Essential Novelists - Willa Cather. Уилла Кэсер

      Frank went into the house and threw himself on the sofa, his face to the wall, his clenched fist on his hip. Marie, having seen her guests off, came in and put her hand coaxingly on his shoulder.

      “Poor Frank! You've run until you've made your head ache, now haven't you? Let me make you some coffee.”

      “What else am I to do?” he cried hotly in Bohemian. “Am I to let any old woman's hogs root up my wheat? Is that what I work myself to death for?”

      “Don't worry about it, Frank. I'll speak to Mrs. Hiller again. But, really, she almost cried last time they got out, she was so sorry.”

      Frank bounced over on his other side. “That's it; you always side with them against me. They all know it. Anybody here feels free to borrow the mower and break it, or turn their hogs in on me. They know you won't care!”

      Marie hurried away to make his coffee. When she came back, he was fast asleep. She sat down and looked at him for a long while, very thoughtfully. When the kitchen clock struck six she went out to get supper, closing the door gently behind her. She was always sorry for Frank when he worked himself into one of these rages, and she was sorry to have him rough and quarrelsome with his neighbors. She was perfectly aware that the neighbors had a good deal to put up with, and that they bore with Frank for her sake.

      VII

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      MARIE'S FATHER, ALBERT Tovesky, was one of the more intelligent Bohemians who came West in the early seventies. He settled in Omaha and became a leader and adviser among his people there. Marie was his youngest child, by a second wife, and was the apple of his eye. She was barely sixteen, and was in the graduating class of the Omaha High School, when Frank Shabata arrived from the old country and set all the Bohemian girls in a flutter. He was easily the buck of the beer-gardens, and on Sunday he was a sight to see, with his silk hat and tucked shirt and blue frock-coat, wearing gloves and carrying a little wisp of a yellow cane. He was tall and fair, with splendid teeth and close-cropped yellow curls, and he wore a slightly disdainful expression, proper for a young man with high connections, whose mother had a big farm in the Elbe valley. There was often an interesting discontent in his blue eyes, and every Bohemian girl he met imagined herself the cause of that unsatisfied expression. He had a way of drawing out his cambric handkerchief slowly, by one corner, from his breast-pocket, that was melancholy and romantic in the extreme. He took a little flight with each of the more eligible Bohemian girls, but it was when he was with little Marie Tovesky that he drew his handkerchief out most slowly, and, after he had lit a fresh cigar, dropped the match most despairingly. Any one could see, with half an eye, that his proud heart was bleeding for somebody.

      One Sunday, late in the summer after Marie's graduation, she met Frank at a Bohemian picnic down the river and went rowing with him all the afternoon. When she got home that evening she went straight to her father's room and told him that she was engaged to Shabata. Old Tovesky was having a comfortable pipe before he went to bed. When he heard his daughter's announcement, he first prudently corked his beer bottle and then leaped to his feet and had a turn of temper. He characterized Frank Shabata by a Bohemian expression which is the equivalent of stuffed shirt.

      “Why don't he go to work like the rest of us did? His farm in the Elbe valley, indeed! Ain't he got plenty brothers and sisters? It's his mother's farm, and why don't he stay at home and help her? Haven't I seen his mother out in the morning at five o'clock with her ladle and her big bucket on wheels, putting liquid manure on the cabbages? Don't I know the look of old Eva Shabata's hands? Like an old horse's hoofs they are—and this fellow wearing gloves and rings! Engaged, indeed! You aren't fit to be out of school, and that's what's the matter with you. I will send you off to the Sisters of the Sacred Heart in St. Louis, and they will teach you some sense, I guess!”

      Accordingly, the very next week, Albert Tovesky took his daughter, pale and tearful, down the river to the convent. But the way to make Frank want anything was to tell him he couldn't have it. He managed to have an interview with Marie before she went away, and whereas he had been only half in love with her before, he now persuaded himself that he would not stop at anything. Marie took with her to the convent, under the canvas lining of her trunk, the results of a laborious and satisfying morning on Frank's part; no less than a dozen photographs of himself, taken in a dozen different love-lorn attitudes. There was a little round photograph for her watch-case, photographs for her wall and dresser, and even long narrow ones to be used as bookmarks. More than once the handsome gentleman was torn to pieces before the French class by an indignant nun.

      Marie pined in the convent for a year, until her eighteenth birthday was passed. Then she met Frank Shabata in the Union Station in St. Louis and ran away with him. Old Tovesky forgave his daughter because there was nothing else to do, and bought her a farm in the country that she had loved so well as a child. Since then her story had been a part of the history of the Divide. She and Frank had been living there for five years when Carl Linstrum came back to pay his long deferred visit to Alexandra. Frank had, on the whole, done better than one might have expected. He had flung himself at the soil with savage energy. Once a year he went to Hastings or to Omaha, on a spree. He stayed away for a week or two, and then came home and worked like a demon. He did work; if he felt sorry for himself, that was his own affair.

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      VIII

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      ON THE EVENING OF THE day of Alexandra's call at the Shabatas', a heavy rain set in. Frank sat up until a late hour reading the Sunday newspapers. One of the Goulds was getting a divorce, and Frank took it as a personal affront. In printing the story of the young man's marital troubles, the knowing editor gave a sufficiently colored account of his career, stating the amount of his income and the manner in which he was supposed to spend it. Frank read English slowly, and the more he read about this divorce case, the angrier he grew. At last he threw down the page with a snort. He turned to his farm-hand who was reading the other half of the paper.

      “By God! if I have that young feller in de hayfield once, I show him someting. Listen here what he do wit his money.” And Frank began the catalogue of the young man's reputed extravagances.

      Marie sighed. She thought it hard that the Goulds, for whom she had nothing but good will, should make her so much trouble. She hated to see the Sunday newspapers come into the house. Frank was always reading about the doings of rich people and feeling outraged. He had an inexhaustible stock of stories about their crimes and follies, how they bribed the courts and shot down their butlers with impunity whenever they chose. Frank and Lou Bergson had very similar ideas, and they were two of the political agitators of the county.

      The next morning broke clear and brilliant, but Frank said the ground was too wet to plough, so he took the cart and drove over to Sainte-Agnes to spend the day at Moses Marcel's saloon. After he was gone, Marie went out to the back porch to begin her butter-making. A brisk wind had come up and was driving puffy white clouds across the sky. The orchard was sparkling and rippling in the sun. Marie stood looking toward it wistfully, her hand on the lid of the churn, when she heard a sharp ring in the air, the merry sound of the whetstone on the scythe. That invitation decided her. She ran into the house, put on a short skirt and a pair of her husband's boots, caught up a tin pail and started for the orchard. Emil had already begun work and was mowing vigorously. When he saw her coming, he stopped and wiped his brow. His yellow canvas leggings and khaki trousers were splashed to the knees.

      “Don't let me disturb you, Emil. I'm going to pick cherries. Isn't everything beautiful after the rain? Oh, but I'm glad to get this place mowed! When I heard it raining in the night, I thought maybe you would come and