3 books to know Horatian Satire. Anthony Trollope

sweep them pitilessly from his path.

      Advance then gently all you wish to prove,

      Each proposition prefaced with, "As you've

      So well remarked," or, "As you wisely say,

      And I cannot dispute," or, "By the way,

      This view of it which, better far expressed,

      Runs through your argument." Then leave the rest

      To him, secure that he'll perform his trust

      And prove your views intelligent and just.

      Conmore Apel Brune

      CONVENT, n. A place of retirement for woman who wish for leisure to meditate upon the vice of idleness.

      CONVERSATION, n. A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.

      CORONATION, n. The ceremony of investing a sovereign with the outward and visible signs of his divine right to be blown skyhigh with a dynamite bomb.

      CORPORAL, n. A man who occupies the lowest rung of the military ladder.

      Fiercely the battle raged and, sad to tell,

      Our corporal heroically fell!

      Fame from her height looked down upon the brawl

      And said: "He hadn't very far to fall."

      Giacomo Smith

      CORPORATION, n. An ingenious device for obtaining individual profit without individual responsibility.

      CORSAIR, n. A politician of the seas.

      COURT FOOL, n. The plaintiff.

      COWARD, n. One who in a perilous emergency thinks with his legs.

      CRAYFISH, n. A small crustacean very much resembling the lobster, but less indigestible.

      In this small fish I take it that human wisdom is admirably

      figured and symbolized; for whereas the crayfish doth move only

      backward, and can have only retrospection, seeing naught but the

      perils already passed, so the wisdom of man doth not enable him to

      avoid the follies that beset his course, but only to apprehend

      their nature afterward.

      Sir James Merivale

      CREDITOR, n. One of a tribe of savages dwelling beyond the Financial Straits and dreaded for their desolating incursions.

      CREMONA, n. A high-priced violin made in Connecticut.

      CRITIC, n. A person who boasts himself hard to please because nobody tries to please him.

      There is a land of pure delight,

      Beyond the Jordan's flood,

      Where saints, apparelled all in white,

      Fling back the critic's mud.

      And as he legs it through the skies,

      His pelt a sable hue,

      He sorrows sore to recognize

      The missiles that he threw.

      Orrin Goof

      CROSS, n. An ancient religious symbol erroneously supposed to owe its significance to the most solemn event in the history of Christianity, but really antedating it by thousands of years. By many it has been believed to be identical with the crux ansata of the ancient phallic worship, but it has been traced even beyond all that we know of that, to the rites of primitive peoples. We have to-day the White Cross as a symbol of chastity, and the Red Cross as a badge of benevolent neutrality in war. Having in mind the former, the reverend Father Gassalasca Jape smites the lyre to the effect following:

      "Be good, be good!" the sisterhood

      Cry out in holy chorus,

      And, to dissuade from sin, parade

      Their various charms before us.

      But why, O why, has ne'er an eye

      Seen her of winsome manner

      And youthful grace and pretty face

      Flaunting the White Cross banner?

      Now where's the need of speech and screed

      To better our behaving?

      A simpler plan for saving man

      (But, first, is he worth saving?)

      Is, dears, when he declines to flee

      From bad thoughts that beset him,

      Ignores the Law as 't were a straw,

      And wants to sin—don't let him.

      CUI BONO? [Latin] What good would that do me?

      CUNNING, n. The faculty that distinguishes a weak animal or person from a strong one. It brings its possessor much mental satisfaction and great material adversity. An Italian proverb says: "The furrier gets the skins of more foxes than asses."

      CUPID, n. The so-called god of love. This bastard creation of a barbarous fancy was no doubt inflicted upon mythology for the sins of its deities. Of all unbeautiful and inappropriate conceptions this is the most reasonless and offensive. The notion of symbolizing sexual love by a semisexless babe, and comparing the pains of passion to the wounds of an arrow—of introducing this pudgy homunculus into art grossly to materialize the subtle spirit and suggestion of the work— this is eminently worthy of the age that, giving it birth, laid it on the doorstep of prosperity.

      CURIOSITY, n. An objectionable quality of the female mind. The desire to know whether or not a woman is cursed with curiosity is one of the most active and insatiable passions of the masculine soul.

      CURSE, v.t. Energetically to belabor with a verbal slap-stick. This is an operation which in literature, particularly in the drama, is commonly fatal to the victim. Nevertheless, the liability to a cursing is a risk that cuts but a small figure in fixing the rates of life insurance.

      CYNIC, n. A blackguard whose faulty vision sees things as they are, not as they ought to be. Hence the custom among the Scythians of plucking out a cynic's eyes to improve his vision.

      D

      ––––––––

      DAMN, v. A word formerly much used by the Paphlagonians, the meaning of which is lost. By the learned Dr. Dolabelly Gak it is believed to have been a term of satisfaction, implying the highest possible degree of mental tranquillity. Professor Groke, on the contrary, thinks it expressed an emotion of tumultuous delight, because it so frequently occurs in combination with the word jod or god, meaning "joy." It would be with great diffidence that I should advance an opinion conflicting with that of either of these formidable authorities.

      DANCE, v.i. To leap about to the sound of tittering music, preferably with arms about your neighbor's wife or daughter. There are many kinds of dances, but all those requiring the participation of the two sexes have two characteristics in common: they are conspicuously innocent, and warmly loved by the vicious.

      DANGER, n.

      A savage beast which, when it sleeps,

      Man girds at and despises,

      But takes himself away by leaps

      And bounds when it arises.

      Ambat Delaso

      DARING, n. One of the most conspicuous