THE COLLECTED WORKS OF LOUISA MAY ALCOTT (Illustrated Edition). Louisa May Alcott

Gladys entreats him to spare it, and Helwyze offers to read it to her. She is overcome and melted with emotion at the passion and pathos of the story; and when Helwyze asks, "Shall I burn it?" Felix answers, "No!" Again the book brings success and admiration, but the tender wife sees that it does not insure happiness, and that her husband is plunging into the excitement of gambling.

      The demon Helwyze has complete control over the poet, which he exercises with such subtle tyranny that the young man is driven to the dreadful thought of murder to escape from him; but he is saved from the deed by the gentle influence of his wife, who has won his heart at last, unconscious that it had not always been hers.

      Helwyze finds his own punishment. One being resists his power,–Gladys breathes his poisoned atmosphere unharmed. He sends for Olivia as his ally to separate the wife from her husband's love. A passion of curiosity possesses him to read her very heart; and at last he resorts to a strange means to accomplish his purpose. He gives her an exciting drug without her knowledge, and under its influence she speaks and acts with a rare genius which calls forth the admiration of all the group. Left alone with her, Helwyze exercises his magnetic power to draw forth the secrets of her heart; but he reads there only a pure and true love for her husband, and fear of the unhallowed passion which he is cherishing. The secret of his power over the husband is at last revealed. Canaris has published as his own the work of Helwyze, and all the fame and glory he has received has been won by deceit, and is a miserable mockery.

      The tragic result is inevitable. Gladys dies under the pressure of a burden too heavy for her,–the knowledge of deceit in him she had loved and trusted; while the stricken Helwyze is paralyzed, and lives henceforth only a death in life.

      With all the elements of power and beauty in this singular book, it fails to charm and win the heart of the reader. The circumstances are in a romantic setting, but still they are prosaic; and tragedy is only endurable when taken up into the region of the ideal, where the thought of the universal rounds out all traits of the individual. In Goethe's Faust, Margaret is the sweetest and simplest of maidens; but in her is the life of all wronged and suffering womanhood.

      The realism which is delightful in the pictures of little women and merry boys is painful when connected with passions so morbid and lives so far removed from joy and sanity. As in her early dramas and sensational stories, we do not find Louisa Alcott's own broad, generous, healthy life, or that which lay around her, in this book, but the reminiscences of her reading, which she had striven to make her own by invention and fancy.

      This note refers to "A Modern Mephistopheles":–

      [1877.]

      Dear Mr. Niles,–I had to keep the proof longer than I meant because a funeral came in the way.

      The book as last sent is lovely, and much bigger than I expected.

      Poor "Marmee," ill in bed, hugged it, and said, "It is perfect! only I do wish your name could be on it." She is very proud of it; and tender-hearted Anna weeps and broods over it, calling Gladys the best and sweetest character I ever did. So much for home opinion; now let's see what the public will say.

      May clamors for it; but I don't want to send this till she has had one or two of the others. Have you sent her "Is That All?" If not, please do; then it won't look suspicious to send only "M. M."

      I am so glad the job is done, and hope it won't disgrace the series. Is not another to come before this? I hope so; for many people suspect what is up, and I could tell my fibs about No. 6 better if it was not mine.

      Thanks for the trouble you have taken to keep the secret. Now the fun will begin.

      Yours truly,

      L. M. A.

      P. S.–Bean's expressman grins when he hands in the daily parcel. He is a Concord man.

      By Louisa's help the younger sister again went abroad in 1876; and her bright affectionate letters cheered the little household, much saddened by the mother's illness.

      Journal.

      January, 1876.–Helped Mrs. Croly receive two hundred gentlemen.

      A letter from Baron Tauchnitz asking leave to put my book in his foreign library, and sending 600 marks to pay for it. Said, "Yes, thank you, Baron."

      Went to Philadelphia to see Cousin J. May installed in Dr. Furness's pulpit. Dull place is Philadelphia. Heard Beecher preach; did not like him....

      Went home on the 21st, finding I could not work here. Soon tire of being a fine lady.

      February and March.–Took a room in B., and fell to work on short tales for F. T. N. wanted a centennial story; but my frivolous New York life left me no ideas. Went to Centennial Ball at Music Hall, and got an idea.

      Wrote a tale of "'76," which with others will make a catchpenny book. Mother poorly, so I go home to nurse her.

      April, May, and June.–Mother better. Nan and boys go to P. farm. May and I clean the old house. It seems as if the dust of two centuries haunted the ancient mansion, and came out spring and fall in a ghostly way for us to clear up.

      Great freshets and trouble.

      Exposition in Philadelphia; don't care to go. America ought to pay her debts before she gives parties. "Silver Pitchers," etc., comes out, and goes well. Poor stuff; but the mill must keep on grinding even chaff.

      June.–Lovely month! Keep hotel and wait on Marmee.

      Try to get up steam for a new serial, as Mrs. Dodge wants one, and Scribner offers $3,000 for it. Roberts Brothers want a novel; and the various newspapers and magazines clamor for tales. My brain is squeezed dry, and I can only wait for help.

      July, August.–Get an idea and start "Rose in Bloom," though I hate sequels.

      September.–On the 9th my dear girl sails in the "China" for a year in London or Paris. God be with her! She has done her distasteful duty faithfully, and deserved a reward. She cannot find the help she needs here, and is happy and busy in her own world over there.

      [She never came home.–L. M. A.]

      Finish "Rose."

      November.–"Rose" comes out; sells well.

      ... Forty-four years old. My new task gets on slowly; but I keep at it, and can be a prop, if not an angel, in the house, as Nan is.

      December.–Miss P. sends us a pretty oil sketch of May,–so like the dear soul in her violet wrapper, with yellow curls piled up, and the long hand at work. Mother delights in it.

      She (M.) is doing finely, and says, "I am getting on, and I feel as if it was not all a mistake; for I have some talent, and will prove it." Modesty is a sign of genius, and I think our girl has both. The money I invest in her pays the sort of interest I like. I am proud to have her show what she can do, and have her depend upon no one but me. Success to little Raphael! My dull winter is much cheered by her happiness and success.

      January, February, 1877.–The year begins well. Nan keeps house; boys fine, tall lads, good and gay; Father busy with his new book; Mother cosey with her sewing, letters, Johnson, and success of her "girls."

      Went for some weeks to the Bellevue, and wrote "A Modern Mephistopheles" for the No Name Series. It has been simmering ever since I read Faust last year. Enjoyed doing it, being tired of providing moral pap for the young. Long to write a novel, but cannot get time enough.

      May's letters our delight. She is so in earnest she will not stop for pleasure, rest, or society, but works away like a Trojan. Her work admired by masters and mates for its vigor and character.

      March.–Begin to think of buying the Thoreau place for Nan. The $4,000 received from the Vt. and Eastern R. Rs. must be invested, and she wants a home of her own, now the lads are growing up.

      Mother can be with her in the winter for a change, and leave me free to write in B. Concord has no inspiration for me.

      April.–May, at the request of