GOLD FEVER Part Three. Ken Salter

an etching by Laurie. Courtesy of the Archives for the Performing Arts, San Francisco.

       6.“MARY ELLEN PLEASANT” — courtesy of San Francisco History Center, San Francisco Public Library.

       7.“1860’s GOLD ASSAY RECEIPT BY JAMES J. OTT, NEVADA CITY, CA” — (author’s collection).

       8.“THE LOLA MONTEZ COTTAGE, GRASS VALLEY, CA” — photo courtesy of Dick Bascom.

       9.“QUARTZ MINING” — litho c. 1854 (author’s collection).

       10.“DAVID C. BRODERICK” — litho c. 1853 f (author’s collection).

       11.“SAMUAL BRANNAN” — litho c.1853 (author’s collection).

       12.“OPIUM SMOKER” — litho c. 1860 (author’s collection).

       13.“OPIUM PIPE & ACCESSORIES” — litho c. 1858 (author’s collection).

       14.“CHINESE SEX SLAVE BEHIND CRIB SCREEN DOOR” — courtesy of the California State Library.

       15.“RUSS’S GARDEN, SAN FRANCISCO” — litho c. 1853 (author’s collection).

       16.“WINN’S FOUNTAIN & ICE CREAM PARLOR” — litho c. 1854 (author’s collection).

       17.“SENATOR GWIN” — litho c. 1854 (author’s collection).

       18.“SAN FRANCISCO CITY LETTER EXPRESS” — monograph by Ernest A. Wiltsee in The Stamp Specialist c. 1950 from the collection of Edgar R. Jessup.

       19.“1861 LETTER FROM WASHINGTON, D.C. TO SAN FRANCISCO” — (author’s collection).

       20.“A BULL & BEAR FIGHT IN CALIFORNIA” — litho c. 1855 from San Francisco newspaper (author’s collection).

       21.“A NATIVE CALIFORNIA HORSE RACE” — litho c.1855 from San Francisco newspaper (author’s collection).

       22.“NATIONAL HOTEL & STAGE OFFICE, JACKSON, CA” — litho c. 1855 courtesy of Bob Guletz.

       23.“HYDRAULIC MONITORS WASHING AWAY OVERBURDEN” — litho c. 1860 (author’s collection).

       24.“A CHINESE NEW YEAR’S PROCESSION” — litho c. 1855 (author’s collection).

       25.“ST. GEORGE HOTEL, VOLCANO, CA” — litho c. 1855 courtesy of Bob Guletz.

       26.“MEXICAN ARRASTRA TO CRUSH QUARTZ” — litho c.1855 (author’s collection).

       27.“MEXICAN GUITAR PLAYER” — litho c.1855 (author’s collection).

       28.“MEXICAN DANCER” — litho c. 1855 (author’s collection).

       29.“THE CALIFORNIA EXCHANGE BUILDING, SAN FRANCISCO, CA” — litho c. 1854 (author’s collection).

       30.“CHINESE MERCHANTS IN SAN FRANCISCO” — litho c. 1854 (author’s collection).

       31.“CITY OF OAKLAND, CA — VIEW OF SAN PABLO AVENUE” — litho c. 1854 (author’s collection).

       32.“CLASSIFIED ADS IN FRENCH IN BIBLIOTHÈQUE POPULAIRE, JULY 17, 1856” — (author’s collection).

       33.“DAVID S. TERRY” — litho c. 1851(author’s collection).

       34.“THE AUTHOR & HIS WIFE WITH THEIR GOLD RUSH ERA ARTIFACT COLLECTION DONATED TO LE MUSÉE DU NOUVEAU MONDE, LA ROCHELLE, FRANCE” — photo by Allan G. Smorra, San Anselmo, CA.

      California Gold Rush Journal

      

PART 3

      INTRODUCTION

      1853 begins with relative prosperity and calm for San Franciscans. More and more families from the United States and its Western Territories arrive weekly to settle in California and improve their lot. Foreign immigration, especially Chinese, French and German, continues at a brisk pace despite the limited gold left to seekers working the river gravels. It’s not long before the economy starts to slide into recession. Big banks and express companies aren’t to big to fail.

      Ships arrive weekly loaded with provisions and supplies for an economy that’s no longer booming. Oversupply of goods for sale leads to business failures; many competitors are forced to liquidate their stocks for pennies on the dollar by 1854. Many businesses are forced to close. Banks and express companies loaned heavily to mining companies, which can’t now repay their loans. This leads to the failure of Adams & Co., the large rival to Wells Fargo and Co., and other smaller banks and express companies follow suit. By the end of 1854 the whole state is in a severe recession.

      Crime rises with the hard times. Once again, armed criminals, desperados, and bandits ply their trade openly and rule the streets of San Francisco by night. Murders go unpunished and efforts to rein in gambling and prostitution fail due to a culture of cronyism and bribery.

      Southerners take advantage of the economic and political malaise gripping the state to advance their program to carve Southern California into a new state that allows slavery. California appears headed, like the nation, to a civil war over slavery once present and former slave owners are elected to key government and judicial offices in the state.

      Our story begins with Pierre and Manon preparing to build and operate a bilingual nursery and grammar school in these unsettled times. Can Manon’s high-end French restaurant remain profitable in this unpredictable environment? Can Pierre’s ambitious projects succeed? Will the anti-immigrant venom of the Know-Nothing political forces in California, which is directed at African slaves, Catholics, and the Chinese, extend to the French and other immigrants? Must San Francisco’s merchants and businessmen resort to a second Committee