3 Books To Know French Literature. Victor Hugo

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Название 3 Books To Know French Literature
Автор произведения Victor Hugo
Жанр Языкознание
Серия 3 books to know
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isbn 9783968582825



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chest, from which she had long suffered. He had no children. What took place next in the fate of M. Myriel? The ruin of the French society of the olden days, the fall of his own family, the tragic spectacles of ‘93, which were, perhaps, even more alarming to the emigrants who viewed them from a distance, with the magnifying powers of terror,—did these cause the ideas of renunciation and solitude to germinate in him? Was he, in the midst of these distractions, these affections which absorbed his life, suddenly smitten with one of those mysterious and terrible blows which sometimes overwhelm, by striking to his heart, a man whom public catastrophes would not shake, by striking at his existence and his fortune? No one could have told: all that was known was, that when he returned from Italy he was a priest.

      In 1804, M. Myriel was the Curé of B—— [Brignolles]. He was already advanced in years, and lived in a very retired manner.

      About the epoch of the coronation, some petty affair connected with his curacy—just what, is not precisely known—took him to Paris. Among other powerful persons to whom he went to solicit aid for his parishioners was M. le Cardinal Fesch. One day, when the Emperor had come to visit his uncle, the worthy Curé, who was waiting in the anteroom, found himself present when His Majesty passed. Napoleon, on finding himself observed with a certain curiosity by this old man, turned round and said abruptly:—

      “Who is this good man who is staring at me?”

      “Sire,” said M. Myriel, “you are looking at a good man, and I at a great man. Each of us can profit by it.”

      That very evening, the Emperor asked the Cardinal the name of the Curé, and some time afterwards M. Myriel was utterly astonished to learn that he had been appointed Bishop of D——

      What truth was there, after all, in the stories which were invented as to the early portion of M. Myriel’s life? No one knew. Very few families had been acquainted with the Myriel family before the Revolution.

      M. Myriel had to undergo the fate of every newcomer in a little town, where there are many mouths which talk, and very few heads which think. He was obliged to undergo it although he was a bishop, and because he was a bishop. But after all, the rumors with which his name was connected were rumors only,—noise, sayings, words; less than words—palabres, as the energetic language of the South expresses it.

      However that may be, after nine years of episcopal power and of residence in D——, all the stories and subjects of conversation which engross petty towns and petty people at the outset had fallen into profound oblivion. No one would have dared to mention them; no one would have dared to recall them.

      M. Myriel had arrived at D—— accompanied by an elderly spinster, Mademoiselle Baptistine, who was his sister, and ten years his junior.

      Their only domestic was a female servant of the same age as Mademoiselle Baptistine, and named Madame Magloire, who, after having been the servant of M. le Curé, now assumed the double title of maid to Mademoiselle and housekeeper to Monseigneur.

      Mademoiselle Baptistine was a long, pale, thin, gentle creature; she realized the ideal expressed by the word “respectable”; for it seems that a woman must needs be a mother in order to be venerable. She had never been pretty; her whole life, which had been nothing but a succession of holy deeds, had finally conferred upon her a sort of pallor and transparency; and as she advanced in years she had acquired what may be called the beauty of goodness. What had been leanness in her youth had become transparency in her maturity; and this diaphaneity allowed the angel to be seen. She was a soul rather than a virgin. Her person seemed made of a shadow; there was hardly sufficient body to provide for sex; a little matter enclosing a light; large eyes forever drooping;—a mere pretext for a soul’s remaining on the earth.

      Madame Magloire was a little, fat, white old woman, corpulent and bustling; always out of breath,—in the first place, because of her activity, and in the next, because of her asthma.

      On his arrival, M. Myriel was installed in the episcopal palace with the honors required by the Imperial decrees, which class a bishop immediately after a major-general. The mayor and the president paid the first call on him, and he, in turn, paid the first call on the general and the prefect.

      The installation over, the town waited to see its bishop at work.

      Chapter II

      M. Myriel Becomes M. Wwelcome

      ––––––––

      The episcopal palace of D—— adjoins the hospital.

      The episcopal palace was a huge and beautiful house, built of stone at the beginning of the last century by M. Henri Puget, Doctor of Theology of the Faculty of Paris, Abbé of Simore, who had been Bishop of D—— in 1712. This palace was a genuine seignorial residence. Everything about it had a grand air,—the apartments of the Bishop, the drawing-rooms, the chambers, the principal courtyard, which was very large, with walks encircling it under arcades in the old Florentine fashion, and gardens planted with magnificent trees. In the dining-room, a long and superb gallery which was situated on the ground floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brûlart de Genlis, archbishop; Prince d’Embrun; Antoine de Mesgrigny, the capuchin, Bishop of Grasse; Philippe de Vendôme, Grand Prior of France, Abbé of Saint Honoré de Lérins; François de Berton de Crillon, bishop, Baron de Vence; César de Sabran de Forcalquier, bishop, Seignor of Glandève; and Jean Soanen, Priest of the Oratory, preacher in ordinary to the king, bishop, Seignor of Senez. The portraits of these seven reverend personages decorated this apartment; and this memorable date, the 29th of July, 1714, was there engraved in letters of gold on a table of white marble.

      The hospital was a low and narrow building of a single story, with a small garden.

      Three days after his arrival, the Bishop visited the hospital. The visit ended, he had the director requested to be so good as to come to his house.

      “Monsieur the director of the hospital,” said he to him, “how many sick people have you at the present moment?”

      “Twenty-six, Monseigneur.”

      “That was the number which I counted,” said the Bishop.

      “The beds,” pursued the director, “are very much crowded against each other.”

      “That is what I observed.”

      “The halls are nothing but rooms, and it is with difficulty that the air can be changed in them.”

      “So it seems to me.”

      “And then, when there is a ray of sun, the garden is very small for the convalescents.”

      “That was what I said to myself.”

      “In case of epidemics,—we have had the typhus fever this year; we had the sweating sickness two years ago, and a hundred patients at times,—we know not what to do.”

      “That is the thought which occurred to me.”

      “What would you have, Monseigneur?” said the director. “One must resign one’s self.”

      This conversation took place in the gallery dining-room on the ground floor.

      The Bishop remained silent for a moment; then he turned abruptly to the director of the hospital.

      “Monsieur,” said he, “how many beds do you think this hall alone would hold?”

      “Monseigneur’s dining-room?” exclaimed the stupefied director.

      The Bishop cast a glance round the apartment, and seemed to be taking measures and calculations with his eyes.

      “It would hold full twenty beds,” said he, as though speaking to himself. Then, raising his voice:—

      “Hold, Monsieur the director of the hospital, I will tell you something. There