London Films. William Dean Howells

      London Films

      WILLIAM DEAN HOWELLS

      

      

      

       London Films, W. D. Howells

       Jazzybee Verlag Jürgen Beck

       86450 Altenmünster, Loschberg 9

       Deutschland

      

       ISBN: 9783849657796

      

       www.jazzybee-verlag.de

       [email protected]

      

      

      CONTENTS:

       I. METEOROLOGICAL EMOTIONS. 1

       II. CIVIC AND SOCIAL COMPARISONS, MOSTLY ODIOUS. 6

       III. SHOWS AND SIDE-SHOWS OF STATE.. 13

       IV. THE DUN YEAR'S BRILLIANT FLOWER.. 21

       V. THE SIGHTS AND SOUNDS OF THE STREETS. 28

       VI. SOME MISGIVINGS AS TO THE AMERICAN INVASION.. 33

       VII. IN THE GALLERY OF THE COMMONS. 40

       VIII. THE MEANS OF SOJOURN... 44

       IX. CERTAIN TRAITS OF THE LONDON SPRINGTIME.. 49

       X. SOME VOLUNTARY AND INVOLUNTARY SIGHT-SEEING.. 53

       XI. GLIMPSES OF THE LOWLY AND THE LOWLIER.. 61

       XII. TWICE-SEEN SIGHTS AND HALF-FANCIED FACTS. 72

       XIII. AN AFTERNOON AT HAMPTON COURT.. 84

       XIV. A SUNDAY MORNING IN THE COUNTRY.. 92

       XV. FISHING FOR WHITEBAIT.. 98

       XVI. HENLEY DAY.. 102

       XVII. AMERICAN ORIGINS—MOSTLY NORTHERN... 110

       XVIII. AMERICAN ORIGINS—MOSTLY SOUTHERN... 125

       XIX. ASPECTS AND INTIMATIONS. 137

       XX. PARTING GUESTS. 143

      I. METEOROLOGICAL EMOTIONS

      Whoever carries a mental kodak with him (as I suspect I was in the habit of doing long before I knew it) must be aware of the uncertain value of the different exposures. This can be determined only by the process of developing, which requires a dark room and other apparatus not always at hand; and so much depends upon the process that it might be well if it could always be left to some one who makes a specialty of it, as in the case of the real amateur photographer. Then one's faulty impressions might be so treated as to yield a pictorial result of interest, or frankly thrown away if they showed hopeless to the instructed eye. Otherwise, one must do one's own developing, and trust the result, whatever it is, to the imaginative kindness of the reader, who will surely, if he is the right sort of reader, be able to sharpen the blurred details, to soften the harsh lights, and blend the shadows in a subordination giving due relief to the best meaning of the print. This is what I fancy myself to be doing now, and if any one shall say that my little pictures are superficial, I shall not be able to gainsay him. I can only answer that most pictures represent the surfaces of things; but at the same time I can fully share the disappointment of those who would prefer some such result as the employment of the Roentgen rays would have given, if applied to certain aspects of the London world.

      Of a world so vast, only small parts can be known to a life-long dweller. To the sojourner scarcely more will vouchsafe itself than to the passing stranger, and it is chiefly to home-keeping folk who have never broken their ignorance of London that one can venture to speak with confidence from the cumulative misgiving which seems to sum the impressions of many sojourns of differing lengths and dates. One could have used the authority of a profound observer after the first few days in 1861 and 1865, but the experience of weeks stretching to months in 1882 and 1883, clouded rather than cleared the air through which one earliest saw one's London; and the successive pauses in 1894 and 1897, with the longest and latest stays in 1904, have but served to confirm one in the diffident inconclusion on all important points to which I hope the pages following will bear witness.

      What appears to be a fact, fixed and absolute amid a shimmer of self-question, is that any one coming to London in the beginning of April, after devious delays in the South and West of England, is destined to have printed upon his mental films a succession of meteorological changes quite past computation. Yet if one were as willing to be honest as one is willing to be graphic, one would allow that probably the weather on the other side of the Atlantic was then behaving with quite as swift and reckless caprice. The difference is that at home, having one's proper business, one leaves the weather to look after its own affairs in its own way; but being cast upon the necessary idleness of sojourn abroad, one becomes critical, becomes censorious. If I were to be a little honester still, I should confess that I do not know of any place where the month of April can be meaner, more poison, upon occasion, than in New York. Of course it has its moments of relenting, of showing that warm, soft, winning phase which is the reverse of its obverse shrewishness, when the heart melts to it in a grateful tenderness for the wide, high, blue sky, the flood of white light, the joy of the flocking birds, and the transport of the buds which you can all but hear bursting in an eager rapture. It is a sudden glut of delight, a great, wholesale emotion of pure joy, filling the soul to overflowing, which the more scrupulously adjusted meteorology of England is incapable of at least so instantly imparting. Our weather is of public largeness and universal application, and is perhaps rather for the greatest good of the greatest number; admirable for the seed-time and harvest, and for the growing crops in the seasons between. The English weather is of a more private quality, and apportioned to the personal preference, or the personal endurance. It is as if it were influenced by the same genius which operates the whole of English life, and allows each to identify himself as the object of specific care, irrespective of the interests of the mass. This may be a little too fanciful, and I do not insist that it is scientific or even sociological. Yet I think the reader who rejects it might do worse than agree with me that the first impression of a foreign country visited or revisited is stamped in a sense of the weather and the season.

      Nothing made me so much at home in England as reading, one day, that there was a lower or a higher pressure in a part of Scotland, just as I might have read of a lower or a higher pressure in the region of the lakes. “Now,” I said