The Expression of the Emotions in Man and Animals. Чарльз Дарвин

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       Charles Darwin

      The Expression of the Emotions in Man and Animals

      Published by Good Press, 2019

       [email protected]

      EAN 4057664102096

Table of Contents

       DETAILED CONTENTS.

       ON THE EXPRESSION OF THE EMOTIONS IN MAN AND ANIMALS.

       INTRODUCTION.

       CHAPTER I. — GENERAL PRINCIPLES OF EXPRESSION.

       CHAPTER II. — GENERAL PRINCIPLES OF EXPRESSION— continued .

       CHAPTER III. — GENERAL PRINCIPLES OF EXPRESSION— concluded .

       CHAPTER IV. — MEANS OF EXPRESSION IN ANIMALS.

       CHAPTER V. — SPECIAL EXPRESSIONS OF ANIMALS.

       CHAPTER VI. — SPECIAL EXPRESSIONS OF MAN: SUFFERING AND WEEPING.

       CHAPTER VII. — LOW SPIRITS, ANXIETY, GRIEF, DEJECTION, DESPAIR.

       CHAPTER VIII. — JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS, DEVOTION.

       CHAPTER IX. — REFLECTION—MEDITATION-ILL-TEMPER—SULKINESS—DETERMINATION.

       CHAPTER X. — HATRED AND ANGER.

       CHAPTER XI. — DISDAIN—CONTEMPT—DISGUST-GUILT—PRIDE, ETC.—HELPLESSNESS—PATIENCE—AFFIRMATION AND NEGATION.

       CHAPTER XII. — SURPRISE—ASTONISHMENT—FEAR—HORROR.

       CHAPTER XIII. — SELF-ATTENTION—SHAME—SHYNESS—MODESTY: BLUSHING.

       CHAPTER XIV. — CONCLUDING REMARKS AND SUMMARY.

      ILLUSTRATIONS

       Muscles of the Human Face. Fig 1–2

       Muscles of the Human Face. Fig 3

       Small Dog Watching a Cat on A Table. Figure 4

       Dog in a Hostile Frame of Mind. Fig. 5

       Dog in a humble and Affectionate Frame of Mind. Fig. 6

       Dog in a Hostile Frame of Mind. Fig. 7

       Dog Carressing his Master. Fig. 8

       Cat, Savage, and Prepared to Fight. Fig. 9

       Cat in an Affectionate Frame of Mind. Fig. 10

       Sound Producing Quills from Tail of a Porcupine. Fig. 11

       Hen Driving Away a Dog from Her Chickens. Fig. 12

       Swan Driving Away an Intruder. Fig 13

       Head of Snarling Dog. Fig 14

       Cat Terrified at a Dog. Fig.15

       Cynopithecus Niger, Pleased by Being Caressed. Fig.17

       Chimpanzee Disappointed and Sulky. Fig. 18

       Screaming Infants. Plate I.

       Obliquity of the Eyebrows. Plate II

       Moderate Laughter and Smiling. Plate III

       Ill-temper. Plate IV

       Anger and Indignation. Plate VI

       Scorn and Disdain. Plate V

       Gestures of the Body. Plate VII

       Photograph of an Insane Woman. Fig. 19

       Terror. Fig. 20

       Horror and Agony. Fig. 21

      N. B.—Several of the figures in these seven Heliotype Plates have been reproduced from photographs, instead of from the original negatives; and they are in consequence somewhat indistinct. Nevertheless they are faithful copies, and are much superior for my purpose to any drawing, however carefully executed.

DETAILED CONTENTS.

       Table of Contents

      INTRODUCTION … … … … … … … … … … … … … … … … … … Pages 1–26

      CHAP. I—GENERAL PRINCIPLES OF EXPRESSION.The three chief principles stated—The first principle—Serviceable actions become habitual in association with certain states of the mind, and are performed whether or not of service in each particular case—The force of habit—Inheritance—Associated habitual movements in man—Reflex actions—Passage of habits into reflex actions—Associated habitual movements in the lower animals—Concluding remarks … … … … 27–49

      CHAP. II—GENERAL PRINCIPLES OF EXPRESSION—continued. The Principle of Antithesis—Instances in the dog and cat—Origin of the principle—Conventional signs—The principle of antithesis has not arisen from opposite actions being consciously performed under opposite impulses … … . … 50–65

      CHAP. III—GENERAL PRINCIPLES OF EXPRESSION—concluded. The principle of the direct action of the excited nervous system on the body, independently of the