Essential Novelists - Paul Heyse. Paul Heyse

was standing on the table, and pressed it against his face. The full-blown flowers suddenly fell apart, and the leaves covered the book.

      "Oh! dear," said he, coloring with embarrassment, "I have done a fine thing now. Will you forgive me, dear Fräulein?"

      "Certainly, Herr Doctor, if you will be reasonable now, and go up stairs to sleep off your intoxication. For you are in a condition—You must know how it happened."

      "I? I did not know—"

      "Any better than to ask me to play for you at half-past two o'clock in the morning! We shall wake the people in the house, and others can see us,—me from the opposite windows. And besides—"

      She had risen, and now repressed the rest of the words that were on her lips. After pacing several times up and down the heated room, which contained little furniture except her bed, her piano, and a bookcase, she pushed back her hair from her brow and shoulders, and folding her bare arms across her chest, stood quietly at the window. A sigh heaved the breast which had learned to keep a strict guard over its thoughts and feelings. In this attitude she waited, with apparent calmness, for him to take his leave.

      "I must really seem a very singular person," he said, in a frank, honest tone. "We have lived in the same house for months, and the only use I have made of this vicinity, was by my first and only visit, when I begged you not to play during certain hours, which I had selected for study. Now I enter your room in the middle of the night, and take the liberties of an old acquaintance. Forgive me, on account of my disordered brain, dear Fräulein, and—may you have a good night's rest."

      He bent his head slightly, and left the room.

      As soon as she heard him go up stairs, she hurried into the little ante-chamber, closed the outer door, bolted it, and then stood still a short time, listening, with her trembling body pressed close against the door, and her hands clenched on the latch. He walked slowly up a few steps, and then paused again, as if he had suddenly become absorbed in some dreamy thought. She shuddered, sighed heavily, and tottered back into the sitting-room. Her dress seemed too tight for her, for she slipped out of it like a butterfly from its chrysalis, and then in the airiest night costume, sat down at the open piano. It was an old, much-worn instrument, of very poor tone, and as she ran her slender fingers lightly over the keys, it sounded in the entry outside like the distant music of a harp.

      The young man had just reached the topmost stair when he heard it.

      "There! she is playing the sonata, after all," he said to himself. "A strange, obstinate person. What can she have suffered from fate? To-morrow I will take more notice of her. It's a pity she is so ugly, and yet—what does it matter? There is a charm in her finger-tips. What wonderful music!"

      He stood still a moment listening to the familiar tones, which seemed to express all the familiar thoughts that had been wandering in a confused chaos through his mind. Suddenly he heard a voice from within.

      "Is that you, Edwin?"

      "Of course it is I," he replied.

      The next instant he had opened the door and entered the room which was brightly lighted by the moonbeams.

      CHAPTER II.

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      THIS ROOM, TERMED BY its occupants' friends "the tun," was a large three-windowed apartment, with walls painted light grey, a floor scoured snow white, and over the windows instead of curtains, three narrow green calico lambrequins of the simplest pattern. A desk stood at the right-hand window, a small turning-lathe at the left, and in the spaces between the casements two tall bookcases; there were two beds placed against the wall, several cane chairs and small chests made of white wood, and finally, a low, smoky ceiling, which here and there showed large cracks, and threatened to fall. But the room, spite of its simplicity, had an aristocratic air from the presence of two copperplate engravings of Raphael's paintings, framed in plain brown wood, that hung over the beds, and two antique busts on the bookcases,—one a head of Aristotle, the other the gloomy-eyed, stern-browed Demosthenes. Even the low stove was adorned with a piece of sculpture at which no one is ever weary of gazing—the mask of Michael Angelo's young prisoner, who, with closed lids, lets his beautiful head sink on his shoulder as if weary of torture and longing for sleep. Here, however, the moonlight did not reach: it merely fell obliquely across the bed placed against the wall.

      On this bed, with his eyes fixed upon the door, lay a young man, whose pale features, almost feminine in their delicacy, were framed in a wreath of thick, fair locks. It was difficult to guess his age from his countenance, since the boyish expression of mirth that dwelt about his mouth contrasted strangely with the mature beauties of the finely cut features. He was wrapped in a light quilt, and a book lay open on the chair beside him. When Edwin entered, he slowly rose and held out a white delicately formed hand.

      "Well," said he, "was it very fine? Has it done you good?"

      "Good evening, Balder," replied Edwin, "or rather, good morning! You see I do everything thoroughly, even rioting at night. But I see I must not leave you alone again, child. I really believe you have been reading by moonlight."

      A deep flush crimsoned the face of the recumbent youth. "Don't be angry," said he in a clear, musical voice. "I could not sleep; and, as the lamp had burned out and the room was so bright,—but now tell me About it. Has the remedy already produced an effect?"

      "To-morrow you shall hear as much as you wish, but not a syllable now, to punish you for your carelessness in spoiling your eyes and heating your head. Do you know that your forehead is burning again?" And he passed his hand tenderly over the soft hair. "I will complain of you to the physician in ordinary. And you don't seem to have touched your supper; there is the plate with your bread and butter."

      "I wasn't hungry," replied the youth, letting his head fall gently back on the pillow. "Besides, I thought if you came home late, and, after the unusual excitement, might perhaps feel inclined to eat something."

      Edwin brought the plate to the bed. "If you don't want me to be seriously angry, you artful fellow," said he, "you will have the goodness to repair the omission at once. But to make it easier for you, I'll take half myself. Heavens! what is to be done with such a disobedient child? So divide fairly, or I'll complain of you to-morrow to Jungfrau Reginchen, who will soon bring you to reason."

      Again a vivid blush crimsoned the young man's face, but Edwin pretended not to notice it. He had sat down on the bed, and was beginning to eat, from time to time pushing a piece into his brother's mouth, who submitted with a half smile. "The bread is good," said Edwin; "the butter might be better. But that is Reginchen's weak point. Now a drink as fresh as our cellar affords."

      He poured out a class of water, and swallowed it at a single gulp. "Balder," said he, "I am returning to truth and nature, after having incurred the danger of being enervated by luxury. Just think, I had some ice-cream at the theatre. It could not be helped; others eat it, and a philosopher must become familiar with everything. Besides, it wasn't worth the five groschen, for I learned nothing new, and only regretted that you could not have it. Once, and no more, good night."

      While undressing, he said to himself, "This shameless moon! As soon as we have any extra money, we must get curtains, so that we can be able to close our eyes on such nights. However, the illumination is very moderate, compared to that of an opera-house. It took me so by surprise as I entered the box, that I would gladly have retreated and seen the whole spectacle from the corridor outside. Believe me, child, the doorkeepers have the real and best enjoyment. To walk up and down in the cooler passages over soft carpets, with the faint buzzing and sighing of the orchestra in one's ears, interrupted at times by a louder passage with the drums and trumpets, which, smothered by the walls, sounds like a melodious thunder-storm, and often, when some belated great lady rustles in, to obtain a glimpse through the door of the Paradise of painted houris in tights, and the wonderful sunrises and sunsets,—it is really an enviable situation, compared with that of the poor mortals