The Writers Afterlife. Richard Vetere

. . . ends.”

      CHAPTER 3

      Time in the Writers Afterlife is very different from time on Earth. It has no exact purpose; day and night seem to change as if by whim. The days and nights are splendid. The breeze is cool, and the sun shines with warmth without ever getting hot. In the evening the moon is white and magnificent and the stars gleam through wisps of clouds. After a short while I realized that each individual writer creates the exterior landscape he or she is in by imagining it. If you think night, it’s night. If you think of a city, there it is. The Afterlife is truly fueled by each writer’s imagination.

      One quiet night Joe told me a little about himself. He had been a painter born in Florence in 1578, and had wanted to be famous like Michelangelo. He’d made his way to Rome where he found nothing but indifference to his work. He sold a few paintings but not nearly enough to pay for a roof over his head. After several years, he gave up, married a farmer’s daughter, and moved to a small farm north of Rome where he toiled until his death from plague when he was only forty-four.

      “You wanted to be famous?”

      “Like hundreds of painters and sculptors who entered Rome’s barred gates every year. I wanted to be Michelangelo. I burned with the need for fame. I dreamt of being the stuff of legend.”

      “And it didn’t happen?”

      “Did you ever hear of the great painter Gianni Palmintieri Guiliano?” he asked.

      I shook my head.

      And that was why Joe had been assigned me: he was a good painter but never famous on Earth, and we had also died at the same age. Whoever did the assigning, and that was never brought up, thought Joe and I would be a good match.

      Joe told me he tried not to think about his life on Earth, so he tried not to talk about it. He told me that he too felt an overwhelming sadness, and that many of those who just missed out on being famous were eventually asked to be Afterlife tour guides. Each one was given an artist who had just missed being famous and had been the same age at the time of death. Tour guides eased their charges into their particular afterlives, just as Joe was doing for me. He told me that I’d probably be assigned an actor or perhaps a composer but certainly not a writer. That was how it worked. You guided someone you couldn’t compete with but had empathy for.

      He also told me that in time I’d get used to existence in the Writers Afterlife. The good news was I’d never get a cold or flu. I’d never get even a pimple. I’d never have sexual desire or the need to be romantically in love.

      “How about the urge to write?” I asked.

      “Gone for all eternity,” he said smiling widely.

      That notion bothered me for a moment, but then the slight twinge of sorrow passed. I had written my entire life. I didn’t have much memory of ever not being a writer. It was going to be weird not getting up and planning my day around writing something.

      We walked a few more minutes or weeks; I had no notion how long our walk actually took when I saw a woman off in the distance. She stood on a hill, in the wind, and the sky above her was a dark and foreboding wilderness. Her long, dark hair flew wildly over her shoulder and she was wearing clothing that made her look like a poor woman from the mid-nineteenth century.

      The closer we got to her, the more I could see. Now there was drizzling rain; the landscape around her looked like a moor. The kind of moor you’d find in the England of Wuthering Heights.

      I stopped. “Emily Brontë?”

      “Excellent. You know your writers,” Joe replied. “She’s one of the Eternals I wanted you to meet.”

      “Can I meet her?” I asked.

      “Go ahead. Go over to her,” he told me.

      I walked ahead and suddenly I was in her world. I was on the hill, feeling the drizzle on my face. I felt the wind blowing and watched her standing there looking off into the distance. As I drew closer, I noticed an aura around her. She was radiant, a contrast to the gloomy landscape surrounding her. I edged up to her from the side and saw that even though she was alone, she didn’t look lonely. I felt that despite her large dark and sad eyes, she was exuding warmth and contentment. Her long-sleeved, light-blue dress covered her from her neck to her ankles.

      She turned to me and said without smiling, “Thank you so much.”

      “For what?”

      “For reading me,” she answered.

      “It was my pleasure, Miss Brontë,” I said.

      “Call me Emily,” she replied, barely thirty years old and immortal. Then she turned away from me and smiled to the figure of a man, a shadow, walking out of the mist of the moor depicting her sexual longing. He was handsome with longish hair blowing in the same breeze, wet from the same drizzle falling, and he had the same sparkle in his eyes that she had.

      It was Heathcliff. I stepped back. They embraced.

      I turned and caught a glimpse of Joe, who was standing in a streak of light that separated the moor from where I had previously been. Joe nodded to me. I understood. I got it. Emily Brontë would live through eternity with the perfect male of her own creation. She and Heathcliff would be romantic lovers as long as there was a thing called time.

      I walked back to Joe. “So that’s her joy. That’s her reward,” I told him.

      Joe nodded. “Not far from here is Charlotte Brontë, who will be forever happy with her Rochester.”

      I saw them suddenly. She was on a bench, knitting, and he was sitting at her side. There was an enormous mansion on a hill above them. Charlotte was Jane Eyre, and it all was beginning to make sense.

      Joe urged me to follow him. “There are more writers for you to meet. Let’s meet the others. The other Eternals.”

      CHAPTER 4

      You can imagine how I felt when I first saw Shakespeare. Joe and I entered this open-air stage, which I immediately recognized as the Globe Theatre. William was standing front and center surrounded by Hamlet, Ophelia, King Lear, Macbeth, Lady Macbeth, Rosalind, Romeo and his Juliet, Othello, Iago, Puck, Falstaff, and all the others.

      There was laughter and food everywhere, beer and wine, and in the middle of it all was Shakespeare himself with a big smile on his face.

      “To be or not to be!” Hamlet shouted. All the other characters laughed. They handed bottles of wine back and forth, portions of chicken and goose. It was a picnic. I realized William Shakespeare would be having a picnic with all of his characters through the rest of time.

      “Hey, Lear!” he shouted. “Who is the Fool now?”

      Lear beamed. If fact, all the characters beamed when Shakespeare called to them. He had created them. He had made them as real as human beings.

      I could hardly move when that thought struck me. I spoke but I couldn’t take my eyes off the great playwright. “He seems happy beyond words.”

      “Oh, he is,” Joe stated, with a twinge of sadness in his voice.

      I watched as Ophelia sat on Shakespeare’s lap feeding him grapes and Puck ran his hands through Shakespeare’s thinning hair. Hamlet handed him a goblet of wine as all turned to Macbeth, who now took center stage and said, “Tomorrow and tomorrow and tomorrow . . .,” performing the world-famous monologue for all the other characters.

      “He was lucky, you know,” Joe told me.

      We were then joined by Romeo and Juliet who had seen us and slipped away from the others. They were a perfect couple wearing bright colors perfect for Renaissance Italy.

      “His wisdom is profound when it comes to human nature,” Romeo said. He took Juliet’s hand. “Have you met