but then socially