CHRISTMAS CLASSICS: 150+ Novels, Stories & Poems (Illustrated Edition). Гарриет Бичер-Стоу

king's house."

      "That is all the same. The king left it to me to take care of, and that you shall know!"

      "Is the king dead, ma'am, that he has left it to you?" asked Curdie, half in doubt from the self-assertion of the woman.

      "Insolent fellow!" exclaimed the housekeeper. "Don't you see by my dress that I am in the king's service?"

      "And am I not one of his miners?"

      "Ah! that goes for nothing. I am one of his household. You are an out-of-doors labourer. You are a nobody. You carry a pickaxe. I carry the keys at my girdle. See!"

      "But you must not call one a nobody to whom the king has spoken," said Curdie.

      "Go along with you!" cried the housekeeper, and would have shut the door in his face, had she not been afraid that when she stepped back he would step in ere she could get it in motion, for it was very heavy, and always seemed unwilling to shut. Curdie came a pace nearer. She lifted the great house key from her side, and threatened to strike him down with it, calling aloud on Mar and Whelk and Plout, the men-servants under her, to come and help her. Ere one of them could answer, however, she gave a great shriek and turned and fled, leaving the door wide open.

      Curdie looked behind him, and saw an animal whose gruesome oddity even he, who knew so many of the strange creatures, two of which were never the same, that used to live inside the mountain with their masters the goblins, had never seen equalled. Its eyes were flaming with anger, but it seemed to be at the housekeeper, for it came cowering and creeping up, and laid its head on the ground at Curdie's feet. Curdie hardly waited to look at it, however, but ran into the house, eager to get up the stairs before any of the men should come to annoy—he had no fear of their preventing him. Without halt or hindrance, though the passages were nearly dark, he reached the door of the princess's workroom, and knocked.

      "Come in," said the voice of the princess.

      Curdie opened the door,—but, to his astonishment, saw no room there. Could he have opened a wrong door? There was the great sky, and the stars, and beneath he could see nothing—only darkness! But what was that in the sky, straight in front of him? A great wheel of fire, turning and turning, and flashing out blue lights!

      "Come in, Curdie," said the voice again.

      "I would at once, ma'am," said Curdie, "if I were sure I was standing at your door."

      "Why should you doubt it, Curdie?"

      "Because I see neither walls nor floor, only darkness and the great sky."

      "That is all right, Curdie. Come in."

      Curdie stepped forward at once. He was indeed, for the very crumb of a moment, tempted to feel before him with his foot; but he saw that would be to distrust the princess, and a greater rudeness he could not offer her. So he stepped straight in—I will not say without a little tremble at the thought of finding no floor beneath his foot. But that which had need of the floor found it, and his foot was satisfied.

      No sooner was he in than he saw that the great revolving wheel in the sky was the princess's spinning-wheel, near the other end of the room, turning very fast. He could see no sky or stars any more, but the wheel was flashing out blue—oh such lovely sky-blue light!—and behind it of course sat the princess, but whether an old woman as thin as a skeleton leaf, or a glorious lady as young as perfection, he could not tell for the turning and flashing of the wheel.

      "Listen to the wheel," said the voice which had already grown dear to Curdie: its very tone was precious like a jewel, not as a jewel, for no jewel could compare with it in preciousness.

      And Curdie listened and listened.

      "What is it saying?" asked the voice.

      "It is singing," answered Curdie.

      "What is it singing?"

      Curdie tried to make out, but thought he could not; for no sooner had he got a hold of something than it vanished again. Yet he listened, and listened, entranced with delight.

      "Thank you, Curdie," said the voice.

      "Ma'am," said Curdie, "I did try hard for a while, but I could not make anything of it."

      "Oh, yes, you did, and you have been telling it to me! Shall I tell you again what I told my wheel, and my wheel told you, and you have just told me without knowing it?"

      "Please, ma'am."

      Then the lady began to sing, and her wheel spun an accompaniment to her song, and the music of the wheel was like the music of an Æolian harp blown upon by the wind that bloweth where it listeth. Oh! the sweet sounds of that spinning-wheel! Now they were gold, now silver, now grass, now palm-trees, now ancient cities, now rubies, now mountain brooks, now peacock's feathers, now clouds, now snowdrops, and now mid-sea islands. But for the voice that sang through it all, about that I have no words to tell. It would make you weep if I were able to tell you what that was like, it was so beautiful and true and lovely. But this is something like the words of its song:—

      The stars are spinning their threads,

       And the clouds are the dust that flies,

       And the suns are weaving them up

       For the time when the sleepers shall rise.

       The ocean in music rolls,

       And gems are turning to eyes,

       And the trees are gathering souls

       For the time when the sleepers shall rise.

       The weepers are learning to smile,

       And laughter to glean the sighs;

       Burn and bury the care and guile,

       For the day when the sleepers shall rise.

       Oh, the dews and the moths and the daisy-red,

       The larks and the glimmers and flows!

       The lilies and sparrows and daily bread,

       And the something that nobody knows!

      The princess stopped, her wheel stopped, and she laughed. And her laugh was sweeter than song and wheel; sweeter than running brook and silver bell; sweeter than joy itself, for the heart of the laugh was love.

      "Come now, Curdie, to this side of my wheel, and you will find me," she said; and her laugh seemed sounding on still in the words, as if they were made of breath that had laughed.

      Curdie obeyed, and passed the wheel, and there she stood to receive him!—fairer than when he saw her last, a little younger still, and dressed not in green and emeralds, but in pale blue, with a coronet of silver set with pearls, and slippers covered with opals, that gleamed every colour of the rainbow. It was some time before Curdie could take his eyes from the marvel of her loveliness. Fearing at last that he was rude, he turned them away; and, behold, he was in a room that was for beauty marvellous! The lofty ceiling was all a golden vine, whose great clusters of carbuncles, rubies, and chrysoberyls, hung down like the bosses of groined arches, and in its centre hung the most glorious lamp that human eyes ever saw—the Silver Moon itself, a globe of silver, as it seemed, with a heart of light so wondrous potent that it rendered the mass translucent, and altogether radiant.

      The room was so large that, looking back, he could scarcely see the end at which he entered; but the other was only a few yards from him—and there he saw another wonder: on a huge hearth a great fire was burning, and the fire was a huge heap of roses, and yet it was fire. The smell of the roses filled the air, and the heat of the flames of them glowed upon his face. He turned an inquiring look upon the lady, and saw that she was now seated in an ancient chair, the legs of which were crusted with gems, but the upper part like a nest of daisies and moss and green grass.

      "Curdie," she said in answer to his eyes, "you have stood more than one trial already, and have stood them well: now I am going to put you to a harder. Do you think you are prepared for it?"

      "How can I tell, ma'am?" he returned, "seeing I do not know what it is, or what preparation it needs?